Tique - art space for books

Tique - art space for books Contactgegevens, kaart en routebeschrijving, contactformulier, openingstijden, diensten, beoordelingen, foto's, video's en aankondigingen van Tique - art space for books, Boekwinkel, Korte Vlierstraat 5, Antwerp.

Now at Tique: Network Affect - Intersubjectivity IV, edited by Mira Dayal, Kolja Glaeser, Adina GlicksteinIntersubjectiv...
08/06/2026

Now at Tique: Network Affect - Intersubjectivity IV, edited by Mira Dayal, Kolja Glaeser, Adina Glickstein

Intersubjectivity Vol. IV explores the shifting stakes and responsibilities of intersubjective exchange—among individuals, between individuals and machines, and among machines—within increasingly networked social, political, and informational systems.

While recent technological advancements highlight the advantages of decentralization, they also reveal how their functionalities limit our autonomy, guide us along paths dictated by capital, and even incite authoritarian tendencies. What tangible impacts does the digital realm impose on physical bodies, and who is most affected by these consequences? Through case studies, media analyses, object lessons, experimental texts, and other interdisciplinary methods of inquiry and critique, contributors examine our current frameworks and envision potential futures.

Contributions by Franco “Bifo” Berardi, , , .cirio.art, , , William Kherbek, , .l.leeson, , , Luciana Parisi, Seth Price, Alessandra Renzi, Quinn Slobodian, PATRICK URS RIECHERT and ELENA VOGMAN, Jan de Vos,

Available at our space and online at https://tique.space/news/network-affect-intersubjectivity-iv

Intersubjectivity Vol. IV explores the shifting stakes and responsibilities of intersubjective exchange—among individuals, between individuals and machines, and among machines—within increasingly networked social, political, and informational systems.

07/06/2026

Now at Tique: Flowers in the Mirror: A Reader by Ruben Lundgren

‘Flowers in the Mirror’ draws on Ruben Lundgren’s life and observations in China, where he lived for twenty years. His enduring fascination with photography and the tension between image and reality form the starting point of his work. Over time, this interest has evolved into an existential inquiry, in which Lundgren explores his q***r identity, his position as both an outsider and insider in China, and his long-standing fascination with facades. ‘Flowers in the Mirror’ presents a kaleidoscopic overview of Lundgren’s work, bringing together new projects, earlier series, found footage, and photographs from his personal archive.

Available at our space and online at https://tique.space/news/flowers-in-the-mirror-a-reader-ruben-lundgren

‘Flowers in the Mirror’ draws on Ruben Lundgren’s life and observations in China, where he lived for twenty years. His enduring fascination with photography and the tension between image and reality form the starting point of his work. Over time, this interest has evolved into an existential i...

Now at Tique: Hosting Space by Maike StatzHosting Space explores how processes of hosting, such as access, support, and ...
06/06/2026

Now at Tique: Hosting Space by Maike Statz

Hosting Space explores how processes of hosting, such as access, support, and gathering, operate within the context of an art institution. It invites readers to reconsider how these activities are embedded in the spaces we inhabit and how they shape spatial practices.

The publication reflects on an exhibition and event program curated by Maike Statz at Hordaland Kunstsenter, Bergen, in 2023, bringing together visual documentation, new writing, and interviews with Staci Bu Shea, Océane Vé-Réveillac, and César Reyes Nájera. Through these contributions, the book considers how art institutions and spatial practitioners might operate differently by prioritizing accessibility, interdependence, difference, maintenance, and spaces for spontaneous gathering.

Designed by Francesca Lucchitta and edited by Mathijs van Geest, Hosting Space is both an invitation and an active archive, engaging with ongoing discussions on socially engaged practices, institutional critique, and exhibition-making as a method of research.

Available at our space and online at https://tique.space/news/hosting-space

Hosting Space explores how processes of hosting, such as access, support, and gathering, operate within the context of an art institution. It invites readers to reconsider how these activities are embedded in the spaces we inhabit and how they shape spatial practices.

Now at Tique: the Schools of Departure seriesUnder the title “Schools of Departure”, the Bauhaus Dessau Foundation has d...
05/06/2026

Now at Tique: the Schools of Departure series

Under the title “Schools of Departure”, the Bauhaus Dessau Foundation has developed an atlas that brings together research findings on the global connections between Bauhaus pedagogy and reform projects in 20th-century design education. The journals are available in a handy paperback format.

No. 1: Decolonising Design Education
No. 2: The New Designer – Design as a profession
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning

Available at our space and online at https://tique.space/news/schools-of-departure

Under the title “Schools of Departure”, the Bauhaus Dessau Foundation has developed a digital atlas that brings together research findings on the global connections between Bauhaus pedagogy and reform projects in 20th-century design education. The journals published on the online platform are al...

Now at Tique: Occult EyeBibliomancers continue their survey of 1970s and 80s occult mass market paperbacks with a new sp...
04/06/2026

Now at Tique: Occult Eye

Bibliomancers continue their survey of 1970s and 80s occult mass market paperbacks with a new special edition of Occult Eye.

Occult Eye takes a closer look at the world of the occult sciences ESP, parapsychology, countercultural spiritualism, iconography of new religious movement, pagan fashion trends with a special examination of the graphics and design elements from 1970s gnostic newspapers. The images inside Occult Eye may tell the story a wider search for meaning during a period of social upheaval following the Vietnam War or betray fears about hidden occult influence fuelled the Satanic Panic. These dynamics shaped a cultural fascination with the mystical that persists today.

Bibliomancers is an independent publishing house based in Los Angeles, specialising in the archival exploration of vintage print design and its relationship to cultural movements.

Available at our space and online at https://tique.space/news/occult-eye

Bibliomancers continue their survey of 1970s and 80s occult mass market paperbacks with a new special edition of Occult Eye.

Now at Tique: Broadcast Issue 03Pioneer Works Broadcast is the official magazine of Pioneer Works, devoted to joining ar...
02/06/2026

Now at Tique: Broadcast Issue 03

Pioneer Works Broadcast is the official magazine of Pioneer Works, devoted to joining art and science. The third issue features a conversation with Miranda July; explorations of undersea cartography and baby-making on Mars; new essays by Catherine Lacey and Marcus J. Moore; fiction by Chris Kraus; drawings from Daniel Johnston; poetry by Eileen Myles, Brandon Kilbourne, and Ariana Reines, and more.

Available at our space and online at https://tique.space/news/broadcast-issue-03

Pioneer Works Broadcast is the official magazine of Pioneer Works, devoted to joining art and science. The third issue features a conversation with Miranda July; explorations of undersea cartography and baby-making on Mars; new essays by Catherine Lacey and Marcus J. Moore; fiction by Chris Kraus; d...

Now at Tique: te issue 4: Spinal MemoryThe moment human fingertips lifted from the ground, upright walking became a priv...
29/05/2026

Now at Tique: te issue 4: Spinal Memory

The moment human fingertips lifted from the ground, upright walking became a privilege rather than a mere posture. The liberated hands could now be used to create tools for defense and hunting. The pupils’ gazes shifted from a level view to a downward perspective, a physical change that also translated into an awareness that overlooked other species. The spine, situated at the center of the human body, acts like a covert ruler, measuring the scale of evolution and supporting the illusion of being “human-centric.” Thus, humans stand, placing themselves far above all other creatures. Following this profound gestural revolution came the imagination and manipulation of non-human animals (the Others), turning them into livestock and companions, as their wildness was rewritten as docility. Their bodies became resources to be medicated and refined, transforming into instruments for milk and nutritious meat production. They became basic knowledge and research data, linking humanity’s ever-expanding and illusory colonial territories.

Discussions and attempts to understand often struggle to escape the limitations of human centrism. Trapped in a persistent ethical dilemma, we find it difficult to navigate the unequal power dynamics that confine us. As the urgency of environmental and ecological issues intensifies, a question repeatedly emerges: Is it possible for us to construct a relatively equal multi-species world? Can we, with greater humility and introspection, relearn how to coexist with the Others? This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on non-human animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Returning to the interior of the body, each vertebra of the spine accumulates traces of human transitions and memories that have yet to dissipate. However, the spine has never fully completed its evolution; its flaws are evident, and the hidden pain it causes always accompanies the body. Perhaps it is this persistent pain that continually reminds us that suffering, which may seem unrelated to us, can be perceived anew from the fissure of spines. By stepping into the bodies of Others, to feel and acknowledge them, a slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

Available at our space and online at https://tique.space/news/te-issue-4-spinal-memory

28/05/2026

Now at Tique: Alphabettes Soup: Feminist Approaches to Type, edited by Amy Papaelias

Alphabettes Soup: 2015–2025 celebrates a decade of feminist approaches to type research, design, and creative community-building. The book blends key articles from the Alphabettes platform with original essays, exploring intersections between culture, language, business practices, technology, and type. It also includes interviews with Alphabettes members, visual histories, and reflections on past and ongoing initiatives. More than an anthology, Alphabettes Soup is a dynamic collection of voices and stories. The book is conceived as a type specimen, showcasing over 100 typefaces designed by women and non-binary individuals. Aimed at challenging dominant narratives in type history and contemporary practice, Alphabettes Soup seeks to inspire future generations to create their own decentralized design communities.

Available at our space and online at https://tique.space/news/alphabettes-soup-feminist-approaches-to-type

Alphabettes Soup: 2015–2025 celebrates a decade of feminist approaches to type research, design, and creative community-building. The book blends key articles from the Alphabettes platform with original essays, exploring intersections between culture, language, business practices, technology, and ...

Now at Tique: O.OO: No Magic In Riso (3rd reprint)It took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000...
25/05/2026

Now at Tique: O.OO: No Magic In Riso (3rd reprint)

It took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is colour separation and experimentation with images. The studio does not claim the colour separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.

Available at our space and online at https://tique.space/news/o-oo-no-magic-in-riso-3rd-reprint

It took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did n...

Now at Tique: My Center is Not in the Solar System: Tributes to Etel Adnan‘Etel. Her name has a talismanic quality. We h...
23/05/2026

Now at Tique: My Center is Not in the Solar System: Tributes to Etel Adnan

‘Etel. Her name has a talismanic quality. We heard about her in California, met her in Beirut, ate ice cream with her in Paris. […] We wrote down everything she said because it had the feel/cadence/glow of sacred wisdom.’ Negar Azimi, Anna Della Subin, Michael C. Vazquez

My Center is Not in the Solar System is a sweeping and tender collection of essays on the life and work of the late Lebanese poet and painter Etel Adnan, whose art bore witness to so many of the twentieth and twenty-first centuries’ epochal shifts. In ever-evolving and experimental forms, the book gathers reflections from friends, collaborators, and admirers, alongside a selection of Adnan’s final, previously unpublished watercolour paintings. Co-published with Bidoun, this volume stands as both tribute and testament to an artist whose presence, like her words, continues to radiate.

With writings by Aria Aber, Omar Berrada, Gavin Bryars, Stuart Comer, Dominique Eddé, Fouad Elkoury, Joana Hadjithomas & Khalil Joreige, Bruce Hainley, Isabella Hammad, Lamia Joreige, Abdellatif Laabi, Emily LaBarge, Quinn Latimer, Eileen Myles, Edwin Nasr, Hans Ulrich Obrist, Ariana Reines, Lynne Tillman, Fawwaz Traboulsi, Anne Waldman, Robert Wilson, and Kaelen Wilson-Goldie.

Available at our space and online at https://tique.space/news/my-center-is-not-in-the-solar-system-tributes-to-etel-adnan

My Center is Not in the Solar System is a sweeping and tender collection of essays on the life and work of the late Lebanese poet and painter Etel Adnan, whose art bore witness to so many of the twentieth and twenty-first centuries’ epochal shifts. In ever-evolving and experimental forms, the book...

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