Verena Kerfin Gallery

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Verena Kerfin Gallery

welcome to Verena Kerfin Gallery (former BARK BERLIN GALLERY)

06/05/2026

Verena Kerfin Gallery presents GAZA by Matthew Collings and GAZA, again by Ondrej Drescher at the European Parliament in Brussels.

In his portraits, Matthew Collings commemorates Palestinian poets, artists, writers, journalists, and witnesses — the murdered, the deceased, and the living: Mosab Abu Toha, Mohammed Sami Qariqa, Nour al-Din Hajjaj, Saleem Al-Naffar, Refaat Al-Areer, Hala Alyan, Fatima Hassouna, Fadwa Tuqan, Hiba Kamal Abu Nada, and Heba Zagout.

In his paintings, Ondrej Drescher confronts the unrestrained, cold-blooded killing of children in Gaza — and the mirror image of a West that speaks of morality and humanitarian obligations while prettifying its own hideous face in front of the mirror.

The exhibition at the European Parliament will sadly not be able to save the life of any child in Gaza, any artist, any mother, or any father. But for five days, it can hold before the eyes of those responsible for Western propaganda, those responsible for arms exports to Israel, and the “moral” supporters in Parliament the blood and death they cause and support.

European Parliament, Brussels
4–8 May 2026

Hosted by Fabio De Masi, Non-attached Member of the European Parliament.

05/05/2026

Today, Verena Kerfin Gallery opened the exhibition “GAZA” at the European Parliament in Brussels, bringing together works by Matthew Collings and Ondrej Drescher.

Hosted at the invitation of Fabio De Masi, Member of the European Parliament, the exhibition is on view from May 4 to 8, 2026, in the Altiero Spinelli Building, 3G Bar Area.

Today’s opening included contributions by Randa Far, Third Secretary at the Mission of Palestine to the EU, special guest Prof. Jeffrey Sachs of Columbia University, and Prof. Dr. Jan-Peter Warnke, MEP and neurosurgeon, who spoke about his efforts to facilitate the import of medical goods into Gaza.

“GAZA” brings together portraits of Palestinian cultural figures and works that confront the human toll and the public rhetoric surrounding the war in Gaza. Shown inside the European Parliament, these works insist on visibility where political language too often abstracts human suffering.

I am grateful to Fabio De Masi and his team for making this presentation possible, and to all speakers and guests who joined us today.

The exhibition remains on view until May 8, 2026.

04/05/2026

The exhibition Gaza by Matthew Collings and Ondrej Drescher is on view at the European Parliament in Brussels from today, 4 May, until 8 May.

Tomorrow, an opening event will take place, where Jeffrey Sachs will be welcomed as guest speaker.

The exhibition has been made possible on the initiative and invitation of Fabio De Masi, Non-attached Member of the European Parliament. We would like to express our sincere thanks to Fabio De Masi and to his wonderful, immensely helpful team here at the European Parliament for this important opportunity and for their commitment.

EU Parliament Brussels
4–8 May 2026
Hosted by non attached member of the European Parliament in Brüssel: Fabio de Masi

d.masi collings_

29/04/2026

Verena Kerfin Gallery is delighted and proud to announce the exhibition Gaza by .collings_ and at the European Parliament in Brussels, at the invitation of .d.masi . will deliver the opening address.

EU Parliament Brussels
4–8 May 2026
Hosted by non attached member of the European Parliament in Brüssel: Fabio de Masi

d.masi collings_

09/04/2026

Verena Kerfin Gallery, Berlin
Suzanne Stein
US: Slow Code
February 21 - April 17, 2026
West Gurney Street
116 W Gurney St, Kensington, Philadelphia, PA 19133, USA, 2022.
A man lies after using fentanyl/tranq in an area ruled by drug dealers. The street is also lined with battered older row homes inhabited by economically struggling families who must bear witness to the devastation caused by addiction. As well, drugs and associated gun violence and assaults are a daily occurrence on this street. Many addicts are injured or killed by motorists who don’t see them when they pass out on the street.
Ein Mann liegt nach dem Konsum von Fentanyl/Tranq in einem Gebiet, das von Drogendealern kontrolliert wird. Die Straße ist zugleich gesäumt von heruntergekommenen, älteren Reihenhäusern, in denen wirtschaftlich kämpfende Familien leben, die die Verwüstung durch Sucht täglich mitansehen müssen. Drogen sowie die damit verbundene Waffengewalt und Übergriffe gehören hier zum Alltag. Viele Abhängige werden von Autofahrern verletzt oder getötet, die sie nicht sehen, wenn sie bewusstlos auf der Fahrbahn liegen.

08/04/2026

Verena Kerfin Gallery, Berlin
Suzanne Stein
US: Slow Code
February 21 - April 17, 2026
Kensington and Lehigh Avenues
1801 E Lehigh Ave, Philadelphia, PA 19125, USA, 2023.
A young man lies at Kensington Avenue and Lehigh Avenue (Philadelphia, USA), covered with a hospital blanket. Opioid addiction/“tranq” wounds and related disability cause many very young people to rely on wheelchairs because they can no longer walk unassisted.
Ein junger Mann liegt an der Kensington Avenue und der Lehigh Avenue (Philadelphia, USA), zugedeckt mit einer Krankenhausdecke. Opioidabhängigkeit/„Tranq“-Wunden und die damit verbundenen Behinderungen führen dazu, dass viele sehr junge Menschen auf Rollstühle angewiesen sind, weil sie nicht mehr ohne Hilfe gehen können.

07/04/2026

Verena Kerfin Gallery, Berlin
Suzanne Stein
US: Slow Code
February 21 - April 17, 2026
Noah
1804 E Clearfield St, Kensington, Philadelphia, USA, 2021.
Noah on Clearfield Street — Noah sits in his wheelchair on Clearfield Street near Kensington Avenue. Many people congregate in this spot to use drugs. Some are longtime friends on the street; others keep to themselves but still want to be in a place surrounded by other people in a similar life circumstance. After using fentanyl/“tranq,” many are in a state of complete vulnerability, unable to rouse, and can remain in the same position for hours after injecting. Noah remained on the street for a few additional months after this photo was taken. He entered an area hospital around December 2023. Noah went into rehab and wound up leaving the street behind. He did not use fentanyl for a year, had a job, planned on attending college. But he lost his job, and had difficulty finding another one. Because of his past as a user with an arrest record, employers are reluctant to hire. Noah wound up using opioids again, and was immediately kicked out of his sober living house. He wound up back in Kensington where he became very sick. Noah passed away in Philadelphia on Saturday, February 14, 2026 from end stage kidney failure as a result of the damage caused by fentanyl/xylazine.

02/04/2026

Verena Kerfin Gallery, Berlin
Suzanne Stein
US: Slow Code
February 21 - April 17, 2026
Tranq Wound
1829 E Clearfield St, Kensington, Philadelphia, USA, 2022
Deep, necrotic lesion, infested with maggots. This can occur in the warmer months, when flies are sometimes drawn to open, suppurating wounds. The man left before he could be treated.
Tiefe, nekrotische Läsion, von Maden befallen. Das kann in den warmen Monaten vorkommen, wenn Fliegen mitunter von offenen, eiternden Wunden angezogen werden. Der Mann ging weg, bevor er versorgt werden konnte.

01/04/2026

erena Kerfin Gallery, Berlin
Suzanne Stein
US: Slow Code
February 21 - April 17, 2026
Mike and Krystal
1829 E Clearfield St, Kensington, Philadelphia, USA, 2022
Scene at East Clearfield Street near Ruth Street: Mike injects Krystal in the neck because she can’t find a usable vein and is starting to get dope-sick. Many people rely on others—highly experienced with injection—to help them successfully use.
Szene an der East Clearfield Street nahe der Ruth Street: Mike spritzt Krystal in den Hals, weil sie keine brauchbare Vene findet und bereits beginnt, dope-sick zu werden. Viele Menschen sind darauf angewiesen, dass andere – mit großer Injektionserfahrung – ihnen helfen, den Konsum überhaupt erfolgreich zu bewerkstelligen.

22/02/2026

Verena Kerfin Gallery Berlin
Suzanne Stein
US: Slow Code
February 21. 2026 - April 17. 2026
Leight, Stephanie, Nathalie and Ava, 2025
New York City, USA.

I made it downtown, making a few obligatory street pictures just for the practice. I was uncomfortable and angry and couldn’t manage a decent image. Finding myself on Elizabeth Street, I entered the sculpture garden that I had not visited in nearly two years. In every corner of the garden I saw women—young, middle-aged, elderly. Sunbathing, many swapping hardcover books for iPhones, an unusual sight and a subtle signal that I was in an uncommon space. Some were lost in conversation. I imagine what they are saying, intent on issues I can’t guess at—exchanges private and consuming—sometimes smiling, sometimes thoughtful. A sense of order and tranquility: best friends on a weekday meeting in New York City. Unwritten rules, unspoken but clear. No smoking, all dogs on leash, no music or loud talking, a mutual respect without need for enforcement. A safe space for women.

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Köthener Str . 28
Berlin
10963

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+4917629100664

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http://www.verenakerfingallery.com/

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