28/08/2026
Hi, it has been a while since the last newsletter - but here is a new one with some cool new things like the reprint of the F***Y CHIARELLO - Basta Now (Expanded Edition) BOOK, MICHA ACHER - Henry And The Ghosts Songbook DLP restock, KLARA LEWIS - Opening LP, JEFF PARKER - Happy Today LP restock, SML - Spontaneous Music Live LP restock, ESG - ESG 12“ restock, STARTLED INSECTS - The Antenna Years LP, JOHARI SILEH - Jazz Dari Angkasapuri LP, THIS HEAT - This Heat LP re issue, V/A - New York Noise - New Edition DLP, ENTHUSIASMS - Issue 04 MAGAZINE, ESSE PI ENNE - Industrial Relations LP, EVIL GRAHAM LEE - I Think I'm Alone Now LP, MERZBOW & PEDRO VIAN - Bardo Thödol LP and more …
We are currently trying to find a new plant for the LIIEK LP and try to compensate for the lost money on this productions. Every order helps a bit. THANK YOU
We also added a bunch of second hand records on our discogs store and will add more to raise some money to get those out.
We will also have a new instore on SEPTEMBER 14th with TOMAS NIESNER.
THANK YOU
Robert & Norman
________
[email protected]
www.bisaufsmesser.com
https://www.discogs.com/user/XMESSERX
LP
ALFONSO SOLIANO - Tiga Trombone LP (Special gatefold LP + 12-page booklet attached to the sleeve, featuring in-depth essays, archival photography and historical material. Fully licensed from the Soliano family. Habibi Funk’s new sister label Audible Beauty Records debut release: A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast. Widely regarded as one of the foundational figures of Malaysian music, Soliano blended jazz, Latin influences and traditional Malay musical forms into a uniquely local sound of all original compositions. The recordings also feature contributions from some of Malaysia’s most important musicians and composers of the era, including Johari Salleh and Ahmad Nawab. For fans of Salah Ragab, Ahmed Malek, Mulatu Astatke, Dollar Brand and co. The release includes extensive liner notes and previously unpublished archival photographs documenting Soliano’s life and legacy.) 30.00
THE CRAMPS - RockinnReelininAucklandNewZealand### LP (RED VINYL. First released on vinyl in 1987 on the band's Vengeance label as a limited edition antidote to a plethora of dodgy bootlegs, this live recording was made on August 30, 1986 at the Galaxy in Auckland, New Zealand) 30.00
ESSE PI ENNE - Industrial Relations LP (Strung-out yet precise. Introverted but with something to say. Industrial Relations is a further unraveling of the stories untold left lingering around the Piedmont capital. Cloistered away behind one of Turin’s many crumbling doorways, a basic studio set-up alongside a scattering of found photos and a type-writer forms the backbone of this bureau. Noticeably more barbed than its predecessor Chamber Music, drums are frayed and left to splutter. Grungy guitar chords come in at angles, occasionally spiralling into delay-drenched depths before coming back up for air. The ghosts of 90’s post rock are often summoned and keep close company. Drowsy drum-loops and turntable mischief is a strong nod to the bedsit charms to Crescent (specifically Electronic Sound Construction to these ears at least), whilst Hood’s fuzzy greyscale warmth forms a backdrop for the songier moments. For all its uncanny abstraction though, Industrial Relations is punctuated by moments of unexpected sensitivity and space. Burial is little more than soft nylon strings, a demure vocal and the passing of traffic. Egg Monster unravels to expose a tender character, only just about covered with vinyl crackle whilst Musica Di Guarigione demonstrates a genuine sensitivity and ear for melody. It’s music outside but of it’s time, equally of the past and the present, offering a further insight into the inner-workings of this unique Italian dilettante.) 30.00
ESG - ESG 12“ (99 records - ESG is the debut EP by American band ESG. It was released by 99 Records in 1981. The EP received positive reviews from music critics. "Moody" became popular with house DJs, and "UFO" came to be one of the most sampled tracks in hip hop music.) 25.00
EVIL GRAHAM LEE - I Think I'm Alone Now LP (Isle of Jura - At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight "Baltimore to Fair Play"). I Think I’m Alone Now is a profound exploration of the instrument's emotional range, blending traditional country infused melodies with vast, reverb drenched ambient textures. The album spans six tracks, anchored by the Side B title track, a 15 minute textural piece that leans heavily into the ambient genre. From the delicate melancholy of "Seeking Beauty in Sadness" to the curious abstraction of "Nursery in the Beehive," Lee uses his pedal steel and an array of pedals to sculpt unique, haunting soundscapes that exist between tradition and the avant garde.) 33.00
JOHARI SILEH - Jazz Dari Angkasapuri LP (Special gatefold LP + 12-page booklet attached to the sleeve with extensive liner notes and previously unpublished archival photographs documenting Salleh’s career. Fully licensed from the Johari Salleh. Habibi Funk’s new sister label Audible Beauty Records second release: A landmark collection retelling the untold story of Malaysian jazz featuring 9 songs from the legendary composer, arranger and trumpet player Johari Salleh. Salleh played a crucial role in shaping the sound of modern Malaysian music across radio, television, film and live performance and has composed dozens of popular songs in his decades long career. His personal musical passion always was jazz, reflected in this deep selection of jazz works that were previously unavailable unless you had one of the few dozen copies pressed locally in the 1970s. The album doesn’t only highlight his musical statue as a composer but also as a outstanding trumpet soloists bringing together jazz, spiritual undertones and Malaysian folkloric themes balancing slower pacing deep, modal grooves with more upbeat jazz funk leanings. For fans of Salah Ragab, Ahmed Malek, Mulatu Astatke, Dollar Brand and co.) 30.00
KLARA LEWIS - Opening LP (editions mego - Klara Lewis’ distinctive talent for disfiguring sound into forms that remain recognisably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their original forms continually reshaped. The tracks within Opening offer an array of disorientating tactics; damaged field recordings are suddenly sliced into ominous rhythmical patterns whilst deceptively simple tactics provide foreboding dread. Often alien on entry, the progression of a piece can land in a surprising tenderness, or the other way around. The momentum grows as a physical state but also one which is questioning, desiring, encapsulating a feeling, to explore a further way of expression and ultimately connecting: A new closeness, a new perspective. Opening is an album in which the protagonist’s manipulation of sonic matter seems to extend beyond the music itself, resulting in a corresponding manipulation of the active listener. Sounds shift, dissolve, and re-emerge in altered forms, creating an experience that feels both intimate and disorienting. Lewis maintains a delicate balance between abstraction and emotional immediacy, drawing the listener into a world where familiar musical gestures are constantly reconfigured in surprising ways.) 28.00
MARTYN - Music For Existing DLP (Seven years after the haunting resonance of Voids, electronic pioneer Martyn returns to the album format with Music For Existing. Arriving on 15 May 2026, the record is more than a collection of tracks; it is a profound exploration of what it means to remain devoted to a craft in an era of relentless noise. The album’s announcement is heralded by the lead single "Heavy Sound." The track serves as the perfect bridge between Martyn’s past and present - a masterclass in tension and release that previews the album’s dialogue between the producer, the musicians, and the audience. We live inside a culture that has prioritised and monetised restlessness. The modern apparatus runs on the continuous production of "next," driven by algorithms that value novelty over depth. Music For Existing serves as a love letter to the communal act of making music - something that is both healing and inherently defiant. For Martyn, a musician often finds solace in musical conversation with others; in the moment we press record, we simply exist together. This record is an invitation to build human infrastructure around what we love, leaning into the fluid nature of community and seeing exactly where the music takes us when we choose to listen. The album is a sprawling, "off-the-grid" tapestry that echoes Martyn’s profound appreciation for jazz - free, instinctive, and bursting in every sonic direction. This collection features an expansive cast of collaborators, including Duval Timothy, Dan Only, Lucinda Chua, and Mark Cisneros. The record is further elevated by the contributions of jazz talents Mischa Porte and Cees Bruinsma, alongside the evocative words of writer and poet Musa Okwonga. While the acoustic textures and improvisational spirit of this record may feel like a departure, they represent a homecoming. Jazz has always been ingrained in Martyn’s work; even in his most stripped-back club tracks, the DNA of swing, syncopation, and free-form structure was always present, if not always visible. Music For Existing marks the beginning of an exciting journey that will continue from the studio to the stage, celebrating the radical act of existing in the moment.= 37.00
MERZBOW & PEDRO VIAN - Bardo Thödol LP (In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states. Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s impulsive, textural excess, that friction here appears to dissolve in favour of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field — dense yet permeable. Within this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of their boundaries: a space in which intensity is internalised and the radical gesture folds into a more sustained, contemplative mode of listening.) 28.00
OPÉRA DE NUIT - Opéra de Nuit DLP (dark entries - Opéra de Nuit emerge from their long slumber to grace Dark Entries with the frostiest of reissues. Formed in 1982 in Valréas in the southeast of France, Opéra de Nuit only released 3 records throughout their career: EPs in 1984 and 1986, with a full LP following in 1988. But devotees of dark music will need no introduction to this band, who are almost definitional of the coldwave genre, and whose rabid cult following has each record readily trading for three-digit prices. Opéra de Nuit’s sound is pure hellish heaven: frigid synths, jangly guitars, and sorrow-laden vox. Check out the pummelling desperation of “Annabella,” the uber-brooding vibes of “Boris Transylvania Camp,” or the elegant anthem “Karen Lloyd” (and don’t forget to watch the video!). This reissue collects their entire newly remastered discography - thirteen lucky tracks. This reissue marks the first time that their work will be reissued on vinyl and digital, and is presented in gatefold sleeve with lyrics and photos. Whether you’re new to the genre or a veteran of the coldest waves, Opéra de Nuit brings the essential sound of immortal despair.) 35.00
PROPHETIC JUSTICE MINISTRY - Key To World Peace LP (Key To World Peace is the third release by Prophetic Justice Ministry - aka Australian musician Sam Perry. An atmospheric, cinematic album that belies a striking pop songwriting nous at its core, its conductor Prophetic Justice Ministry is at the centre of a new wave of creative, rule-bending Melbourne artists. Romantic, smudged and hazy, Perry emerges from behind a wall of half-light with a clutch of earworms and affecting emotions. Recorded in home studios in Belgrade (Serbia), Christchurch (New Zealand) and Melbourne (Australia) over the course of three years, Key To World Peace offers a dichotomy in approach. Shifting on a dime between ambient, filmic washes of sound and more traditional song structures, the approach feels natural, casually acid-tipped and emotionally revealing. While Perry’s distinctive keys and production melding with melody is evidenced in Melbourne group Who Cares?, as Prophetic Justice Ministry there’s a heightened sense of mystery and space being used.) 30.00
REALITY - Disco Party LP (mr bongo - Mr Bongo presents a reissue of one of the rarest releases on the illustrious and now ultra-rare tax scam label TSG Records. A label with a checkered past, operated by Lloyd Price and with alleged ties to boxing promoter Don King. The album in question, Disco Party by Reality, is a stunning journey through ‘70s dancefloor-focussed funk into early proto-disco grooves. Back in mid-‘70s Manhattan, Dr. Otto Gomez and a group of fellow New York musicians including Tony Dixon, Norman Drayton, Tony Dupree, Al Jones and Fred Nanton were brought in for a recording session by songwriter and producer, Billy Nichols. Laying down one of Nichols' songs and a selection of the group's own, they were paid as session musicians and thought little of it. The tapes came to the attention of Lloyd Price who struck a deal with Nichols unbeknownst to Gomez and the rest of the band. Price then pressed the album and put it out in 1976 on a newly formed subsidiary label, TSG Records, that would later be documented as one of the US tax scam labels of the ‘70s. Such labels were created to exploit a loophole in the US tax system, running up inflated production costs / losses that investors or the parent label could write off against their tax bills. Releases on these labels were never intended to have commercial success. They would usually be produced in incredibly limited pressing numbers and have little to no promotion or distribution.) 30.00
SEVERED HEADS - Cuisine (With Piscatorial) DLP (dark entries - Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus Cuisine (With Piscatorial). As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music's about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare.) 35.00
STARTLED INSECTS - The Antenna Years LP (wrwwtf - Astonishingly futuristic when it landed in 1984, Startled Insects sounded like it was beamed in from another planet while staying rooted in Bristol’s underground. Gamelan heat, dub science, post-punk edges and cinematic dread collide across these two cult mini-albums. Four decades on, it still hits like a transmission from the future. Dive in. FOR FANS OF: experimental electronic, dub, post-punk, ambient, early industrial, soundtrack music.) 32.00
THIS HEAT - This Heat LP (This Heat records - Although widely considered to be Post-Punk's finest, This Heat actually began performing and recording their music in 1976, the early days of London's punk era. Within their two albums and an EP they perfected a strange and volatile new strain of avant-garde rock that time has proved to be massively influential, a blueprint for much that would follow: post-rock, math rock, homemade musique concrète, experimental electronica. Numerous critics have recognised the band's influence on the music of Sonic Youth, Glenn Branca, Steven Wilson, Public Image Ltd., Radiohead, Swans, Shellac, Young Knives, Black Dice, Lightning Bolt and numerous other experimental and post-rock bands. Disbanding in 1982 they have left an undeniable legacy that has only continued to grow in stature and relevance. The album This Heat, also known to fans and critics as the 'Blue and Yellow', was their eponymous debut release, recorded in sessions between February 1976 and September 1978 in a variety of studios including their own Cold Storage, a converted cold storage room in the Acme Studios complex. Innovating throughout, they combined loops and tape manipulation (producing for example the proto-drum and bass '24 Track Loop') with live performance and haunting vocals to a complex, dissonant whole. The band recorded everything they ever did - including gigs - and tracks such as "Water" were entirely improvised in the studio. Having recently passed the 50 year anniversary of their first gig, and the recording of material that appears on their debut album, the group's surviving members Charles Bullen and Charles Hayward, true to their DIY roots, have set up an imprint to release their recordings for their growing fan base that is increasingly recognising their influential place in music history. ?) 33.00
VON JEGLICHEM WORT - Von Jeglichem Wort Das Durch Den Mund Den Menschen Vernewet LP (Berlin's Von Jeglichem Wort returns with eerie Dark Ambient highly influenced by Black Metal. "defiant meaningfulness, delusional heroism, bleak sobering, hopeful fatigue, rebellious bliss") 23.00
V/A - Endangered Species Vol. 2 LP (dark entries - In their countless years of deep digging, Dark Entries has uncovered many curiosities, oddball Italo and synth-wave creatures too rare to live, too funky to die. Dark Entries’s conservationist efforts began with 2020’s Endangered Species Vol 1. Six years later, we are finally treated Endangered Species Vol 2, an even more ambitious effort which features eleven specimens previously deemed extinct, now safely preserved on vinyl. Things kick off with an extended mix of Palazzo di Danza’s “Play That Song For Me,” a lavishly produced German-Italo number propelled by a slinky bassline. Russian Olga Vosconyan’s “Cars” delivers what might be the moodiest song ever produced for a car commercial. Fuzz Dance maestro Alexander Robotnick appears with a previously unreleased male vocal demo version of “I Wanna Believe,” a legendary track that would later appear under the name Gina & the Flexix. Canadian industrial royalty Dwayne R. Goettel (Psyche) and cEvin Key (Skinny Puppy) team up on the horror-sampling hit-heavy blaster “Bastards.” Belgian EBM progenitors à;GRUMH... report for duty with a slab of machine funk on “The Army.” UK DIY stalwarts Khmer Rouge bring Krautrock-inflected minimalism with “Take Me (Across the Floor Tonight) In Dub.” Endangered Species Vol 2 comes housed in a sleeve designed by Eloise Shir-Juen Leigh, and includes a 16 page booklet featuring liner notes, lyrics, and photographs of each featured project. Please assist Dark Entries in their efforts to preserve the rarest of beasts (and beats). ) 30.00
V/A - New York Noise - New Edition DLP (soul jazz - Soul Jazz Records" new edition of their classic New York Noise: Dance Music from The New York Underground 1978-82 freshly remastered and loud. This new 2026 edition features classic New York post-punk, punk funk, synth wave and no wave tracks from Arthur Russell/Dinosaur L, James White and the Contortions, The Theoretical Girls, Mars, Konk, Material, Bush Tetras, Lizzy Mercier Descloux alongside rare tracks by the likes of Alan Vega (Su***de), Chain Gang and Implog. "New York Noise" sums up the point in time and space where dance music and punk rock first met as New York"s No Wave artists such as Glenn Branca, James White alongside new york dance music"s experimental pioneers such as Arthur Russell (Dinosaur l), Bill Laswell (Material), and Konk created new musical art forms out of this union.) 35.00
V/A - Nippon Acid Folk 1970-1980 LP (Time Capsule - back in stock - A counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process. The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down. Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways. At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.) 30.00
V/A - Nippon Psychedelic Soul 1970-1979 LP (The follow-up compilation to Time Capsule’s Nippon Acid Folk, Nippon Psychedelic Soul takes myriad pathways into the tripped-out undergrowth of 1970s Japan. Finding their feet at home and looking for inspiration abroad, the musicians featured here were engaged in the communal soul-searching that followed the breakdown of the 1960s protest movements. Some made it big, others drifted into oblivion. The music they left behind shimmers with intensity. At the core was Happy End, the first project of YMO’s Haroumi Hosono, whose distortion-heavy guitar and crisp back-beat laid the foundations for Japanese lyrics that flipped the paradigm of Japanese rock music on its head. With it came a new found sonic ambition, such as in the bold Philly-soul style arrangements of producer Yuji Ohno, whose work with occult wandered Yoshiko Sai shares some of the bittersweet grandeur of Rotary Connection or David Axelrod.) 30.00
TAPES
KRYCEK - Die Affen Von Gibraltar TAPE (adagio830 - Newest tape by Berlin's Krycek. Krycek are rarely hitting the 2mins mark! Blasting in your face with raw energy, loads of feedback and harsh sounds - like a Banshee in the Night. File under: Emoviolence, Screamo, Geballer) 8.00�
MINZE - Februarius TAPE (Cosima Pitz - Listening to Minze always requires a certain amount of patience. Ad infinitum, digging for gold but in between the broken rocks there is space for reflection — circling through acceptance, devotion, surrender and humbleness, grief and confrontation. And when it is found, you've let go.) 13.00
BOOKS
ENTHUSIASMS - Issue 04 MAGAZINE (Efficient Space publication ENTHUSIASMS returns from a reluctant gap year with Issue 04. 96 pages of full-colour, hardcopy-only content. Featuring documentation of Keanu Nelson Tjakamarra’s 2025 Pass~Port Gallery exhibition, the future-past minimalism of South Korean composer Park Jiha, and a direct exchange with Bruce Gilbert (Wire, Dome). Drew McDowall traces a path from Paisley punk to Coil’s ritual electronics, alongside three decades of The Garbage & the Flowers, a conversation with Melbourne art icon Maria Kozic, and the monolithic archive of Australian art-jazz duo Tolley & Dara. Elsewhere, Time Is Away’s Searchlight Moonbeam universe takes in Penny Davenport’s anthropomorphic creatures and the King of Luxembourg himself, Simon Fisher Turner. Interspersed with imagined playlists from Mad Professor, Flo Dill, Asa Tone, Chee Shimizu and Mil Townley. Perfect bound and designed by Steele Bonus.) 20.00
F***Y CHIARELLO - Basta Now (Expanded Edition) BOOK (Basta Now - Women, Trans & Non-binary in Experimental Music is a non-academic essay by French poet, novelist and music enthusiast F***y Chiarello. It’s also the first book to be published by Permanent Draft, an all-female record label and micro-press founded by Chiarello & musician Valentina Magaletti, dedicated to promoting contemporary female, non-binary and transgender artists. Basta Now is essentially a huge (yet admittedly not definitive) overview of 3867 womxn in the global experimental sound & music scene. It’s been written in playful and compelling prose and stylishly presented with photos, illustrations, and discographies. Now in its expanded edition, the book includes 80 more pages and an additional 1496 names than the first edition, extended lists and discographies, and updated chapters – especially Wild Things, All-Stars and Madame Bricolage. “This book has nothing against men, it’s just not about them” (F***y Chiarello) 482 pages) 29.00
HECTOR MOSKO - Punk Rock Mexican Flyer 1990 – 2000 BOOK (Punk Rock Mexican Flyer 1990 – 2000 is a collection of “La Banda Rock” concert & music event flyers collected in Mexico City by Hector Mosko. “La Banda Rock“ refers to the underground rock movement that emerged in the late 1970s in Mexico City in response to political repression & censorship. Driven by rebellious youth, this raw, DIY culture represented the voice of the working-class in CDMX, reflecting their social struggles.) 30.00
JOHANNES RØD - Free Jazz and Improvisation on LP and CD 1965 - 2024 BOOK (New and updated edition of Johannes Rød’s landmark guide to Free Jazz & Improv labels originally compiled and published in 2014 (copies of that first edition will set you back $$$), and now hugely expanded for this new edition. Spread over 428 pages, we’ll wager it’s the kind of thing anyone who is a regular follower of this site will obsess over - a curated label-by label breakdown of key imprints operating in free/spiritual jazz and improvisation and related areas of the avant-garde, experimental, contemporary and modern composition, with labels including Another Timbre, Black Truffle, ECM, ESP-DIsk’, Improvised Music From Japan, Incus, Otoroku, P.S.F., Saravah, Smalltown Supersound, Strata-East, Treader, Tzadik and countless others - 185 labels in total. Each label has a description followed by a line by line detail of relevant releases on the label, by year and catalogue number, beautifully designed by Kim Hiorhøy like an artist’s notebook, and printed on artisanal uncoated paper for added tactile wonder, with many cover images included too.) 35.00
PATRICK MORAN - Buried Compendium BOOK + ZINE + USB KEY (Published between 2010 and 2016, Buried Zine is a demoniacal, cosmic terror, an atrophying shambling mess of paralyzed organs evacuating putridity. The Buried compendium is a facsimile reprint of the first six volumes, all long sold out. The layout and materials of each issue have been carefully recreated for this one-off reprint. The compendium also features a new illustration. It is printed in a strictly limited-run of 250 copies and will not be reprinted. Each volume of uncorporeal life is hand bound and lovingly laid out akin to a medieval illuminated text. The compendium of the first six issues includes 39 Interviews with underground extreme metal bands from all over the world, including musicians from Japan, Russia, Indonesia, Turkey, Spain, Italy, Thailand, Finland, Sweden, the Philippines, and the UK. The compendium features interviews with scene metal luminaries such as WORMED, Ingested, Liturgy, Midnight Odyssey, and Viscera Infest early in their careers. Many interviewees were interviewed in English for the first time, including Viscera Infest, Digging Up, and Needle Contaminated Pork. Buried worked with translators to make these interviews possible.) 58.00
