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Jaron Gyger

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Schweiz
Bern
Jaron Gyger

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Jaron Gyger, Geschäft für Kunst und Handwerk, Bern.

08/09/2026

Abeille, 2026
Oil on canvas, 60 x 50 cm

07/09/2026

Genèse, 2026
34.5 x 26,5 cm
Oil on canvas

02/09/2026

Newton, 2026
Oil on canvas
26 x 20 cm

Currently on view as part of SACRED FICTIONS in Marseille. The exhibition runs until September 4.

31/08/2026

The Fall of Man, 2026
Oil on canvas
193 × 213 cm

Currently on view as part of SACRED FICTIONS in Marseille. The exhibition runs until September 4.

17/07/2026

Fragments of texture, 2026

Oil on wood board, 54 x 24 cm

17/07/2026

Fragments of texture, 2026

Oil on wood board, 54 x 24 cm

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30/06/2026

After one intense month of curating and organising an exhibition, I finally found the time to get back to what matters most.

25/06/2026

The interdisciplinary art project *VERNISAGE*, initiated by Gyger, Ben Mühlethaler, and Maurice Könz, brings together music and visual art. In collaboration with Bern-based musicians Dan Mattia Müri, Estelle Plüss, Lorenz Häberli, Luc Oggier, Soukeyna Mboup, Stefanie Peter, and Yannis Maviaki, the album *VERNISAGE* was created.

At the beginning of the project, Gyger painted seven oil portraits that sparked new artistic approaches. In response, he cut the paintings apart and had them sewn back together, resulting in a large-scale work (*Diversity*, 280 × 160 cm). The piece explores themes of identity, diversity, and community.

For Jaron, the work also emerged from a reflection on the conditions through which art gains visibility and legitimacy today. While figurative painting is often regarded as traditional or conventional, the act of cutting apart and reconstructing the paintings shifted their reception into a different contemporary framework. This transformation raises questions about the values that shape current artistic discourse: Why can an image remain largely unnoticed until it is disrupted? At what point does destruction become more compelling than precision, commitment, or narrative? By turning completed paintings into fragments and reassembling them into a collective body, *Diversity* reflects on a cultural moment in which rupture often attracts greater attention than continuity, inviting viewers to reconsider the criteria by which meaning and relevance are assigned.

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Bern

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