Wat zijn de openingstijden?

Maandag 09:00 - 17:00 Dinsdag 09:00 - 17:00 Woensdag 09:00 - 17:00 Donderdag 09:00 - 17:00 Vrijdag 09:00 - 17:00

DigiNet - Expertise with Vision

Startpagina
België
Vilvoorde
DigiNet - Expertise with Vision

Bellen Routebeschrijving Website Contact opnemen met het bedrijf

DigiNet has been founded in 1996 and is a strategic partner in the broadcast & pro av industry.

DigiNet’s core business is distribution, sales, engineering, installation and after-sales of professional equipment.

27/10/2026

What if a broadcast console could change without replacing the console?

At IBC2026, DHD audio GmbH introduced MX3, its third-generation Series 52 control surface.

The interesting part is not simply that it is a new mixing console.

MX3 changes the way the surface itself is built.

Each module is an individual network device. A single Ethernet connection carries data and PoE+ power, while the control connection between modules, console controller and DSP core is protected with TLS encryption and tokens.

More importantly, the desk is no longer a fixed collection of controls.

The function of buttons and encoders follows the active view, with labels displayed directly next to the controls. Modules can be added as workflows grow, and a console can connect to different DSP cores without recabling.

For broadcasters, that matters because studios usually have a much longer lifecycle than the workflows inside them.

New programme formats, IP standards or operational roles should not automatically mean replacing an entire mixing system.

That principle has always been part of DHD’s modular architecture. MX3 takes it one step further: built to last, but designed to change.

Ready to discover more?

26/10/2026

An alarm tells you something is wrong. What does Operational Assurance add? 👇

Imagine an ST 2110 stream starts showing packet loss during a live production.

A monitoring system can tell you there is a problem.

But the engineer still needs answers.

Did something change in the network?
Which service is affected?
Is the problem limited to one flow?
Did a switch, control system or timing condition change just before the alarm?
And which traffic should actually be captured for analysis?

That gap between detecting a symptom and understanding the incident is what Providius describes as Operational Assurance.

With NVRT, the alarm can be viewed alongside network topology, media flows, operational labels and telemetry from other systems.

Providian AI can use that deterministic information to help identify what changed and direct attention towards the most relevant part of the infrastructure.

And if packet-level evidence is needed, Providius Direct / X-SPAN can initiate traffic mirroring from NVRT and send the relevant traffic to CRIO for deeper analysis.

The aim is not to replace the engineer, it is to remove some of the time spent asking:
“Where do I even start looking?”

Providius summarised the idea well at IBC: spend less time finding the problem, get more context from the infrastructure you already have, and know what changed and what needs fixing.

For a live IP environment, that can make the difference between receiving an alarm and actually having a path to the root cause.

23/10/2026

What if a referee camera could finally feel like part of the live production instead of a compromise?

Body-worn cameras can create some of the most immersive pictures in sports.

But making them genuinely useful in a live broadcast is harder than simply strapping on a small camera.

Weight matters, latency matters, RF reliability matters and the production team still needs control over the image.

That is where the new DOMO Broadcast Systems Raptor Talon TXR comes in.

Introduced at IBC2026, Raptor Talon is a compact COFDM transmitter designed specifically for body-worn cameras, FPV drones and other applications where size and weight are critical. It supports 1080p60, low-latency transmission and an integrated UHF return path for camera control.

At IBC, Domo paired it with the new PROTON IS miniature stabilised camera.

The camera head measures just 20 × 20 × 22.5 mm and separates the imaging head from the processing and power electronics. Combined with Raptor Talon, that creates a lightweight wearable system that can deliver a stable live point-of-view picture without adding unnecessary bulk to the person wearing it.

For sports production, the interesting part is not simply getting another camera angle.
It is making that camera behave more like every other source in the programme:
live, controllable and reliable enough to cut to when the moment happens.

That can turn the referee, official or athlete perspective from an occasional novelty into a genuine production tool.

Discover Domo Broadcast Systems 👇
https://shop.diginet.pro/en-us/brand-domo-broadcast-systems

22/10/2026

What if your media didn’t have to live in one place to be searchable?

Most media organisations don’t have one storage system.
They have Avid NEXIS. Cloud storage. Regional systems. Archives. Different production environments. And years of content that cannot simply be moved into one new repository.

So perhaps the answer isn’t moving all that media.

It is creating a common intelligence layer across it.

That is the idea behind Avid Content Core.

Content Core can index, understand and search media across on-premises, hybrid and cloud environments while the high-resolution assets remain where they already live. Instead of requiring a wholesale migration, it creates a common view of the content, its metadata and the context around it.

Search also moves beyond filenames and manually entered metadata.

Semantic search can find media by what is actually happening in the content, a spoken phrase, an action in a scene or something described in natural language.

But discovery is only part of the story.

Avid is increasingly using Content Core as the connective layer between planning, media, production and publishing. Content Core Rundown carries story context into live production, while browser-based Media Composer workflows extend search, selection and editing into the same environment before deeper craft editing continues in Media Composer.

At IBC2026, Avid expanded that further with native asset management, production Insights and Avid Assist for governed agentic workflow orchestration.

Discover Avid👇
https://shop.diginet.pro/en-us/brand-avid

21/10/2026

What changes when the camera becomes a native part of the IP infrastructure?👇

The Panasonic AW-UE210 starts with the same imaging platform as the new AW-UE200:
a 1.2-type 5K global-shutter sensor, 22x optical zoom, high-speed PTZ movement and built-in Auto Framing.

But the 210 adds something important for larger broadcast and production environments:
native SMPTE ST 2110 and Dante connectivity.

ST 2110 supports uncompressed 4K video, PTP timing, NMOS IS-04/IS-05 and ST 2022-7 redundancy. The camera also supports an IP return-video input, while Dante provides four channels of audio input and output.

Panasonic also plans JPEG XS support via a future firmware update, giving facilities another low-latency option for moving high-quality video across IP infrastructure.

PTZ camera in an ST 2110 facility should not need to be treated as an SDI source with extra conversion around it.

With AW-UE210, video, audio, timing and control can become part of the same IP architecture from the camera onwards.

That can reduce gateways, simplify cabling and make the camera easier to integrate into redundant broadcast networks.

Same camera platform. Different infrastructure strategy 👇
https://shop.diginet.pro/en-us/buy-panasonic/product-category=ptz-cameras/

Panasonic Broadcast & Pro AV Europe

20/10/2026

When people think of a broadcast audio system, the first thing they usually see is the mixing console. But did you know that in a DHD system, the control surface is only one part of the architecture?

Behind it sits a modular platform built from four layers.

1️⃣Control
The surface the operator works with. From compact desktop positions to large modular consoles.

2️⃣Core
The processing and routing engine. Depending on the workflow, DHD offers different cores for anything from a compact studio to larger control-room and routing environments.

3️⃣Connect
Analogue, digital and IP I/O can be placed where the signals actually are. DHD’s APC architecture can carry audio, power and control over standard CAT cabling, while AES67/RAVENNA and Dante provide connectivity into wider AoIP environments.

4️⃣Software
Toolbox defines how the system behaves, while browser-based WebApps provide monitoring, control and operational access. That means the workflow is not fixed by the hardware layout alone.

A broadcaster may want to replace a control surface, add another studio, move processing into a central machine room, introduce IP connectivity or create a remote operating position without rebuilding the complete audio infrastructure.

DHD’s architecture allows those layers to evolve separately while remaining part of the same system. DHD itself describes the platform as control surfaces, audio cores, I/O and software that work as one system.

That is the real value of modularity.

Not more boxes.

More freedom to change one part of the workflow without automatically replacing everything around it.

19/10/2026

Should a control-room keyboard still work when the network is unavailable?

For critical control-room functions, the answer should be: as much as possible, yes.

That is one of the ideas behind the new G&D CommandKeyboard-Advanced.

The keyboard contains its own processing platform and supports an HID Offline Mode. Configurable button grids, hotkeys, icons and folder structures are stored directly on the device and are available immediately after startup. They do not depend on a browser session or central application being available.

That does not mean every network-based function magically survives a network failure.
But it does mean that selected operator commands can remain local and predictable.
In a live control room, that distinction matters.

When something upstream is unavailable, the operator should not suddenly lose every familiar shortcut at the same time.

The CommandKeyboard-Advanced can also operate in webpage mode or connect to VuWall Dynamic Control when network services are available. But its local HID behaviour is deliberately independent.

That is a useful resilience principle:
keep essential operator actions as close to the operator as possible.

16/10/2026

Sometimes we get the question: "Do I need NMOS or Ember+ to control DHD AES67/Ravenna interfaces?" 👇

It's not necessarily.

With firmware 10.4, DHD has introduced a Control API for its AES67/Ravenna interfaces.

The API provides access to stream parameters, interface settings and related functions within a DHD system, giving developers and system integrators another way to integrate DHD audio infrastructure into larger IP-based workflows.

DHD positions the Control API as a secure, licence-free alternative to NMOS and Ember+.
Security is built into the interface through access tokens and TLS/HTTPS, so external applications can communicate with the DHD system through an authenticated and encrypted connection.

That's interesting because in many broadcast installations, audio routing and processing no longer operate as isolated systems. Control may need to be connected to studio automation, monitoring, orchestration or other software used across the facility.

An API gives system designers another option for creating those connections without forcing every workflow into a predefined control protocol.

That doesn’t automatically mean that an API is the right answer for every installation.
But for environments that require custom integration or deeper software control of their AES67/Ravenna infrastructure, it provides an additional route into the DHD ecosystem.

Working on an Audio-over-IP project and wondering which control approach best fits your architecture? Don't hesitate to contact us.

15/10/2026

Broadcast audio has to evolve without becoming unpredictable and that's why broadcast studios rarely stand still.

Workflows change. IP grows. New formats appear. Teams work differently. But the core infrastructure often needs to remain operational for many years.

That is exactly where dhd.audio’s philosophy becomes interesting.

Founded in Leipzig in 1996, DHD develops and manufactures its hardware and software in-house, with a clear focus on professional broadcast audio. Its systems are built around one modular platform: control surfaces, processing cores, I/O and software that can be combined and expanded as requirements change.

The idea is not modularity for its own sake.
It is about giving broadcasters the freedom to adapt a system without replacing everything around it.

A new control surface does not automatically require a new DSP core. Additional I/O can be added when the studio grows. Software and workflow functions can evolve while the underlying system remains familiar to operators and engineers.

That matters in environments where 24/7 reliability and long investment cycles are more important than chasing every new technology trend.

DHD itself describes its approach as engineering-first: modern technology, but implemented with stability, serviceability and operational clarity in mind.

For us, that is also why DHD audio GmbH is more than a console brand.

It is a broadcast-audio platform that can grow with the workflow while helping the people behind the desk stay focused on the programme.

Discover DHD audio now 👇
https://shop.diginet.pro/en-us/brand-dhd-audio

14/10/2026

When the action moves fast, a PTZ camera has to do more than follow it.

The new Panasonic AW-UE200 is built for productions where motion, lighting and timing leave very little room for compromise.

At its core is a new 1.2-type 5K MOS sensor with global shutter.

Global shutter capture helps reduce distortion and flicker when shooting fast-moving subjects, LED walls and dynamic stage lighting, situations where conventional rolling-shutter behaviour can quickly become visible.

The camera also combines an 80° wide-angle lens with 22x optical zoom, allowing it to cover both large venues and tighter studio spaces.

And the PTZ mechanics are designed to keep up.

Panasonic specifies pan and tilt speeds of up to 400° per second, with acceleration to maximum speed in approximately 0.2 seconds.

Add built-in Auto Framing and the result is a remote camera aimed squarely at live events, sports and studio production where the operator needs speed without giving up control over composition.

The interesting part is not simply that this is Panasonic’s next high-end PTZ.

It is that the camera is being designed around situations where PTZs increasingly have to behave like serious production cameras.

Fast movement. Difficult lighting. No second take.

More information👇
https://shop.diginet.pro/en-us/buy-panasonic/product-category=ptz-cameras/

Panasonic Broadcast & Pro AV Europe

Adres

Leuvensesteenweg 248B
Vilvoorde
1800

Openingstijden

Maandag	09:00 - 17:00
Dinsdag	09:00 - 17:00
Woensdag	09:00 - 17:00
Donderdag	09:00 - 17:00
Vrijdag	09:00 - 17:00

Telefoon

+3222570181

Website

http://shop.diginet.pro/

Meldingen

Wees de eerste die het weet en laat ons u een e-mail sturen wanneer DigiNet - Expertise with Vision nieuws en promoties plaatst. Uw e-mailadres wordt niet voor andere doeleinden gebruikt en u kunt zich op elk gewenst moment afmelden.