14/08/2026
When Everything Came Together
A few days ago I shared my photograph of an Air Frêt Super Constellation departing Basel-Mulhouse on a cold, grey December morning in 1971 — a photograph taken in difficult light, with Kodachrome demanding that exposure, focus, and timing all come together.
This time, conditions could hardly have been better.
British Air Ferries ATL-98 Carvair G-AREK climbs away from Basel under a clear blue sky. Good light, excellent visibility and the aircraft passing at just the right angle gave Kodachrome everything it needed.
The technique, however, was the same. No autofocus, no image stabilization, and no checking the result afterward. Follow the aircraft, judge the exposure and focus, press the shutter at the decisive moment — then wait for the developed Kodachrome to return.
What a difference perfect conditions could make.
And what an aircraft to photograph. The Carvair's extraordinary appearance came from its conversion from the Douglas DC-4, with the flight deck raised above the fuselage to permit loading through the large forward cargo door.
A familiar idea?
The arrangement bears a striking resemblance to the earlier Convair R3Y Tradewind, which also placed its flight deck above the main cargo level to provide access through the nose. The two aircraft were created for very different purposes, but the visual similarity in their cockpit arrangements is remarkable.
Sometimes the photographer had to fight for the picture. On days like this, the light did most of the helping.
British Air Ferries ATL-98 Carvair G-AREK, photographed by Paul Zogg at Basel-Mulhouse in 1973.