Anne Lindsay Silver

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Anne Lindsay Silver Anne Lindsay designs and makes jewellery in silver and gold.

A little glimpse from today's soft launch of the River Collection. My business cards may have arrived fashionably late, ...
30/09/2026

A little glimpse from today's soft launch of the River Collection.

My business cards may have arrived fashionably late, but the collection certainly didn't go unnoticed.

It was so lovely to share the pieces in person and hear such wonderful feedback. A few earlier pieces also found new homes, including this box brooch from 2001
- with the date letter B, which feels rather special as B is also the date letter for 2026.

I also took orders for River rings and earrings, and there's even a gold version being considered.

Thank you to everyone who came, chatted, tried pieces on, shared their thoughts and supported this next chapter. It means so much.

And a massive thank you to Mum for hosting, keeping everyone topped up with drinks and spoiling us with her amazing home baking. I couldn't have asked for a more lovely setting for the soft launch. ☺️

And finally, thank you to everyone who took the time to express their support for the staff and students affected by the closure of J&s and other craft courses at ECA, and to those who signed the Craft Scotland petition. It was really appreciated and meant a lot to see that support.

River Collection - now beginning to make its way into the world.

A little glimpse from today’s soft launch of the River Collection ✨My business cards may have arrived fashionably late 😂...
30/09/2026

A little glimpse from today’s soft launch of the River Collection ✨

My business cards may have arrived fashionably late 😂, but the collection certainly didn’t go unnoticed.

It was so lovely to share the pieces in person and hear such wonderful feedback. A few earlier pieces also found new homes, including this box brooch from 2001 — with the date letter B, which feels rather special as B is also the date letter for 2026.

I also took orders for River rings and earrings, and there’s even a gold version being considered. 🤍

Thank you to everyone who came, chatted, tried pieces on, shared their thoughts and supported this next chapter. It means so much.

And a massive thank you to Mum for hosting, keeping everyone topped up with drinks and spoiling us with her amazing home baking. I couldn’t have asked for a more lovely setting for the soft launch. 🥂🍰🤍

River Collection — now beginning to make its way into the world.

This is really about the legacy of Edinburgh College of Art — and the people, ideas and creative connections that stay w...
28/09/2026

This is really about the legacy of Edinburgh College of Art — and the people, ideas and creative connections that stay with us long after we leave.

The jewellery I wear isn’t just jewellery. Each piece carries a story, a memory, a friendship or a connection to the people and creative community I found through ECA.

That’s why the proposed closure of jewellery, textiles and performance costume at Edinburgh College of Art feels so significant to me.

These subjects aren’t just courses. They are places where skills are passed on, ideas are developed, relationships are formed and creative lives begin. Their impact reaches far beyond the walls of the college.

If you care about the future of these disciplines, please take a moment to read more about the campaign and sign the Craft Scotland petition opposing the closures.

You can find more information here:
Craft Scotland
✍️ Craft Scotland petition

Jewellery Textiles PerformanceCostume JewelleryDesign CraftEducation ArtsEducation

Long ago and far away…A teacher’s perspective on the proposed closure of Jewellery & Silversmithing, Textiles and Perfor...
23/09/2026

Long ago and far away…

A teacher’s perspective on the proposed closure of Jewellery & Silversmithing, Textiles and Performance Costume at Edinburgh College of Art.

I graduated from Edinburgh College of Art in 2000, from a culture of art, making and experimentation that shaped my career and continues to influence my practice as an educator.

During my time there, I had many formative experiences. I was short-listed for the RSA Student Design Awards and awarded a Goldsmiths Precious Metal Bursary. We were encouraged to enter competitions regularly as a class, and I continue this tradition with my own students and have celebrated many of them receiving recognition in national competitions. I also travelled to Munich with the whole class to see Schmuck and visit Galerie Marzee.

I travelled to the other side of the world to undertake an exchange at RMIT in Melbourne, where I studied Printmaking and Gold and Silversmithing. I also had the opportunity to work for Malcolm Appleby, the renowned engraver and silversmith, who is currently exhibiting at the Scottish Gallery in Edinburgh.
After graduating, I attended a course at Goldsmiths' Hall, where I heard from industry leaders about many aspects of the jewellery profession. Later, I designed a collection for a well-known Scottish manufacturing company and worked in retail jewellery. I was invited to exhibit my work at the G8 Summit in Gleneagles. I have subsequently spent more than 20 years working in education.
These photographs are from my first experiences of jewellery design, when my teacher arranged for a lecturer from ECA to visit our school. That meeting was significant: I later applied to Edinburgh College of Art with the intention of studying Jewellery and Silversmithing.

This is not a competition for the oldest photograph, but if it were, I would argue that the first encounter matters enormously. The people, places and experiences that introduce us to a subject can change the direction of a life.
Last year marked 25 years since I graduated, and my classmates and I came together to celebrate our “silver anniversary”. We attended the degree show and shared food, drink and time together. It was a wonderful reminder of the community and legacy that ECA has created.

As an educator, I have also witnessed first-hand the impact that studying jewellery and making can have on students. The skills, ways of thinking and appreciation of materials developed through these subjects can lead to many different careers, from engineering and design to surgery, while also fostering a lifelong enjoyment and appreciation of art and making.

Being invited back to teach enamelling at ECA, meeting former students and reconnecting with students and colleagues over the years has been immensely rewarding. These experiences have all contributed to my enthusiasm for education and continue to inform my teaching practice.

As teachers and educators, we are nourished and replenished by other artists and designers. We do not operate in a vacuum.

That is why the vitality of these subjects matters beyond the walls of a university. Their influence reaches into the wider creative economy and into the networks of artists, designers, makers, galleries, shops and independent businesses that support Scottish talent.
And I am only talking about Jewellery and Silversmithing here. There is an equally important story to tell about Performance Costume and Textiles.
The loss of these subjects is therefore about more than the closure of courses. It is about the loss of opportunities, communities, knowledge, skills and future possibilities.

Looking back, it is impossible for me to separate my own career, teaching practice and creative life from the opportunities these subjects provided.

The wider case and the potential impact of the proposed closures have been outlined by Craft Scotland in their coverage, which I have linked below for those who would like to read further.

Craft Scotland along with organisations and leaders across the craft sector call for the reinstatement of undergraduate craft degrees at Edinburgh

Read more via Craft Scotland. Advocacy: Open Letter Addressing the Closure of Craft Courses at Edinburgh College of Art
23/09/2026

Read more via Craft Scotland. Advocacy: Open Letter Addressing the Closure of Craft Courses at Edinburgh College of Art

Holiday travels. Index finger still working.
23/07/2026

Holiday travels. Index finger still working.

Got to be in it to win it!
19/06/2026

Got to be in it to win it!

🎉 GIVEAWAY TIME 🎉

To celebrate 4 years of Heather McDermott, I'm giving one lucky person a £100 gift card to spend online or in store.

To enter:

✨ Follow this account
✨ Like this post
✨ Tag someone who loves jewellery (each tag = one entry)
✨ Share to your stories for an extra entry

Winner announced on Saturday 20th in the afternoon.

Thank you for helping me celebrate four wonderful years.

28/05/2026

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