Nalata Nalata

Nalata Nalata Nalata Nalata is a retail experience founded on the belief of showcasing the people and the stories behind the products we curate.

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A shelf in our kitchen that gets used more than any other.It was never meant to be anything special, but over time becam...
04/01/2026

A shelf in our kitchen that gets used more than any other.

It was never meant to be anything special, but over time became the corner we rely on most in our home daily. Teapots from our wedding, a small plate for our son carved by Ryuji Mitani, and all the everyday things that come with living with kids, with small hands reaching for everything and anything.

More in our Journal.

Every exhibition we create a collaborative piece to mark the occasion. It is always an honor to work with renowned artis...
10/26/2025

Every exhibition we create a collaborative piece to mark the occasion. It is always an honor to work with renowned artisans in this way. For ‘Contained Vessels’, the collaboration centered on lidded cups designed to keep our drinks warm just a little longer. The result is a White Urushi Coffee Cup and a smaller Noir Tea Cup, each with a carved lid that rests snugly on the vessel. Shown here in use at Mitani-san’s home.

You can read more about the other containers from the exhibition in our latest Journal entry, written by Ryuji Mitani.

Sunday is the final day of ‘Contained Vessels’. Thank you to everyone who visited, supported, or followed along from afar. It has meant a great deal to share these works with you.


Images: .s

For ‘Contained Vessels’, we asked Mitani-san for a tray with higher walls... something we could carry from room to room ...
10/21/2025

For ‘Contained Vessels’, we asked Mitani-san for a tray with higher walls... something we could carry from room to room without worrying about cups sliding away. Breakfast in bed, snacks in the backyard, tea on the sofa was what we envisioned.

When we make requests like this, we never really know what will return to us, but every so often the result exceeds anything we imagined. This was one of those moments. The Usuzumi Deep Trays feel like paintings you can serve from, each one brushed, carved, and full of expression.

On view at the exhibition until October 26 (1–5pm) and now online.

‘Y’ (1996) — Painting by Ryuji MitaniA figure forming the shape of a letter. Mitani described the “Y” as standing for “j...
10/18/2025

‘Y’ (1996) — Painting by Ryuji Mitani

A figure forming the shape of a letter. Mitani described the “Y” as standing for “just an ordinary person” — a reflection on the everyday lives that give meaning to his work.

What we love most about Mitani is that he’s always been an artist in every sense. Long before his work in woodcraft, he painted and acted in theater, creating masks and imagery that hold the same depth and humanity found in his tableware today.

From ‘Contained Vessels — Crafting Daily Rituals’, opens today. On view until October 26.

Ryuji Mitani from his home and studio in Matsumoto.With just two days until the opening of our exhibition ‘Contained Ves...
10/16/2025

Ryuji Mitani from his home and studio in Matsumoto.

With just two days until the opening of our exhibition ‘Contained Vessels — Crafting Daily Rituals’, Mitani shares his reflections in Opening Remarks now live in our Journal — writing, “Not at the center of history, nor on the stage of grand events, but at the edges—there lies a value of life easily overlooked.”

Exhibition Dates: October 18–26 | 1–5PM (closed Monday & Tuesday)

| Images courtesy of Kazuhiro Shiraishi

Coming soon to Nalata Nalata — ‘Contained Vessels: An Exhibition of Containers for Daily Rituals’ by Ryuji Mitani.Octobe...
10/06/2025

Coming soon to Nalata Nalata — ‘Contained Vessels: An Exhibition of Containers for Daily Rituals’ by Ryuji Mitani.

October 18–26 (Wednesdays-Sundays)
Opening Reception: Saturday, October 18 (1-5pm)

We invite you to join us for a presentation of handmade wooden containers, exploring their role in daily life. Mitani’s work continues to remind us that the most enduring beauty of craft is found in everyday use.

The Spoke Chair was designed in 1963 by Katsuhei Toyoguchi, a pioneer of modern Japanese design. At first glance it look...
10/02/2025

The Spoke Chair was designed in 1963 by Katsuhei Toyoguchi, a pioneer of modern Japanese design. At first glance it looks like a roomy lounge chair, but the proportions come from the idea of sitting cross-legged on tatami. Toyoguchi even studied how weight spreads by sitting in snow, translating that posture into a chair wide enough for “one-and-a-half people.”

The wooden spokes keep the back open, while the molded plywood frame is strong yet light. Generous without being bulky, it makes space in a room without taking it all.

Available online with upholstery options across different grades. Green V-Grade chairs now on display at the gallery.

As the year winds down, we want to thank you for being a part of it. Your support and shared moments have meant everythi...
12/24/2024

As the year winds down, we want to thank you for being a part of it. Your support and shared moments have meant everything to us.

We’re taking an extended break to rest (and welcome a new little one to our family!). Our brick-and-mortar will be closed until the new year, but online operations will continue at nalatanalata.com.

For private appointments during this time, feel free to reach out at [email protected].

Wishing you a peaceful and joyful holiday season. We can’t wait to see you again!

Warmly,
Stevenson and Angélique

Introducing our latest collaboration with ceramic artist Ryo Kodomari—a perfect chance to go off-script with a playful, ...
10/30/2024

Introducing our latest collaboration with ceramic artist Ryo Kodomari—a perfect chance to go off-script with a playful, conceptual exploration: mugs that make you rethink the act of holding!

Each reimagined handle adds a new angle to this everyday object, with grips that are a little different, a little unexpected. Every sculptural mug is hand-painted in earthy tones and truly one-of-a-kind.

| Available in-store.

For years, we’ve cherished Keisuke Iwata’s functional tableware at home—but surrounding ourselves with his Anagama piece...
10/09/2024

For years, we’ve cherished Keisuke Iwata’s functional tableware at home—but surrounding ourselves with his Anagama pieces during this exhibition has added a whole new dimension to our enjoyment. The same organic shapes we love are elevated by the textural richness and distinct character that only comes from the Anagama kiln. Each woodfired sake cup, katakuchi pitcher, or bowl has its own unique personality, making every meal feel truly personal. These Anagama vessels aren’t just for function, they embody Iwata-san’s artistry, inviting you to appreciate each moment in a way that deepens your connection to the craft.

On this final day of the exhibition, we extend our heartfelt gratitude to Keisuke Iwata for bringing his remarkable talent in this ancient art form to New York. This exhibition has been two years in the making, shaped by health, serendipity, and the tireless work of Iwata-san and our team.

#岩田圭介

“Iwata-san describes the process as ‘a loss of intention,’ where the flames of the Anagama kiln take over, and something...
10/05/2024

“Iwata-san describes the process as ‘a loss of intention,’ where the flames of the Anagama kiln take over, and something unexpected emerges—like an artifact unearthed from the sea.” This beautifully captures the essence of Anagama firing, where unpredictability leads to results far beyond the artist’s control. Witnessing this process firsthand reminded us of how Keisuke Iwata’s works transcend traditional craftsmanship, revealing something raw and elemental.

“Anagama: The Intersection of Predictions and Wonders” – an in-depth article by our Japan contributor, Aya Nihei ( ), is now live in our Journal, available in both Japanese and English. Link in bio.

#岩田圭介

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Wednesday 1pm - 7pm
Thursday 1pm - 7pm
Sunday 1pm - 7pm

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