Gail Cooper Ceramics

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Gail Cooper Ceramics Potter in the cove, st agnes

02/06/2026

A little pottery hack for you….

Most potters probably won’t talk about this, perhaps because many don’t do it, but l’ve always struggled with pulled handles cracking where they join the mug body as they dry. Even when I think I’m drying things slowly enough, a tiny crack appears as if by magic.

What works for me is painting a thin, watered-down coat of wax resist around the joins and the handle. It just helps slow the handles down slightly so they dry more evenly with the body of the mug.

I’d say it works around 95% of the time. The remaining 5% usually reveal themselves after a glaze firing and end up in my kitchen cupboard instead. Not the worst outcome I suppose, although my growing collection of seconds mugs is a constant reminder that patience is usually the answer.

The brush I’m using here belonged to my Gramps. He was an artist working in oils, acrylics and pastels, as well as a woodturner and poet. A few of his brushes and paintings made their way to Cornwall with me, and this particular brush seems to have found a second life in the pottery studio, making me think about him when I’m working.

So, fingers crossed for this batch of mugs. They’re now drying as slowly as possible, ready for the kiln later this week. After last week’s glorious weather, we are back to no sun, no warmth and plenty of rain for a few days. So will probably take forever now to dry…..

For those wondering about the soundtrack, rules and regulations came to mind with my brain wandering back to the 1980s when me and my friends used to head up to Camden Palais to see a band and lucky enough to see the fab all girl punk goth band Fuzzbox-back when they were still called “We’ve Got A Fuzzbox And We’re Gonna Use It”. Happy days.

Here’s one I made earlier.Back to talking about bowls for a bit. Specifically large serving, sharing, mixing, fruit bowl...
31/05/2026

Here’s one I made earlier.

Back to talking about bowls for a bit. Specifically large serving, sharing, mixing, fruit bowls... whatever you’d like it to be.

This one was thrown to 32cm wide and, after two firings, reduced down to a finished size of 28cm wide by 10.5cm tall. It holds around 3 litres and is finished in my Dark Granite glaze.

You’re probably wondering about the flash of orange around the outside. For a while I couldn’t work out where it had come from, then I remembered I’d packed the kiln with bud vases and smaller pots around the outside shelf while this bowl sat in the middle. The burn-off from those pieces must have created the effect.

It’s one of those little surprises that happens in a kiln and a reminder that handmade pottery is never quite identical. Small details, tiny variations and unexpected marks become part of the piece’s story. The sort of thing that would never happen in mass production, but one of the reasons I still love what I do.

What a whirlwind of a weekend just gone. I’d like to thank each and every one of you who visited me  . I’ve had such an ...
18/05/2026

What a whirlwind of a weekend just gone.

I’d like to thank each and every one of you who visited me . I’ve had such an amazing weekend meeting,and chatting to you all and thank you for your support and love of my work and every purchase made too. With so many other artists here I’ve come away with new friends, fun conversations and another experience I’d never have had if I hadn’t plucked up the courage to apply for this amazing event. Thank you to Vicki and Ann for supporting the arts and creating and curating such a great event at .

These are all I managed to film… having a slower day today, back to all things clay related tomorrow. Just heading off now to take in the rainy views from Schooners’s with a pizza and a pint with my family! 🍻 x

New work including this porcelain serving bowl will be available from tomorrow  along with my saggar fired vases,one off...
14/05/2026

New work including this porcelain serving bowl will be available from tomorrow along with my saggar fired vases,one off pieces and my glazed stoneware collection.

Form Falmouth is where you will find me this whole weekend starting from 2pm, along with over 90 other artists.

My kiln is on for its final firing today, so hopefully I’ll be able to bring some extras tomorrow too.

Looking forward to seeing you tomorrow. Now off to finish sanding bottoms and packing up the rest of my pots.

The green glaze, now on porcelain.Here it is on a porcelain espresso cup and small cup — holding 100ml and 170ml respect...
02/05/2026

The green glaze, now on porcelain.

Here it is on a porcelain espresso cup and small cup — holding 100ml and 170ml respectively.

This glaze has been quite difficult to photograph accurately, but I think this is about as close as I can get.
It also shows just how differently a glaze can behave on another clay body. Compared with my St Agnes stoneware, the result is entirely different.

Over the coming days I’ll share more about the variables we work with when it comes to clay and glaze combinations, there are rather a lot of them.

For now though, I simply wanted to show you these beauties.

As you may have gathered, I still haven’t opened my online shop. Life away from pottery has needed more of my attention recently, and I don’t feel a small restock would offer enough for everyone, so the shop update is now delayed until June, apologies. Please subscribe to my newsletter where I’ll give dates when this will be.

My focus for now is FORM Falmouth in a couple of weeks, after which I’d like to launch this new glaze and tableware properly.

For now, these may well be coming with me to FORM.

Another throwback from the 80’s and one of the songs from this album i played on repeat, I still have on record (vinyl) Green Gartside who is Scritti Politti.x

Could this be anymore local? Locally grown Cornish flowers from my lovely friend  here in St Agnes.It doesn’t get much m...
29/04/2026

Could this be anymore local?

Locally grown Cornish flowers from my lovely friend here in St Agnes.
It doesn’t get much more local than this really, the flowers, the St Agnes clay and the homemade glazes all from here.

Split between the two pieces, or as one bunch, the flowers work so well either way. Though I’ll admit, the tall handled pitchers were originally made with the idea of holding a bottle of wine rather than flowers.

I love how these vases and pitchers sit alongside one another — designed to work together, whether styled with flowers or left as they are.

They’ll be coming with me to art fair from 15th–17th May if you’d like to see them in person.

More than just a new shape.I’ve known this one a long time.These bowls are a slightly different shape to the last. A few...
15/04/2026

More than just a new shape.I’ve known this one a long time.

These bowls are a slightly different shape to the last. A few small changes, but this one is based on pottery from my childhood — handmade pieces from the 70s that have lasted over 50 years, made for my parents when we were living in Zambia. This feels like a quiet nod to that time.

I’ll share more including the originals as I finish the other pieces but for now here’s a look at the snack bowls that will be available first.

Swipe through to see the stages — from greenware, fully dried and bisque fired, through to glazed and the finished piece.

So far, the green glaze is looking good. These snack bowls will be available on my online shop later this month. It’ll be a smaller restock than planned, mostly drinking vessels — mugs, cups and yunomis.

I had hoped for a larger update, but time has been taken up with much-needed DIY, house projects (that’s paint not dirt under my fingernails btw) and family life. Thank you for your patience as always. Let me know what you think to these? X

A glaze I’ve been working towards. Not quite there, but nearly.I’ve been working on a green glaze for a while now, makin...
12/04/2026

A glaze I’ve been working towards. Not quite there, but nearly.

I’ve been working on a green glaze for a while now, making tests, not quite happy, then coming back to it when I’ve had a spare half hour to tweak the recipe again.

This one feels fairly close.

Green’s and khakis have always been a favourite of mine — my wardrobe would confirm that (along with my house decor too) and I’ve been aiming for something earthy and natural. A green that sits well with the browns of the clay, and the tones of bracken and seaweed around here.

It’s not the easiest to photograph, but I think you get the idea.

Still testing, and maybe a touch too shiny, so I’ll adjust the recipe again in a few days and see where it goes. But for now, I’ve gone ahead and glazed a few pieces.

This bottle bud vase being one, with red camellias from the garden — the contrast of that bright red against the earthy green I think works really well.

Over the coming weeks I’ll share a few more of the pieces in this glaze, testing it beyond the tiles and onto finished forms.
Hope you like it — I’m quite excited about this one. 🤞🌺

Foraged in, fired out.A look at before and after, porcelain in the saggar and then after firing.Each firing is packed wi...
07/04/2026

Foraged in, fired out.

A look at before and after, porcelain in the saggar and then after firing.

Each firing is packed with foraged materials gathered from here: oak leaves, magnolia petals, ferns, seaweed and lichen. Placed around and on the surface, then left to burn, mark and shift in the firing.

The main combustible is wood chippings and shavings from a woodturner friend in Portreath, just down the road. Cornish elm he felled a few years ago after Dutch elm disease.

The fern laid across the top has burnt away to leave that ghost-like skeleton behind, one of my favourite details.
Not every organic piece leaves a visible mark on the porcelain, but each one contributes to the firing and the final surface in its own way.

Back online for a bit…Showing work in progress, waxing bottoms. I have been a tad busy, so I’ll be uploading more behind...
26/03/2026

Back online for a bit…

Showing work in progress, waxing bottoms. I have been a tad busy, so I’ll be uploading more behind the scenes from the last couple of weeks in the next few days. I find stopping and starting to film takes me twice as long to get pottery done, so I’ve kept my head down and cracked on with the pottery process….Desperately trying to get a glaze firing on later today as I’ve now finally changed my kiln elements (will do a little reel on that too).

Now back to glazing….

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Trevaunance Cove

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