Jazz Records Barcelona

21/05/2026

Grant Green – Born To Be Blue 💙

A stunning entry in the Blue Note Tone Poet series — and one of Grant Green’s most soulful recordings.

Featuring Ike Quebec, Sonny Clark, Sam Jones and Louis Hayes, this session blends deep blues feeling, relaxed swing and that unmistakable warm Grant Green guitar tone. Late-night Blue Note atmosphere from beginning to end.

Beautiful 180g Tone Poet gatefold pressing available now.
Condition: NM / NM ✨

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19/05/2026

Japanese Bill Evans arrivals ✨

A beautiful batch of Japanese pressings from one of the most lyrical voices in jazz piano — Bill Evans at his absolute peak.

• Sunday at the Village Vanguard
• Green Dolphin Street (with Philly Joe Jones)
• Trio ’65
• How My Heart Sings!

Deep Riverside atmosphere, gorgeous obi designs, quiet vinyl and that unmistakable late-night Evans mood. Some of the most essential trio recordings ever made — intimate, elegant and endlessly replayable.

Available now in Barcelona 🇯🇵🎹

Free worldwide shipping over €300 ✈️
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Local pick-up in Barcelona available!

18/05/2026

Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery (WaxTime In Color, 2019 • Red Vinyl Edition)

One of the definitive jazz guitar albums ever recorded, featuring Tommy Flanagan, Percy Heath & Albert Heath. Includes “Airegin”, “West Coast Blues” and “Polka Dots and Moonbeams”.

Limited 180g red vinyl edition, still sealed.

Condition:
Record: Mint (sealed)
Sleeve: Mint (light corner bend on top right)

Free worldwide shipping over €300 ✈️
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16/05/2026

Point Of Departure

One of the greatest and most adventurous Blue Note sessions of the 1960s.

Andrew Hill’s Point Of Departure brings together an unbelievable lineup: Eric Dolphy, Joe Henderson, Kenny Dorham, Richard Davis and Tony Williams — pushing post-bop into more abstract and spiritual territory while still remaining deeply musical.

2018 European 180g pressing, sealed copy.
Beautiful sound and presentation.



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15/05/2026

Dave Brubeck Quartet – Time Out
2025 Europe pressing on WaxTimeRecords. Limited edition 180g crystal clear vinyl, sealed.

One of the most iconic jazz albums ever recorded, featuring classics such as “Take Five” and “Blue Rondo à la Turk”. A beautiful collector’s edition with the original artwork and clear vinyl presentation.

Pressed by GZ Media.
Catalog number: 526004
Matrix / Runout:
Side A: 85196E1/X – JWR 4525 LP
Side B: 85196E2/T – JWR 4525 LP

Condition: Mint / Sealed

Perfect for jazz collectors, audiophiles, or anyone looking to own a stylish edition of this timeless masterpiece.

Free worldwide shipping over €300 ✈️
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07/09/2020

Duke Ellington & John Coltrane is a jazz album by Duke Ellington and John Coltrane recorded on September 26, 1962, and released in February 1963 on Impulse! Records.
During the final decade and a half of Duke Ellington’s life, he become more and more creatively productive. One of the key elements of this was showcasing the progression of his own personal compositional stamp-evolving elements of it to adapt to the new sounds of the decade in which he was creating.
Part of this involved willing collaborations with some of the newest musical innovators in jazz. And few were making more abrupt innovations in their instrumental approach to playing in the early 60’s than John Coltrane.
This album was one of Ellington’s many collaborations in the early 1960s with musicians such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach, and Charles Mingus, and placed him with a quartet, rather than a big band. The quartet was filled out by the bassist and drummer from either of their bands.
With Elvin Jones and Sam Woodyard doubling up on drums with Jimmy Garrison and Aaron Bell doing the same on bass this album proved that Ellington’s interest in recording with Coltrane was in fact ingenious.
Coltrane said:
“I was really honoured to have the opportunity of working with Duke. It was a wonderful experience. He has set standards I haven’t caught up with yet. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn’t have had the same spontaneity. And they mightn’t have been any better!”
New blog post! (Link on bio)ellington__

07/09/2020

https://www.jazzrecordsbarcelona.com/duke-ellington-john-coltrane/

Duke Ellington & John Coltrane is a jazz album by Duke Ellington and John Coltrane recorded on September 26, 1962, and released in February 1963 on Impulse! Records.

During the final decade and a half of Duke Ellington’s life, he become more and more creatively productive. One of the key elements of this was showcasing the progression of his own personal compositional stamp-evolving elements of it to adapt to the new sounds of the decade in which he was creating.

Part of this involved willing collaborations with some of the newest musical innovators in jazz. And few were making more abrupt innovations in their instrumental approach to playing in the early 60’s than John Coltrane.

This album was one of Ellington’s many collaborations in the early 1960s with musicians such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach, and Charles Mingus, and placed him with a quartet, rather than a big band. The quartet was filled out by the bassist and drummer from either of their bands.

With Elvin Jones and Sam Woodyard doubling up on drums with Jimmy Garrison and Aaron Bell doing the same on bass this album proved that Ellington’s interest in recording with Coltrane was in fact ingenious.

Coltrane said:

“I was really honoured to have the opportunity of working with Duke. It was a wonderful experience. He has set standards I haven’t caught up with yet. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn’t have had the same spontaneity. And they mightn’t have been any better!”

Duke Ellington & John Coltrane is a jazz album recorded on September 26, 1962, and released in February 1963 on Impulse! Records.

01/09/2020

https://www.jazzrecordsbarcelona.com/somethin-else-top-jazz-vinyl-records/

If you know and love Miles Davis from the late 1950s period, you’re likely to appreciate Somethin’ Else. Album by alto saxophonist Julian “Cannonball” Adderley, his only album on the Blue Note label, released in 1958.

Julian Edwin “Cannonball” Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley was a member of Davis’ group at the time this album was recorded.

Indeed, Davis plays several of the first solos, composed the bluesy title track and, according to the liner notes, chose most of the material. For instance, Autumn Leaves would remain in the Davis book, and Love for Sale would be recorded by the Davis Sextet a little over two months later.

In conclusion this is an indispensable jazz classic which stands shoulder-to-shoulder with the best of Miles, Trane or Charlie Parker.

If you know and love Miles Davis from the late 1950s Kind of Blue period, you're likely to love and appreciate Somethin' Else.

27/08/2020

Check out our new Blog post!

Kind of Blue - Miles Davis [Top Jazz Vinyl Records]: "an album that towers above its peers, a record generally considered as the definitive jazz album."

27/08/2020

https://4sq.com/313zxHu

Record Shop in Barcelona, Cataluña