31/10/2024
One of the most notable centers of Vietnamese ceramics is Bat Trang Village. Known as a ceramics hub, Bat Trang has been producing high-quality pottery since the 14th century, with techniques passed down through generations that continue to the present day.
Introduction to Japan and Influence on Tea Ceremony
The name “Annam” comes from the “Annan Protectorate,” a governing region established by China during the Tang Dynasty to control northern Vietnam. Ceramics produced in this region became known as “Annam ware” when they were imported to Japan between the late 16th and early 17th centuries, a time when tea ceremonies were becoming widespread in Japan. In these ceremonies, tea bowls and water jars played a vital role, and the exotic allure of Annam ware quickly gained popularity.
One of the most notable techniques in Annam ware is “Annam Shibori-de,” known for its blurred patterns resembling tie-dye (shibori). This technique was often used in various tea wares, with designs featuring motifs such as dragonflies, arabesques, lotus petals, shrimp, birds, flowers, and characters. Over time, detailed traditional Chinese patterns evolved into quick and dynamic sketches, showcasing unique Vietnamese creativity. The simple yet bold and dreamy abstract motifs of blurred underglaze painting fit beautifully with the spirit of tea ceremony, leaving a lasting influence on Japanese ceramics for centuries to come.
Vietnamese ceramics, while influenced by Chinese techniques, developed into a unique style rooted in Vietnamese culture and natural elements such as clay, water, and wood (ash). Annam ware continued to evolve in response to the requests of Japanese tea practitioners. It stands as a fascinating intersection between Vietnamese ceramics and Japanese tea culture, with its beauty and craftsmanship continuing to capture attention even today.
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