Fluid Art and Wellness

Fluid Art and Wellness 🫟Mindful, art-therapy experiences for creative emotional hygiene beyond performance by Aida

Sometimes, what begins on paper gives form to what has been difficult to name.And when it is shared within a group, it c...
03/10/2026

Sometimes, what begins on paper gives form to what has been difficult to name.
And when it is shared within a group, it can become a connection, a reminder that our inner worlds are different, but we do not always have to hold them alone.
Thank you for your participation and for sharing this feedback.

03/10/2026

Halloween is the perfect time to look behind the mask. Join me for The Mask & The Mirror Workshop, a mindful art experience designed to help you express your hidden layers, and the daily roles you play.
We will use the creative process of mask-making to reflect, release, and connect with our inner selves in a safe, grounding space. No prior art experience is needed, just an open mind.
~ Sunday, November 1
~ 5:00 PM – 7:00 PM
~ At ON Coworking Spaces, Lisbon .spaces
~ Facilitated by .pt
Spaces are limited to keep our circle intimate. DM me to know more and step into the mirror this season.

01/10/2026

Halloween is the perfect time to look behind the mask. Join me for The Mask & The Mirror Workshop, a mindful art experience designed to help you express your hidden layers, and the daily roles you play.
We will use the creative process of mask-making to reflect, release, and connect with our inner selves in a safe, grounding space. No prior art experience is needed, just an open mind.
~ Sunday, November 1
~ 5:00 PM – 7:00 PM
~ At ON Coworking Spaces, Lisbon
~ Facilitated by .pt
Spaces are limited to keep our circle intimate. DM me to know more and step into the mirror this season.

30/09/2026

They thought they were keeping us in a box, but we’re out here creating entirely new worlds. As a clinical psychologist trained in art therapy, mixing paint and prepping workshops is my way of whipping up a recipe for reclamation. We take the mess and turn it into something that feeds the soul.
What are you creating today?

Most people assume an art therapy session is like any other session: one person, one facilitator, some materials on a ta...
28/09/2026

Most people assume an art therapy session is like any other session: one person, one facilitator, some materials on a table.

There is a third.
The image the person makes is not a byproduct of the session, and it is not a souvenir. In psychodynamic art therapy, the tradition I trained in at Metàfora, the image is understood as a third presence in the room, with its own weight, its own charge, and often, its own things to say.

The British art therapist and Jungian analyst Joy Schaverien named this decades ago. She called the image a third, alongside the client and the therapist. She was not being poetic. She was describing something every experienced art therapist has watched happen > an image arriving with meaning the maker had not yet consciously reached, and sometimes speaking before either person in the room had understood what was appearing on the page.

When someone in a workshop makes a piece and notices something they hadn't intended to make (a color that surprised them, a shape they didn't plan, an absence at the center) the image is doing something.
Something worth attending to.



📎 Schaverien, J. (2000). The triangular relationship and the aesthetic countertransference in analytical art psychotherapy. Inscape, 5(2).

25/09/2026

Not every feeling needs words.
Some emotions just need a color.
Setting up the art table always feels like preparing a safe container for whatever needs to come to the surface. To me, these tubes of paint are tools for emotional translation.
But the beauty of art therapy is that your canvas has its own language.
There are no rules here.
Double tap if you needed a reminder to let your hands do the talking today.

Not every session uses paint. Sometimes clay is the right material and it's not interchangeable.Clay pushes back. Leave ...
11/09/2026

Not every session uses paint. Sometimes clay is the right material and it's not interchangeable.
Clay pushes back. Leave a fingerprint; it stays. That tactile feedback engages the nervous system differently than something fluid. It tends to bypass the inner critic faster, too something about working three-dimensionally with a material that isn't asking to be "good."
Clay offers resistance. Responds to pressure. Holds a form you gave it and the record of your hand.

Different materials invite different work. This is a clinical choice in art therapy.
Choosing the material for the session is part of what a trained facilitator brings.

A gentle prompt. Then no rules.No "right way." No demonstration to copy. No critique. Materials, time, and permission to...
08/09/2026

A gentle prompt. Then no rules.
No "right way." No demonstration to copy. No critique. Materials, time, and permission to let the hand move before the mind decides.
I have noticed that the part most people worry about before they arrive:
"I can't draw." "I haven't painted since I was ten." None of it matters here. The prompt is deliberately open. No reference image to match. No moment where I hover behind you and tell you what to change.

The freedom is real. That's a clinical choice, not the absence of one.

One of the most meaningful parts of this work is hearing how it is experienced by the people in the room. Psychological ...
31/08/2026

One of the most meaningful parts of this work is hearing how it is experienced by the people in the room. Psychological safety isn't created through presentations or icebreakers alone. Sometimes it begins with making something together, slowing down, and creating space for conversations that rarely happen in the middle of a busy workday.
Thank you to every team that has trusted me to facilitate these moments.

groups? Wouldn't 1:1 be easier?"I get asked this often. Here is the honest answer.In the 1960s, the psychiatrist Irvin Y...
26/08/2026

groups? Wouldn't 1:1 be easier?"
I get asked this often. Here is the honest answer.

In the 1960s, the psychiatrist Irvin Yalom set out to identify what group work does that individual work cannot. His answer (eleven therapeutic factors that operate only in groups) is still the foundational text on the subject, taught in every clinical program in the world.
In an art group, something else happens. Recognition doesn't require anyone to speak. You look across the table, at someone else's painting, and something in it feels familiar before a word is exchanged. That silent recognition is doing real work, which is why art groups reach people that verbal-only work sometimes cannot.

But being in a group is not automatically therapeutic. Unstructured groups can compound harm. What makes a group healing is thoughtful facilitation: real boundaries, no obligation to disclose, a structure held by someone trained to hold it. Not all "group experiences" are the same. The person behind the room matters.

If you have been doing your inner work alone, that has real value. It also has its own ceiling. Some things only happen in a room with other people who came for the same reasons. Not because those people "fix" you. Because being witnessed while you tend to yourself, alongside others tending to themselves, changes what tending feels like.

If this resonated:
- Online workshops run weekly, from wherever you are.
- In-person workshops in Lisbon, monthly.
- Corporate teams whose people are quietly tired of doing emotional life alone in the same building where they work most hours.
Link in bio. Whenever you're ready.


📎 Yalom, I. D., & Leszcz, M. (2020). The Theory and Practice of Group Psychotherapy (6th ed.).

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Lisbon
1150-140

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