30/04/2026
April carried us somewhere new.
As part of Road to JIA — Japan Edition, Lana Daya marked its first exhibition outside of South East Asia. A meaningful milestone for us, and one that feels both humbling and deeply affirming.
To bring our work into a new context, surrounded by different conversations, perspectives, and sensibilities, reminded us why we continue to make—slowly, intentionally, and with care.
We are deeply grateful to the JIA team, .curated .m.winata , and to for making this possible—for the trust, the generosity, and the space to share what we do beyond home.
A textile, after all, is never just textile.
It carries memory, passage, and the quiet work of becoming.
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“Seserahan”
In preparing for her own marriage, the artist felt compelled to weave a cloth as an act of cultural reflection. Rather than replicating tradition, the work reinterprets the marital textile through studio remnants and personal threads, embracing raw edges and visible joins. It frames marriage as continuity shaped by accumulation, repair, and conscious making rather than uniformity or ritual reenactment.