DigiNet - Expertise with Vision

DigiNet - Expertise with Vision DigiNet has been founded in 1996 and is a strategic partner in the broadcast & pro av industry.

DigiNet’s core business is distribution, sales, engineering, installation and after-sales of professional equipment.

More signals shouldn’t mean more time searching for the right one.As broadcast audio systems grow, operators often gain ...
04/09/2026

More signals shouldn’t mean more time searching for the right one.

As broadcast audio systems grow, operators often gain flexibility, but also complexity.

DHD’s new Version 10.4 firmware focuses on making larger and more networked audio environments easier to operate.

One of the key additions is Flex Channels. Instead of tying every source to a fixed pool of fader channels, operators can select signals from a predefined source list when they need them.

Combined with new Channel Categories, large source lists can be filtered into more manageable groups, making it faster to find the right microphone, contribution feed or playback source.

Version 10.4 also adds direct remote microphone preamp control from the console touchscreen, Views App or Control API.

And behind the scenes, DHD has strengthened Audio-over-IP timing. Secondary PTP clocks are now included directly in the Best Master Clock Algorithm evaluation, improving resilience in redundant network environments.

For engineers, these may sound like technical improvements.

For operators, the impact is much simpler: less searching, fewer unnecessary steps and more confidence when working in complex live environments.

DHD Version 10.4 supports current DX2, RX2, SX2 and TX2 mixers, XC3, XD3 and XS3 cores, and compatible AES67/Ravenna interfaces.

Want to know what Version 10.4 could change in your DHD environment?

Need professional video capture without turning your desk into a machine room?Sometimes, the simplest part of a workflow...
03/09/2026

Need professional video capture without turning your desk into a machine room?

Sometimes, the simplest part of a workflow becomes unnecessarily complicated: getting a professional SDI or HDMI signal into a computer.

The new Blackmagic Design UltraStudio Express Recorder 3G keeps that part refreshingly straightforward.

This pocket-sized capture device connects cameras, switchers and other video sources to Mac, Windows or Linux computers using a fast USB4 connection. It supports both 3G-SDI and HDMI, with broadcast-quality 10-bit video in SD and HD formats up to 1080p60.

That makes it a practical option for a wide range of workflows.

Connect a camera for live streaming. Capture the output of a production switcher. Bring an SDI source into an editing or graphics workstation. Or use your computer for AI-based video processing without installing an internal PCIe card.

And because the new Express generation works with USB4 and compatible Thunderbolt 4 systems, it fits naturally with many of today’s laptops and compact workstations.

No large breakout box. No internal hardware. Just professional video capture where you need it.

For mobile production teams, streaming setups, post-production environments and anyone working between broadcast video and computers, that simplicity can make a real difference.

Discover the Blackmagic Design UltraStudio Express Recorder 3G👇
https://shop.diginet.pro/en-us/editing/io-devices/external-video-io/blackmagic-design-ultrastudio-express-recorder-3g-403364

Are you heading to IBC in Amsterdam from september 11-14? The global media and entertainment industry will once again ga...
02/09/2026

Are you heading to IBC in Amsterdam from september 11-14?

The global media and entertainment industry will once again gather in Amsterdam for four days of innovation, technology and networking.

We're looking forward to meeting customers, partners and industry peers throughout the show.

🇧🇪 Belgium: Robert Vander Meulen, Bart Delva, Michel Croonen, Dries Tastenhoye, Karl Imbrechts, Lieven Coghe, Bart Coppens

🇳🇱 Netherlands: Niels Mos, Michel van Toorn, Egbert ten Kate, Jasper de Bruijn, Harold van Eijden

Looking for our technology partners?
AJA Video Systems – 7.B25, Ateme – 1.D55, Atomos – 7.B19, Avid – 7.B59, Blackmagic Design – 7.C49, Cartoni – 12.F31, Datavideo – 3.MR11, Dell Technologies – 7.B47, ETL Systems – 1.A29, EVS – 7.B11, Fujinon – 12.B20, Guntermann & Drunck – 8.B63, Haivision – 2.B32, Hitomi – 10.A40, Limecraft – 7.D21, Marquis – 7.D47, Matrox Video – 7.B15, Netgear Pro AV – 8.A59, Panasonic – 2.G102 (by appointment only), Providius – 10.F53, Rohde & Schwarz – 8.B70, Ross Video – 8.B91, Skaarhoj – 11.A31, Sony – 13.A10, Spectra Logic – 7.C01, Zero Density – 7.B01

This year's IBC will once again focus on AI, cloud workflows, remote production, IP infrastructures and next-generation software-defined media technologies.

IBC is more than just a trade show.

It's where ideas are exchanged, partnerships are strengthened and the future of media technology takes shape.

🤝 Want to connect during IBC?
Send us a message. We'd be happy to meet and exchange ideas during the show.

See you in Amsterdam!

If you're reporting live from the field, you know connectivity must work, anywhere and anytime.   Satmission is what you...
01/09/2026

If you're reporting live from the field, you know connectivity must work, anywhere and anytime. Satmission is what you need.

It delivers high-performance mobile satellite solutions built for demanding environments.
From broadcast to emergency response, Satmission enables:
✅ Mobile uplink systems with reliable satellite connectivity for live video
✅ Rapid deployment with drive-away antennas ready in seconds
✅ Operation in extreme conditions, built for any terrain and climate

Trusted by broadcasters, telecom providers, and government organizations, Satmission solutions ensure connectivity when it matters most.

As DigiNet’s trusted Satmission partner in the Benelux, we provide local expertise, integration & support for your satellite workflows.

Explore Satmission 👇
https://shop.diginet.pro/en-us/brand-satmission

Transformations rarely happen overnight and the future of software-defined media will be no exception.Dynamic Media Faci...
31/08/2026

Transformations rarely happen overnight and the future of software-defined media will be no exception.

Dynamic Media Facility (DMF) and the Media Exchange Layer (MXL) are not finished products.

They are part of a much bigger journey.
But perhaps that's exactly what makes this moment so interesting.

Broadcasters are experimenting.
Vendors are collaborating.
Cloud providers are contributing.
Open-source communities are growing.
And ideas that were still concepts a few years ago are gradually turning into prototypes, pilots and real-world deployments.

Not because the industry is looking for change for the sake of change.
But because flexibility, interoperability and operational simplicity are becoming increasingly important.

Will everything change tomorrow?
Of course not.

But the direction of travel is becoming clearer.
And perhaps that is the most important signal of all.

Earlier this year, during our 30 Years DigiNet Media Technology Seminar, EBU's Wim Vermost shared his perspective on these developments.

That conversation inspired this Summer Deep Dive series.

Because while no one can predict exactly what media infrastructures will look like ten years from now, one thing seems increasingly certain: The future will be defined not by individual products, but by ecosystems.

Which developments do you believe will have the greatest impact on our industry over the next decade?

Do you know how many cameras you really need? Because not every production requires a complete PTZ setup.For meeting roo...
28/08/2026

Do you know how many cameras you really need? Because not every production requires a complete PTZ setup.

For meeting rooms, classrooms, council chambers and hybrid workspaces, one intelligently positioned camera is often all it takes.

The Panasonic Broadcast & Pro AV Europe AW-UE5 combines a 121° ultra-wide field of view with AI-powered Group Framing, automatically keeping everyone in the picture as participants move through the room.

With support for USB-C, PoE and NDI® HX, installation is quick and infrastructure remains remarkably simple.

The result👇
✔ Capture an entire room with a single camera
✔ Reduce installation complexity and costs
✔ Deliver professional 4K video for hybrid collaboration and live streaming

Whether you're designing a corporate meeting space, an educational environment or a compact production studio, the AW-UE5 proves that smart design can often outperform adding more hardware.

Curious whether the AW-UE5 is the right fit for your next AV project?

Why are competitors writing code together? Let us explain... Competition has always driven innovation in our industry.Bu...
28/08/2026

Why are competitors writing code together? Let us explain...

Competition has always driven innovation in our industry.
But some challenges are simply too big for any single company to solve alone.
As media infrastructures become increasingly software-defined, interoperability matters more than ever.

And interoperability cannot be achieved in isolation.

Which is why something remarkable is happening.

Broadcasters.
Technology vendors.
Cloud providers.
Infrastructure companies.

Organizations that normally compete with each other are now collaborating on a common foundation for the future of media.

Ross Video.
Grass Valley.
Riedel.
AWS.
NVIDIA.
CBC/Radio-Canada.
The EBU.
And many others.

Perhaps even more interesting is the approach they have chosen.
Not years of committee meetings followed by specifications.
But open-source code first.
Learn together.
Improve together.
Standardize later.

It's a very different model from the one our industry has traditionally relied on.
And perhaps that's exactly why so many organizations are paying attention.

Because the future of software-defined media may not be built by a single company.
But by an ecosystem.

In a software-driven world, could collaboration become a competitive advantage?

A question someone asked us recently: Why do complex systems often fail during simple live moments? And the answer might...
27/08/2026

A question someone asked us recently: Why do complex systems often fail during simple live moments? And the answer might nog be what you expect.

It's rarely because of missing features.

More often because operators lose confidence when systems behave inconsistently.

Live production environments scale successfully when:
• control logic stays the same
• interfaces remain familiar
• workflows don’t change under pressure

Complexity itself isn’t the problem, unpredictability is.

What helps operators trust a system during live production?

Complexity Costs More Than ComputeTechnology keeps getting cheaper.Storage becomes more affordable.Compute becomes more ...
25/08/2026

Complexity Costs More Than Compute

Technology keeps getting cheaper.
Storage becomes more affordable.
Compute becomes more powerful.
Networks become faster.

Yet media operations don't necessarily become simpler.

In fact, many organizations are experiencing the opposite.

As workflows become more distributed, the hidden cost of complexity often starts to outweigh the cost of infrastructure itself.

Custom integrations.
Configuration overhead.
Operational complexity.
Engineering effort.
Unexpected dependencies.

Because while compute can be rented by the hour, complexity tends to accumulate over time.
And perhaps that's why the conversation around software-defined media isn't really about compute.

Or GPUs.

Or cloud.

It's about reducing friction.

This is one of the reasons why initiatives such as the EBU's Dynamic Media Facility (DMF) and technologies like MXL are attracting so much attention across the industry.
Not because complexity disappears.

But because complexity needs to be managed differently.

As AWS recently put it: Infrastructure is only the foundation. Building the house is where things become interesting.

As media workflows continue to evolve, where do you think the biggest costs really lie?

Choosing the right Avid Media Composer edition just became much easier and this is why 👇As production workflows evolve, ...
24/08/2026

Choosing the right Avid Media Composer edition just became much easier and this is why 👇

As production workflows evolve, so do the needs of editors and creative teams.

With the latest Media Composer update, Avid introduces a clearer four-tier product lineup, making it easier to choose the right edition today and upgrade as your requirements grow.

The new structure includes:
👉 First: A free entry point for learning and evaluation.
👉 Standard: Professional editing with predictable pricing, now including Shared Projects on Avid NEXIS.
👉 Ultimate: Advanced editing with AI-powered features such as PhraseFind AI Multicam Auto Edit.
👉 Enterprise: Designed for large organisations requiring governance, virtualisation, third-party storage collaboration and secure enterprise workflows.

Instead of choosing between confusing licensing options, customers now have a straightforward upgrade path that grows alongside their organisation.

Whether you're an independent editor, a post-production facility or a national broadcaster, there's now a Media Composer edition that fits your workflow and a clear path when your needs evolve.

Not sure which edition is right for your organisation?
We are happy to help!

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