Repressed Records

Repressed Records New Oz, imported and 2nd Hand Records. Emphasis on independent and underground titles. Japanese pressings supplied by

Chris Brokaw’s fingerprint has made its mark on a lot of music over the last four decades. I’m not across even a smidgeo...
05/08/2026

Chris Brokaw’s fingerprint has made its mark on a lot of music over the last four decades. I’m not across even a smidgeon of his 252 discogs performance credits (which include Codene, Come, Thalia Zedek, Steve Wynn, Evan Dando) but a little birdy told me that this album a highlight of both his recording career and of the instrumental guitar focused Vin Du Select Qualitite record label.

Well, everybody knows that the bird is the word, and I agree that this is a special and singular record. ‘End of the Night’ is an album formulated around the question, “What music could answer that existential quandary of the perfect last record of the night at home?” To me late-night music has negative connotations of yucky lifestyle accessory music, but this record fulfills the brief, flushing anxiety and cynicism out of the system any hour of the day.

Besides one solo piece, Brokaw’s electric guitar is accompanied by one to four other instruments/performers (trumpet, violin, cello, bass,drums) across the 10 tracks. Together they create a luscious jazz-tinged atmosphere, where the central instrument doesn’t play in a style I’d typically associated with jazz guitar (which I also generally feel negative about unless it’s on the Sharrock end of the spectrum).

I can’t put my finger on what exactly it’s comparable to but I’d place it near the beautiful and serene mood of Fleetwood Mac’s ‘Albatross’ and Miles Davis’ ‘In A Silent Way’. – Nic

Chris Brokaw - End Of The Night LP (Vin Du Select Qualitite, 2019) $44.95

Chris Brokaw

There’s perhaps a tendency to see the term “Free Jazz” and think of a cacophony; pushing the body to the extreme to elic...
04/08/2026

There’s perhaps a tendency to see the term “Free Jazz” and think of a cacophony; pushing the body to the extreme to elicit a blaring skronk or an across the kit performance or a hammering keys or a bass run. Hell, even the alternate names for the subgenre—Energy and Fire Music—carry with them connotations of exertion.

Where Sydney’s free jazz quartet Believe’s debut LP certainly fit into this mould their followup drawn from these same sessions, Nature’s God, is something of a companion piece. Calling this a “quiet free jazz” record might feel oxymoronic to some (or perhaps it would be seen as “new music” or “free improv” to others, which are great on their own terms but could be seem a bit serious and daunting), but there’s reward and fun to the slow burn and space on this record!

Opening with a subdued interplay between Manojlovic’s piano, Thomas’ bowed bass, and some percussive elements from Pike, the side builds before being joined by elongated sax drones from Farrar. Side 2 begins with a moment of collectively following a melodic line, but in a wonky, cubist manner, spilling into more frenetic Farrar sax lead, rounded out by a percussive passage and then petering out into an airy closing. Yet there’s no explosive moment, no cheesy quiet-loud-quiet dynamic structure, but detail and nuance brought out via restraint.

Can’t get enough! –Mitch

Believe - Nature’s God (Ramble Records/Relative Pitch, 2026), New LP, $39.95 / New CD, $19.95

BELIEVE Ramble Records Relative Pitch Records

Do you smellllllllll what The Rock is cooking? Combat Rock that is 😉 Back is stock and very much enjoying it on the inst...
03/08/2026

Do you smellllllllll what The Rock is cooking? Combat Rock that is 😉 Back is stock and very much enjoying it on the instore stereo…

Combat Rock don’t need no drugs to rock the casbah! And across these 8 minutes of short, sharp, what I’m assuming is Clash-album referencing STRAIGHT EDGE, they rock hard. Fast and catchy, acidic but ultimately an uplifting hardcore punk experience. Fans of the first handful of 7”s on Dischord and the flowers that blossomed across the USA in their aftermath will want to get in on this action. Think Uniform Choice, Youth Of Today, Jerry’s Kids, or more recently The Rival Mob. An awesome and cool record with no unnecessary stuff (that includes colour printing and coloured vinyl). – Nic

Combat Rock - Ten Song 7” (UGL Media, 2026) $9.95

UGL MEDIA

A cross section of the secondhand LPs that hit the shelves this weekend. I’m pleasantly surprised at the interesting var...
02/08/2026

A cross section of the secondhand LPs that hit the shelves this weekend. I’m pleasantly surprised at the interesting variety we’re seeing through here. I’m proud that our shop is even better in real life than it is on computer! - Nic

You better run run run run run cos this month’s Presser is out!*A long article about the glory and joy of Velvet Undergr...
01/08/2026

You better run run run run run cos this month’s Presser is out!*

A long article about the glory and joy of Velvet Underground bootlegs alongside the usual reviews, gig guide, and arrived/arriving columns!

*For real though, please don’t run, it’s available on our website in full colour digital form, goes out with every online order and we’re always running off more copies on the printer!

Cranking the new Michael Beach live album right now and as you would expect, it’s a killer!!Lotsa other great stuff new ...
31/07/2026

Cranking the new Michael Beach live album right now and as you would expect, it’s a killer!!

Lotsa other great stuff new in the shop too, including two new reissues from Eminent Vinyl including The Invisible College (Laughing Hands side project) and Hungry Ghosts (produced by Rowland S Howard), the latest from Body Type, Alien Nosejob, Charli XCX, Daily Toll, The Strike Outs, Ferries, and Anton Pearson (of Squid fame), and four snazzy Crass reissues that have been freshly remastered!

Jake Robertson anti fade records Michael Beach body type daily.toll anton pearson World of Echo

‘Convicted’ is back in stock so I’m reposting my review from a couple years back. My opinion stays the same, what a ripp...
29/07/2026

‘Convicted’ is back in stock so I’m reposting my review from a couple years back. My opinion stays the same, what a ripping good time…

I haven’t listened to Cryptic Slaughter as much as I have in the last week since the shop was in Penrith! There’s a certain wart ‘n’ all recording quality here, or more appropriately zits ‘n’ all. The pimples on their 1986 debut ‘Convicted’ are almost audible.

The general atmosphere is a hurricane of unbalanced teenage hormones that ebb and flow between the raging frustration and having a good time thrashing fast with your friends. Maybe their follow up ‘Money Talks’ is a “better” executed album but there’s a unique charisma here. It’s impressively fast, but exciting how close it is to falling apart.

Maybe out of them all, this is the Hardcore Punk / Thrash Metal ‘Crossover’ record I’d put my name to! – Nic

Cryptic Slaughter - Convicted LP (Relapse, 1986/2025 repress) $39.95

Relapse Records

Excitedly making my way through a box of Hyperdub releases that landed this morning!!!One of the finest and most importa...
28/07/2026

Excitedly making my way through a box of Hyperdub releases that landed this morning!!!

One of the finest and most important purveyors of electronic music this century, we’ve got a bunch of new or restocked Burial 10”s and 12”s for the hauntology heads, modern classics from our favourite Jessy Lanza, DJ Spinn, and the latest from Heavee. Not pictured (and still processing…) a stack of the DecaDubs comps and more CD releases of both albums and comps (currently listening to and loving the Next Life CD comp!!) –Mitch

Hyperdub Jessy Lanza

The past five years or so have seen a welcome campaign of revisiting the work of various Australian guitar pop (some may...
27/07/2026

The past five years or so have seen a welcome campaign of revisiting the work of various Australian guitar pop (some may say… jangle) bands of the 90s and very early 00s, with a number of these groups making fairly substantial intergenerational connections on bills. Fairly extensive reissue campaigns around the work of Cat’s Miaow and Hydroplane have entered circulation, both bands are back playing live shows again, and to my knowledge The Cannanes seem to be playing more regularly in Sydney than they have I can remember in my gig-going lifetime.

So why is no-one talking about the criminally underrated Driving Past???

Formed by former Cannanes member David Nichols and the poet Gig Ryan* (one of Oz’s best—why wasn’t I taught her work in school or university???), alongside Andrew Withycombe of Cat’s Miaow and Hydroplane, and Mia Schoen of New Estate (and more recently the excellent Blueprints), the lineup seems ripe for a 20’s revival!

The songs on Real Estate skitter past the listener; the guitar and drums locked into rhythmic patterns with organ and bass drifting through the mix and Ryan’s idiosyncratic vocals at the forefront, like a meeting of the looseness of The Garbage & The Flowers with the forward momentum of Small World Experience, with a bit of wonkiness that would appeal to fans of Mad Nanna.

Even though some of these members are seeing a contemporary renaissance with their other projects, I suspect that the same renewed interest hasn’t reached Driving Past because (to evoke Nic’s recent review of The Spatulas’ latest LP) these recordings don’t sit within a kind of the twee, atmospheric sensibility favoured by trendy tastemakers with digital radio shows. Music at its honest, vulnerable, and strange best!
–Mitch

*No relation. if you’re wondering.

Driving Past - Real Estate (Chapter Music, 1999), New CD, $19.95

Chapter Music

If a famous time traveler from popular culture, say Marty McFly or The Doctor from Doctor Who, visited me in 2009 with t...
23/07/2026

If a famous time traveler from popular culture, say Marty McFly or The Doctor from Doctor Who, visited me in 2009 with the pressing information that former members of Blood Duster and Circle Pit would form a band together in 2026, I would assume they were yanking my chain!! Yet, it’s actually true and Cujo are a band that doesn’t cut off its early 70s pub/glam/hard rock influences to spite its feral punk rock face.

Cujo are a supergroup (lol, resume: Electric Chair, Rot TV, Miss Destiny, Private Function, Captain Cleanoff etc), but while some “features members of” Melbourne bands reek of strategy, like they formed to get some European promoter to book them a band holiday, this one sounds like friends hanging out. There’s a certain sense of carefree, b-movie fun here, as if a Bomp or Stiff Records band experienced both hardcore punk and sunset strip schlock. Four song 45rpm 7”, the best way to first engage with this type of thing! Music, Fashion, Film, Cujo. – Nic

Cujo - Cujo 7” (Cujoverse Records, 2026) $19.95

Cujo

Address

413 King Street
Newtown, NSW
2042

Opening Hours

Monday 11am - 5pm
Tuesday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 10am - 5pm
Sunday 11am - 5pm

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+61295576237

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