Atelier Duerinck

Atelier Duerinck Contemporary violinmaker with a PhD in the art of lutherie: New instruments, new materials, psychoacoustics, modal analysis and much more!

Yesterday we received a spin-off award from AUGent!A big thank you to everyone who helped us is in our (academic) resear...
25/09/2026

Yesterday we received a spin-off award from AUGent!
A big thank you to everyone who helped us is in our (academic) research and our journey to applying it into our company!

16/09/2026

Many luthiers put the bridge in a custom block and plane it like that. I prefer to do it the other way around: put the plane in a vice and drag the bridge over it to remove thin slices.
It's subjective, but I think I feel the wood much better this way. I have more control of where I put pressure and take away wood.
This might look dangerous since my fingers are very close to the sharp blade of the plane, but I've never cut myself doing this in all the years I've been using this technique.

13/09/2026

First tryouts of the new flaxfiber viola!

05/09/2026

I treat my bridges with a sealer to better protect them against moisture. It keeps them more stable, especially in challenging environments (while travelling, outdoors,...). And it gives them a nice finish!
I use S120 advanced sealer, a new generation of high performance sealer that does it's job very well and (in my experience) doesn't change the sound properties of the bridge (noticeably). But this should be verified by others, it's just my personal experience.
Question for other luthiers: are you treating your bridges or not? Do you use shellac for this or something else like me?

27/08/2026

To a musician an instrument feels like a friend, it has its own personality, story and life, that may continue long after we're gone.
So when musicians are having an instrument made especially for them, it can feel extra special if we personalize it for them.
We are so happy to hear about what you have in mind and working together to make it a reality.

We can take drawings you provide, or work with local artists like to bring your ideas to life! We've also infused dried flowers and woven palm leaves in our instruments. So we're not scared of a challenge 😉

26/08/2026

Some more information on our novel pickup element!
Well... What we are allowed to say anyway 🤐😅

HoGent University of Applied Sciences and Arts is still doing research on it, so it might become available for other instruments like guitars in the future. But at the moment we are the only ones who have a license for it! So it is super exclusive 😲

Also forgot to say in the video: the pickup element goes to an XLR output (for cello) or a mini-XLR output for violin and viola. Through a jack output it doesn't sound as good.

If you want to hear it in action, check out who used it for the viola in their latest album!

Shoot any further questions in the comments and we'll be happy to answer what we can/are allowed.

25/08/2026

Introducing our flax fiber violins!

These instruments are handmade from local flax fibers in our workshop in Ghent, Belgium.

Why do we make instruments from flax fiber? Because the material has great acoustic properties and it's less fragile and sensitive to moisture and temperature than wood.
In short: our goal is to make the best instruments possible for contemporary musicians, and we believe flax fiber is the way to make that happen!

For pre-orders our price starts at €6.496 excl. taxes and shipping.

Happy to explain more about it, so if you have any questions: shoot!

20/08/2026

NEVER DO THIS!!
This stunt was performed by a professional with an instrument made from flax fiber composite.
It should never be duplicated or recreated with any kind of instrument, regardless of the material it is made from!

Please treat the instruments we make and any other musical instruments by extension, with the respect, care and love they deserve!

It's not because they can handle a beating that they deserve one! A musical instrument has a soul: it's a friend, a life companion.
Treat it as such!

18/08/2026

A continuation of my last reel on innovators in violin making! Since by accident I didn't include women in my previous one (my deepest apologies), here is a list showcasing a small selection of the amazing female talent in our craft. Some more known, some perhaps less known, all innovative!

1. Carleen Hutchins, in my opinion one of the greatest innovators of the past century, and responsible for starting a movement of science based research in lutherie.
2. Claudia Fritz, the other most influential person for our craft of the last decades. Her research proving contemporary instruments to be as good as the best old instruments were an absolute eye-opener for the world!
3. Emma Hardy , using local materials and inspired by nature, her instruments are true works of art. Each instrument personal, unique, and telling a story!
4. Ruth Obermayer , combines the traditional craft with acoustic research and locally inspired artisanal touches.
5. Paris Andrew , makes her own unique instruments like her recent deer cello and a daring advocate to 'cut the Stradivari cord'. I fully agree!

In history the role of women in our craft has been underappreciated, since the name of the workshop/label was almost always exclusively male. Yet we know that many instrument making families included women working for their respective husband/father/... So who knows, perhaps some historic instruments would need a different label?
Luckily times have changed and now we know how many women there are at the top of our craft. And there are so many!!!

I wanted to focus on living makers, but could not possibly exclude Carleen Hutchins, so she deserves an exception I think! And yes Claudia Fritz is a researcher, not a maker, but she did cut a violin bridge once 😉 and is the catalyst of so much innovation that she deserves a spot as well!

Who else should we add to the list?

Adres

Frederik Burvenichstraat 106
Gentbrugge
9050

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