Strauss Elektroakustik

Strauss Elektroakustik Pure Analog Reference Monitoring & Electronics
Architectural Acoustic Design
Nothing Added. Nothing Lost.

Custom SE Line Source — Dave Brubeck Touring SystemPictured during setup in the Grosser Saal at Casino Bern, this custom...
05/08/2026

Custom SE Line Source — Dave Brubeck Touring System

Pictured during setup in the Grosser Saal at Casino Bern, this custom SE line source touring system was designed and built by Jürgen Strauss for legendary jazz pianist Dave Brubeck.

Developed specifically for touring and concert-hall applications, the modular system was engineered for efficient transport, assembly and dismantling while maintaining the controlled coverage and acoustic performance expected of a STRAUSS ELEKTROAKUSTIK system.

Every STRAUSS ELEKTROAKUSTIK Custom Monitoring project begins with the client and the intended application. We work directly with artists, venues, studios, institutions and system designers to understand the acoustic environment, coverage requirements, listening distances, output demands, workflow and practical constraints—then develop a loudspeaker system precisely suited to them.

This same approach continues today across recording and mastering studios, immersive facilities, concert halls, research environments and touring productions, creating custom monitoring systems for applications where a standard loudspeaker format is simply not enough.

Discover Custom Monitoring and begin your project at:

https://strauss-elektroakustik.com/pages/custom-monitoring
(Link in Bio)

SE REQ-1SAnalog Reference Monitoring EqualizerThe SE REQ-1S extends the STRAUSS ELEKTROAKUSTIK reference-monitoring meth...
03/08/2026

SE REQ-1S
Analog Reference Monitoring Equalizer

The SE REQ-1S extends the STRAUSS ELEKTROAKUSTIK reference-monitoring method beyond the loudspeaker and into the monitoring signal path itself.

Developed for professional studios, mastering rooms and high-end listening systems, the SE REQ-1S allows room-related spectral imbalances to be addressed and the system response precisely tailored to the preferred target curve while maintaining the spatial, transient and dynamic integrity required for critical listening.

Key design features include:

• 18 fully parametric bands for precise acoustic calibration
• High- and low-frequency shelving filters for broadband tonal shaping
• Dual-mono architecture for independent left- and right-channel calibration
• –6 dB input pad for additional gain-management flexibility
• Noise floor below –120 dB
• Fully analog signal path with no DSP or conversion latency

Maintaining a fully analog correction path offers numerous advantages throughout critical listening, mixing, mastering and system evaluation.

Consider, for example, comparing two high-end A/D converters used to capture an analog mix or master. The objective is to accurately evaluate the digital result produced by each converter.

When an analog monitoring signal is routed through DSP-based correction, it must first undergo A/D conversion, followed by digital processing and D/A conversion for playback. Those processes exist only within the monitoring path and are not contained in the recorded mix or final master.

The SE REQ-1S allows room-related response issues to be corrected and the target curve precisely tailored without adding those digital processes to the monitoring chain.

The result is a listening environment calibrated for the room and tailored to the user’s preferred response while maintaining a fully analog signal path with no added conversion latency.

Discover the SE REQ-1S at:

strauss-elektroakustik.com
(Link in Bio)

Interested in the SE REQ-1S for your studio or listening system? Send us a DM or contact us through the website to discuss your system and project requirements.

STRAUSS ELEKTROAKUSTIK Custom Monitoring — Engineered Beyond StandardWhen standard loudspeaker formats are not appropria...
31/07/2026

STRAUSS ELEKTROAKUSTIK Custom Monitoring — Engineered Beyond Standard

When standard loudspeaker formats are not appropriate, STRAUSS ELEKTROAKUSTIK designs and develops custom monitoring systems for specialized applications—from recording and mastering studios, immersive facilities and film stages to concert halls, research environments and touring productions.

Pictured during testing at the SE MUSICLAB in Bern, this custom SE line source system is engineered around its intended space and application, including room acoustics, listening distance, coverage, output requirements and workflow.

Whether integrated into a permanent installation or developed for touring deployment, every STRAUSS ELEKTROAKUSTIK system is designed to preserve the essential qualities of a true reference: neutrality, resolution, stable imaging and consistent performance under real-world conditions.

Discover the possibilities and begin your Custom Monitoring project at
strauss-elektroakustik.com
(Link in Bio)

STRAUSS ELEKTROAKUSTIK Passive Reference Monitors at the SE MusicLab, BernSE MF-2.1, SE MF-4 and SE NF-3—displayed toget...
29/07/2026

STRAUSS ELEKTROAKUSTIK Passive Reference Monitors at the SE MusicLab, Bern

SE MF-2.1, SE MF-4 and SE NF-3—displayed together in the halls of the SE MusicLab.

From large-format reference monitoring to nearfield precision, each is engineered to reveal the signal with accuracy and coherence.

Experience Strauss Elektroakustik by appointment in Bern or Los Angeles.

Inquire about demonstrations, custom acoustic design and professional system integration.

strauss-elektroakustik.com
(Link in Bio)

Joe Joaquin | Grammy-Winning Mix & Mastering EngineerWith credits including Leonel García, Mighty Oaks, Juli, AnnenMayKa...
24/07/2026

Joe Joaquin | Grammy-Winning Mix & Mastering Engineer

With credits including Leonel García, Mighty Oaks, Juli, AnnenMayKantereit, Bukahara and Lotte, Joe works across mixing and mastering from his Custom Mojo Studio in Germany.

“I have relied on the NF-3 daily for 123 full moons now (I counted) and simply refuse to work without them. They combine unmatched accuracy and honesty with musicality and fun.”

Joe mixed Leonel García’s Pausa on the SE NF-3. The album received the 2024 Latin Grammy for Best Singer-Songwriter Album.

Read Joe’s full testimonial and hear from more STRAUSS ELEKTROAKUSTIK ambassadors at strauss-elektroakustik.com. (Link in Bio)

SE NF-3 — Los Angeles Showroom | STRAUSS ELEKTROAKUSTIK USADesigned for close-range listening, the SE NF-3 brings STRAUS...
23/07/2026

SE NF-3 — Los Angeles Showroom | STRAUSS ELEKTROAKUSTIK USA

Designed for close-range listening, the SE NF-3 brings STRAUSS precision, spatial stability, and controlled room interaction to the nearfield.

Physical time alignment, controlled 100° × 60° dispersion, precise imaging, and low-frequency extension to 38 Hz provide an accurate reference for recording, mixing, production, and critical listening.

SE NF-3 systems are currently in stock with STRAUSS ELEKTROAKUSTIK USA in Los Angeles and available for immediate U.S. shipment.

Private showroom demonstrations are available by appointment at the STRAUSS ELEKTROAKUSTIK USA showroom in Los Angeles, where multiple STRAUSS monitoring systems can be experienced in a purpose-built studio environment.

Visit strauss-elektroakustik.com (Link in Bio) or message us to schedule a private showroom demonstration.

21/07/2026

Elektroakustik Journal Vol. 5 | Two-Way Systems — Homogeneous Radiation

In theory, the ideal loudspeaker would be an infinitely small point source capable of reproducing the full audible spectrum at any required level, with constant directivity, correct timing, and no distortion.

The difficulty is that loudspeakers are not infinitely small. Low frequencies require radiating area and displacement, while high frequencies impose very different demands on diaphragm behavior. Full-range systems generally use multiple radiators.

Their integration shapes both the directly radiated sound and the energy distributed into the room.

Each crossover requires integration of two radiation patterns. A three-way system reduces the bandwidth demanded from each driver, but adds a second integration region, making a slowly rising directivity index more difficult to maintain.

In a conventional coaxial driver, the surrounding cone forms part of the high-frequency waveguide, so its movement can modulate the high-frequency output. The central high-frequency assembly constrains the cone profile and the larger radiator’s behavior near the crossover. Coincident geometry alone does not guarantee point-source behavior.

Separate radiators can be optimized more independently, but spacing, directivity, phase, and timing through the crossover must be integrated precisely.

This is what makes large-format two-way systems so demanding to design. They require unusually capable transducers with wide, low-distortion operating ranges. The low-frequency driver must extend unusually high while remaining controlled, low in distortion, and low in compression; the high-frequency driver and horn must operate unusually low while preserving output and stable directivity. Developing and integrating the drivers, filters, geometry, and alignment is technically difficult and resource-intensive.

When these requirements are met, a single crossover region can support a slowly and continuously rising directivity index, homogeneous radiation, and more predictable room interaction.

Two radiators, designed as one acoustic system.
Nothing Added. Nothing Lost.

SE MF-4 with SE PA-250 Dual Mono Power Amplifiers | THE STUDIO — SE MUSICLAB, BernFrom the smallest microdynamic cues to...
17/07/2026

SE MF-4 with SE PA-250 Dual Mono Power Amplifiers | THE STUDIO — SE MUSICLAB, Bern

From the smallest microdynamic cues to full-scale transients, the SE MF-4 combines the STRAUSS 12-inch Linear Impedance Transducer (LIT) with physical time alignment, an engineering principle employed throughout STRAUSS ELEKTROAKUSTIK loudspeaker designs, helping preserve timing, dynamics, and spatial information across the full dynamic range of the recording.

Experience the SE MF-4 at the SE MUSICLAB in Bern or at the STRAUSS ELEKTROAKUSTIK USA Showroom in Los Angeles.

To arrange a private showroom demonstration, visit our website or send us a DM.

strauss-elektroakustik.com
(Link in Bio)

STRAUSS ELEKTROAKUSTIK
Nothing Added. Nothing Lost.

SE MF-4 — Los Angeles Showroom | STRAUSS ELEKTROAKUSTIK USAThe SE MF-4 brings STRAUSS ELEKTROAKUSTIK large-format refere...
16/07/2026

SE MF-4 — Los Angeles Showroom | STRAUSS ELEKTROAKUSTIK USA

The SE MF-4 brings STRAUSS ELEKTROAKUSTIK large-format reference technology into a full-range midfield monitoring system. Incorporating the same proprietary low-frequency platform as the SE MF-2.1, it combines a 12-inch LIT woofer with a physically time-aligned compression driver and constant directivity horn to create a single coherent acoustic source.

The result is stable imaging, natural dynamics, and exceptionally low distortion — maintained across listening positions and real working levels.

Pure analog signal path.
Physical time alignment.
Accuracy by design.

Located in Los Angeles, the STRAUSS ELEKTROAKUSTIK USA showroom offers private demonstrations by appointment and serves as the North American home for sales, installation, measurement, and ongoing customer support. Visitors can experience our systems in a real-world recording, production, mixing, and mastering environment.

Visit strauss-elektroakustik.com, email [email protected], or send a DM to book a private demonstration at the STRAUSS ELEKTROAKUSTIK USA showroom in Los Angeles.

STRAUSS ELEKTROAKUSTIK

Nothing Added. Nothing Lost.

Jesse Ray Ernster | SE MUSICLAB, BernNashville-based Grammy-winning mixer and longtime STRAUSS ELEKTROAKUSTIK ambassador...
15/07/2026

Jesse Ray Ernster | SE MUSICLAB, Bern

Nashville-based Grammy-winning mixer and longtime STRAUSS ELEKTROAKUSTIK ambassador.

Jesse has worked with STRAUSS ELEKTROAKUSTIK systems for years, beginning with the SE NF-3. Today, the SE MF-4 serves as the reference system in his Nashville mix room, while the SE NF-3 continues to travel with him when working from other commercial studios, maintaining a consistent reference from room to room.

Last year, Jesse visited The SE MUSICLAB in Bern, Switzerland, where he met with Jürgen Strauss and featured the experience on his YouTube channel. During his visit, he mixed on the SE MF-2.1 reference system in THE LAB for the first time — a space where architecture, room acoustics, and electroacoustics are brought together as a single integrated system.

Read Jesse’s testimonial and watch his visit to SE MUSICLAB at strauss-elektroakustik.com

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