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Evan Comics, 65 Broad St, Red Bank, NJ (2026)

02/18/2026

Batgirl Special #1 (1988)
Barbara Gordon’s final mission as Batgirl before the events that would redefine her legacy.
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Published by DC Comics in July 1988. Written by Barbara Kesel and Mike W. Barr, penciled by Carmine Infantino, inked by Dick Giordano, colored by Carl Gafford, with cover art by Mike Mignola and Karl Kesel.
Set shortly before the events of The Killing Joke, this one-shot follows Barbara Gordon as she confronts the limits of her role as Batgirl while investigating political corruption tied to her father, Commissioner James Gordon. Facing escalating danger and questioning her future, Barbara weighs her independence against the expectations placed upon her both as a crimefighter and as the commissioner’s daughter. Featuring artwork by Batgirl co-creator Carmine Infantino, the issue serves as a reflective farewell to the Bronze Age incarnation of the character and stands as a notable transitional chapter in her publication history.

02/17/2026

Richie Rich Dollars and Cents Vol. 1 #91 (1972)
A long-running Harvey Comics staple showcasing the peak era of Richie Rich’s early ‘70s popularity.
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Published by Harvey Comics in October 1972. Written by Sid Jacobson, penciled/inked by Ernie Colón, colors and cover art by Warren Kremer.
In this issue, Richie once again finds himself balancing enormous wealth with everyday challenges, as inventive gadgets, extravagant allowances, and lessons in responsibility drive the story forward. When a financial misunderstanding spirals into a larger predicament, Richie uses ingenuity rather than extravagance to resolve the conflict, reinforcing the title’s ongoing theme that character outweighs currency. As part of Harvey’s early 1970s publishing slate, this issue reflects the company’s refined house style of clean linework, expressive characters, and tightly structured humor-adventure storytelling, making it a representative installment from the height of the character’s sustained newsstand presence.

02/16/2026

Reg’lar Fellas CGC 7.0 (1934)
A scarce Depression-era humor comic from the early days of licensed character publishing.
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Published by Cupples & Leon in 1934.
Written and illustrated by Gene Byrnes, with cover art by Gene Byrnes.
This issue presents the comic book debut of Gene Byrnes’ popular newspaper strip characters, the Reg’lar Fellers, translating the everyday misadventures of a small-town American boyhood into the emerging comic book format. Centered on the earnest and often impulsive Danny Webster and his neighborhood companions, the stories chronicle youthful rivalries, clubhouse politics, and lessons learned through mischief and mishap. Reflecting the tone of early 20th century newspaper humor, the material preserves the strip’s gentle satire and period vernacular while offering collectors a glimpse into the transitional era when established comic strips were first repackaged for a growing juvenile readership during the 1930s.

02/15/2026

Richie Rich Jackpots Vol. 1 #43 (1978)
A late-Bronze Age entry from Harvey’s flagship rich kid, showcasing the character’s enduring all-ages appeal.
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Published by Harvey Comics in July 1978.
Written by Sid Jacobson, penciled by Ernie Colón, inked by Al Milgrom, colored by Ben Brown, with cover art by Ernie Colón.
In this issue of Richie Rich’s long-running “Jackpots” series, the world’s wealthiest boy encounters a new series of lighthearted misadventures that test both his ingenuity and generosity. Balancing extravagant inventions, unusual travel destinations, and encounters with scheming opportunists, the stories emphasize Richie’s trademark humility and moral compass despite his limitless resources. As part of Harvey’s prolific 1970s output, this issue reflects the publisher’s commitment to clean, accessible storytelling and remains a representative example of the era’s newsstand dominance in youth-oriented comics.

02/14/2026

Our Army at War Vol. 1 #267 (1974)
A late-series Bronze Age installment spotlighting Sgt. Rock in one of DC’s longest-running war titles.
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Published by DC Comics in August 1974. Written by Robert Kanigher, penciled by Joe Kubert, inked by Joe Kubert, colored by Tatjana Wood, with cover art by Joe Kubert.
In this issue, Sgt. Rock and Easy Company are thrust into another harrowing World War II engagement, confronting not only enemy fire but the psychological toll of prolonged combat. As the unit navigates a treacherous European battlefield, Rock’s leadership is tested under impossible odds, reinforcing the series’ ongoing focus on duty, sacrifice, and the human cost of war. Kubert’s stark linework and atmospheric storytelling anchor the narrative, reflecting the grounded, character-driven tone that defined the title throughout the Bronze Age and solidified its place among DC’s most enduring war comics.

02/13/2026

Unknown Soldier Vol. 1 #257 (1975)
A late Bronze Age war issue showcasing DC’s psychologically layered combat storytelling.
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Published by DC Comics in October 1975.
Written by David Michelinie, penciled by Sam Glanzman, inked by Jack Abel, colored by Carl Gafford, with cover art by Joe Kubert.
In this issue of Unknown Soldier, the faceless Allied operative is dispatched on a perilous mission deep behind enemy lines during World War II, where deception and moral ambiguity prove as dangerous as the battlefield itself. As identities blur and loyalties are tested, the Unknown Soldier must rely on strategy and sacrifice to complete his objective. The series remained notable during the Bronze Age for its grounded tone and psychological dimension, distinguishing it from more traditional war titles of the era and reinforcing its appeal among collectors of DC’s 1970s military line.

02/12/2026

Weird War Tales Vol. 1 #22 (1974)
A Bronze Age DC war-horror issue blending battlefield drama with supernatural suspense.
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Published by DC Comics in September 1974.
Written by Robert Kanigher, penciled by John Calnan, inked by Jack Abel, colored by Tatjana Wood, with cover art by Joe Kubert.
In this issue of Weird War Tales, DC continues its distinctive fusion of traditional war comics and supernatural storytelling. Set against the backdrop of global conflict, the story follows soldiers confronting not only the enemy across the battlefield but also an eerie, otherworldly presence that challenges their understanding of courage and fate. As the tension escalates, the narrative explores themes of inevitability and moral consequence, hallmarks of the title’s Bronze Age direction under editor Joe Kubert. Known for its moody atmosphere and stark visual storytelling, this period of the series remains a notable chapter in DC’s experimentation with horror-infused war anthologies.

02/10/2026

X-Men Unlimited Vol. 1 #35 (2002)
A multi-story anthology featuring standout solo character moments from the early 2000s X-Men line.
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Published by Marvel Comics in April 2002.
Written by John Smith, Jimmy Palmiotti, and Gail Simone; penciled by David Finch, Amanda Conner, and Kevin Maguire; inked by John Livesay, Jimmy Palmiotti, and Wade Von Grawbadger; colored by Matt Milla, Paul Mounts, and Andy Troy; with cover art by Keu Cha.
This issue of X-Men Unlimited presents three distinct stories: in “Triptych” Jean Grey confronts Sabretooth while a young mutant glimpses his potential; “Unhappy Anniversary” finds Rogue and Wolverine clashing in an off-beat personal confrontation; and “X-Men: The Untold Story” satirically follows actors on an X-Men film set as chaos unfolds around them, offering varied character-driven narratives within the broader mutant world.

02/05/2026

Bluntman Big Blast – Diamond Select Toys
A bold, over-the-top collectible inspired by Kevin Smith’s comic-within-a-comic superhero satire.
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Produced by Diamond Select Toys, the Bluntman Big Blast action figure brings the exaggerated, tongue-in-cheek world of Bluntman & Chronic into physical form. Sculpted in Select scale (approximately 7 inches), the figure features Bluntman’s unmistakable long coat, domino mask, and confident, chest-out superhero stance that leans into parody while still feeling premium.
The highlight of the figure is the oversized “Big Blast” accessory, a perfectly absurd nod to the character’s unapologetically crude sense of justice. Detailed sculpting, crisp paint applications, and solid articulation make this figure ideal for dynamic posing or stylized toy photography. It’s less about realism and more about attitude—making it a standout piece for Kevin Smith fans, pop-culture collectors, and anyone who appreciates comics that don’t take themselves too seriously.

02/03/2026

Archie Meets Jay and Silent Bob Vol. 1 #1 (2025)
A landmark crossover that brings Riverdale’s favorite teen into the View Askewniverse for the first time.
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Published by Archie Comics in July 2025. Written by Kevin Smith, penciled by Fernando Ruiz, inked by Rich Koslowski, colored by Matt Herms, with variant cover art by Mike Allred (1H), Dave Templeton (1F), and Fernando Ruiz (1B).
In this one-shot issue, Archie Andrews takes a summer job at the Quick Stop in New Jersey, where he befriends Randal Graves and soon encounters Jay and Silent Bob, leading to unexpected lessons in friendship and culture clash. As Archie navigates this unfamiliar world, the story balances humor and character moments while blending the traditions of Riverdale with the irreverent tone of the View Askewniverse. A notable modern crossover that reflects the flexibility and longevity of the Archie Comics universe.

02/01/2026

Silent Bob (Mallrats) – Diamond Select Toys (2016)
A cult-classic collectible that captures Kevin Smith’s iconic silent half at his most laid-back and deadpan.
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Produced by Diamond Select Toys in 2016 as part of their Select-scale lineup, this Silent Bob figure stands roughly 7 inches tall and translates the Mallrats look into a highly detailed plastic form. Featuring a screen-accurate trench coat, ball cap, and signature stoic expression, the sculpt leans hard into realism rather than exaggeration.
Designed with multiple points of articulation, the figure balances poseability with display presence, making it equally at home on a shelf or in a photo comic panel. The paint applications emphasize natural tones and fabric textures, giving Silent Bob a grounded, almost cinematic feel. A must-have for Kevin Smith fans and action figure collectors who appreciate movie history rendered in collectible form.

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