Dellasposa

Dellasposa Dellasposa is dedicated to exhibiting modern and contemporary artists united by their conceptual rigo Art is to be discovered, inspired, and appreciated.

Dellasposa is a unique gallery founded on the principle that art inspires and engages all. We specialise in curated exhibitions, commissions, art advisory services. Whether you are invested in the art scene or beginning your journey, we create exclusive relationships by connecting you with artists and the story of art. We offer independent, in-depth expertise to guide you through collecting art in today’s international, and often complex art market. With scholarship at the heart of our work, we are guided by each individual collector to understand their own aesthetic interests and objectives. We curate satellite art exhibitions and events, presenting established and rising artists united by their conceptual rigour and ambitious, timeless works of art. We bring the world of art to you.

Peter Doig created the monumental Painting for a Poet (DW) as one of the centrepieces in his acclaimed exhibition, House...
11/08/2026

Peter Doig created the monumental Painting for a Poet (DW) as one of the centrepieces in his acclaimed exhibition, House of Music, at Serpentine South Gallery, London.

The composition takes the Piazzetta di San Marco in Venice as its architectural stage. Yet, the scene is unmistakably filtered through Doig’s layered imagination: at the composition’s heart sits a lion. The same recurrent creature stalks his Trinidadian paintings, here transplanted to the grandeur of a European civic space and charged with the heraldic weight of Saint Mark’s emblem. Explore more online

Artwork: Painting for a Poet, 2026. ©

'Cherub' is a recent work by Bridget Riley where the optical rigour of her 1960s Op-Art vocabulary softens into curved, ...
22/07/2026

'Cherub' is a recent work by Bridget Riley where the optical rigour of her 1960s Op-Art vocabulary softens into curved, biomorphic forms and lighter, subdued hues.

Holding the eye in a subtle state of instability, forms appear to float across the surface, shifting between stasis and movement, restraint and release. The work engages the same perceptual tension that has defined Riley’s oeuvre.

Artwork: Cherub, 2020 © Bridget Riley

In early 1964, at the Silver Factory, Andy Warhol lifts a sheet of acetate from his Marilyn silkscreens toward the light...
21/07/2026

In early 1964, at the Silver Factory, Andy Warhol lifts a sheet of acetate from his Marilyn silkscreens toward the light. Photographer William John Kennedy presses the shutter, and the artist and icon collapse into a single frame, one of the few images to capture Warhol’s Marilyn silkscreen paintings before they were finished.

A corresponding edition of this work is now on view in the exhibition : A Portrait
National Portrait Gallery

Warhol Holding Marilyn Acetate I, 1964 © William John Kennedy

For more information about William John Kennedy's photography, visit www.dellasposa.com and enquire at [email protected]

As early as the 1950s, Andy Warhol explored ideas of repetition, mechanical reproduction, and the deliberate blurring of...
01/07/2026

As early as the 1950s, Andy Warhol explored ideas of repetition, mechanical reproduction, and the deliberate blurring of the line between the handmade unique object and the mass-produced image, which came to define his Pop Art vocabulary in the 1960s.

Warhol created this work by hand by delicately pressing ink into incised lines on tracing paper to produce a mark that is simultaneously handmade and mechanically reproduced. The process became known as the artist’s ‘blotted-line technique’ in drawing and pre-dates his use of silkscreen printing.

The composition’s field of bugs, all a variation on a theme, repeated throughout the composition, conveys the same logic of seriality that came to govern Warhol’s series of Marilyn Monroe, Soup Cans, Electric Chairs, and Flowers.

Enquire for more information.

Artwork: Happy Bug Day, 1954 © Andy Warhol

The Andy Warhol Foundation for the Visual Arts The Andy Warhol Museum

Dellasposa is pleased to present paintings by Werner Bronkhorst. All Downhill from Here (2022) exemplifies the signature...
18/06/2026

Dellasposa is pleased to present paintings by Werner Bronkhorst.

All Downhill from Here (2022) exemplifies the signature style that has propelled the South African-born, Sydney-based artist Werner Bronkhorst to international attention: a hyperrealist sense of the human touch, rendered at a near-invisible scale against richly textured, geological terrain. The artist repurposes industrial materials such as volcanic rock and marble dust to build canvases of sculptural depth that invite both aesthetic wonder and existential reflection.

Dellasposa Gallery in London is delighted to specialise in works by Werner Bronkhorst. Enquire for further information on available works and private viewings.

Artwork: All Downhill from Here, 2022 © Werner Bronkhorst

Remembering David Hockney (1937–2026), a beloved artist whose perspective, artistic brilliance and restless curiosity tr...
13/06/2026

Remembering David Hockney (1937–2026), a beloved artist whose perspective, artistic brilliance and restless curiosity transformed modern post-war art over seven decades.

Captured here is a platinum-palladium portrait of Hockney by his contemporary, David Bailey, an intimate exchange between two defining legends of British art and culture in their formative years.

Artwork: David Hockney, 1969; printed 2002 by © David Bailey.

Mornington Terrace, a fragment of Camden, is rendered anew through Auerbach’s fevered, unsparing line. In his hands, the...
03/06/2026

Mornington Terrace, a fragment of Camden, is rendered anew through Auerbach’s fevered, unsparing line. In his hands, the everyday street becomes a charged, living atlas of London feeling.

Artwork: Mornington Terrace, 2024 © Frank Auerbach.

All the Nightmares Came Today was produced during a period when Cecily Brown’s approach to the figure attained its most ...
01/06/2026

All the Nightmares Came Today was produced during a period when Cecily Brown’s approach to the figure attained its most psychologically charged and painterly complex form of figurative abstraction. In this work, flesh is rendered both legible and dissolved, making the act of painting itself the central subject. The composition features increasingly compressed figures, with bodies that emerge and retreat within dense surfaces and gestural abstraction. This development signifies a deepening of Brown’s ongoing engagement with the Flemish Baroque tradition of Rubens and Bruegel, as well as the gestural freedoms characteristic of American Abstract Expressionism, above all de Kooning. The title, taken from David Bowie’s Oh! You Pretty Things (1971), references the music Brown listened to in her studio during the painting’s creation and serves to amplify the work’s atmosphere rather than provide a direct explanation.

This signed limited edition offers collectors access to one of the most significant painters of our generation — Cecily Brown’s exhibition Picture Making continues at Serpentine South, London, on view until 6 September 2026. Enquire with Dellasposa to discuss acquisition.

Artwork: All the Nightmares Came Today, 2012/2019. © Cecily Brown

Serpentine Galleries

'I’d say I’m a painter who writes' — Harland Miller.Miller’s ### turns three familiar letters into something charged and...
22/05/2026

'I’d say I’m a painter who writes' — Harland Miller.

Miller’s ### turns three familiar letters into something charged and cinematic, speaking at once of desire and something slightly illicit. The overlaid, ghosted letters suggest several moments captured as after‑images, while the graphic act of crossing‑out—a redaction—feels half‑remembered, hinting at censorship, erasure and the lingering pull of memory.

Artwork: ###, 2023 © Harland Miller

'I want viewers to physically approach the canvas. And even without sight, the texture is there to be felt.'Artwork: Sli...
11/05/2026

'I want viewers to physically approach the canvas. And even without sight, the texture is there to be felt.'

Artwork: Slippery When Wet, 2025 © Werner Bronkhorst

Enquire for more details.

Address

London

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 11am - 5pm

Telephone

+442032864633

Website

Alerts

Be the first to know and let us send you an email when Dellasposa posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Dellasposa:

Shortcuts

Featured

Share

Category