Irix Lens

Irix Lens Deliver a powerful message to the world with just a single frame 📸 We believe that you can deliver a powerful message to the world with just a single frame.

Enter the world of finest gear for dreamers, visionaries, and idealists that have a passion for photography and cinematography. We create not only lenses, we create something more - we create a whole system of compatible tools to support you in the creative process. The synergy of Swiss precision and Korean ingenuity makes our products unique. Thanks to this fusion, we can provide you with a supre

me optical performance and high precision mechanisms. But the most significant for us is the connection between classic design and maximum functionality. These are the core values behind the creation of every Irix product. It’s time to create your own story and we want to be a part of that story.


Night shots get more interesting when you give the sky something to work with.Here, the flowers in the foreground keep t...
07/09/2026

Night shots get more interesting when you give the sky something to work with.

Here, the flowers in the foreground keep the frame from being just another stars-over-landscape photo.

Stefano Perrone captured this with the Irix 15mm, using the wide view to keep both the foreground and the night sky in play.

See the Irix 15mm on our website. Link in bio.

11mm changes the way you look for a shot.You start paying more attention to what's close to the camera, because the fore...
06/09/2026

11mm changes the way you look for a shot.

You start paying more attention to what's close to the camera, because the foreground suddenly has just as much say in the composition as everything in the distance.

Imanol and Unai Larraya Carabantes put the Irix 11mm f/4 to work with exactly that kind of perspective.

See the Irix 11mm f/4 in our store. Link in bio.

Macro photography is basically permission to be nosy with your camera.Get close enough and suddenly a flower has texture...
05/09/2026

Macro photography is basically permission to be nosy with your camera.

Get close enough and suddenly a flower has textures, patterns, and details you probably wouldn't notice otherwise.

Antonino La Spina captured this with the Irix 150mm f/2.8 Macro, keeping the details sharp while letting the background stay soft and out of the way.

See the Irix 150mm f/2.8 Macro on our website. Link in bio.

Old buildings are patient.They've been photographed thousands of times, so the challenge isn't finding the subject. It's...
03/09/2026

Old buildings are patient.

They've been photographed thousands of times, so the challenge isn't finding the subject. It's finding your frame.

Fernand Goncalves captured this with the Irix 45mm f/1.4, keeping the composition simple and letting the light do the rest.

See the Irix 45mm f/1.4 on our website. Link in bio.

One thing we love about ultra-wide shots?When they're done right, you stop noticing the lens and start paying attention ...
02/09/2026

One thing we love about ultra-wide shots?

When they're done right, you stop noticing the lens and start paying attention to the scene.

That's what .filmuje captured with the Irix Cine 11mm. A wide frame that feels natural, with plenty of room to build a shot without it feeling overdone.

See the Irix Cine 11mm in our store. Link in bio.

Abandoned places are full of distractions.Broken windows, peeling paint, debris everywhere.The trick is finding one comp...
01/09/2026

Abandoned places are full of distractions.

Broken windows, peeling paint, debris everywhere.

The trick is finding one composition that makes all that chaos feel organized.

Niki Feijen captured this with the Irix 11mm, using the symmetry of the building to let the architecture speak for itself.

See the Irix 11mm on our website. Link in bio.

Astrophotography teaches you one thing pretty quickly.Patience.You spend more time waiting, checking the forecast, and h...
31/08/2026

Astrophotography teaches you one thing pretty quickly.

Patience.

You spend more time waiting, checking the forecast, and hoping the clouds stay away than you do pressing the shutter.

Dionisis Eleftheriadis captured this with the Irix 30mm, and I'd say the wait was worth it.

See the Irix 30mm on our website. Link in bio.

Winter landscapes can be frustrating to photograph.Everything looks white until the light starts doing its thing.That's ...
30/08/2026

Winter landscapes can be frustrating to photograph.

Everything looks white until the light starts doing its thing.

That's when the scene comes together.

Captured by with the Irix 11mm, making the most of those few minutes when the sky and the snow finally work together.

See the Irix 11mm on our website. Link in bio.

Architecture doesn't give you much to hide behind.If the composition is off, you notice it straight away.That's what we ...
29/08/2026

Architecture doesn't give you much to hide behind.

If the composition is off, you notice it straight away.

That's what we like about shooting buildings. It forces you to slow down, look at the lines, and keep moving until everything clicks.

David FilmMaker captured this with the Irix Cine 15mm.

See the Irix Cine 15mm on our website. Link in bio.

Here's a landscape photography habit worth stealing:Don't stop at the first viewpoint.Walk a little farther. Change your...
27/08/2026

Here's a landscape photography habit worth stealing:

Don't stop at the first viewpoint.

Walk a little farther. Change your angle. Get lower. Wait a few more minutes. That's usually where the better photo is.

Dmitry Kupratsevich did exactly that with the Irix 15mm f/2.4, turning a waterfall and a dramatic sky into a frame that's hard to scroll past.

See the Irix 15mm f/2.4 on our website. Link in bio.

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