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Artistery

Artistery is a window to digitally displayed artwork from independent artists, the greatest museums,

09/03/2018

You can have it in your home! Check it out —> http://bit.ly/Artistery_kickstarter1

French Anemones and Blue Lilies in a Blue Glass
Emil Nolde
Before 1920
Watercolor on Japanese paper

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source -> theartstory.org

08/03/2018

You can have it in your home! Check it out —> http://bit.ly/Artistery_kickstarter1

Part of the Crowd at the Ecce Homo

Sir Peter Paul Rubens over Anonymous Italian after Titian
Black and red chalk, pen and black ink on laid paper laid down on Japanese paper

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07/03/2018

Don’t forget to check us out on Kickstarter!
—> http://bit.ly/Artistery_kickstarter1

Loving Couple for Paint Shop
Keisai Eisen
1820-1830
Print on Japanese Paper

06/03/2018

You can have it in your home! Check it out —> http://bit.ly/Artistery_kickstarter1

View of a Path in the Hague Forest, with Beggars at the Door of a Cottage
Jan Lievens
1654-1658

Pen and brown ink on Japanese paper > source -> getty.edu

03/03/2018

Ridons Death
1988
« One of Basquiat’s last works, Riding with Death from 1988, is displayed prominently in the final gallery of the Gagosian show, a placement that implies its prescient subject matter. The enormous canvas has been grounded with a dull, gray paint, a departure from the colorful backgrounds the artist typically employed. In the work’s center, a faceless figure is shown riding a skeleton, the back of its head facing the viewer. At this point in his career, the fame that Basquiat had achieved as an artist also became a double-edged sword. While it allowed for him and his family to live comfortably, it also enabled his drug addiction to become unmanageable, and eventually, fatal. »
Source: newamericanpainting.com

02/03/2018

Glenn
1984
« This skull-like head, normally empty-eyed and open-mouthed and screaming, as here, is used by Basquiat as a kind of totem or icon for the tormented individual soul. It forms the faces of many of his lone black heroes, and also serves, when adorned with a trademark crown or spiked dreadlocks, as a self-portrait. In Glenn, adorned with see-through jaw, checkerboard teeth and two-tone piano accordion-like keyboard radiating inside his skull, this mask-like head seems to both devor and spew the surrounding as if it were sound or music coursing both through him. »
Source: christies.com

01/03/2018

Undiscovered Genius of the Mississippi Delta
1983
« Gaze upon Jean-Michel Basquiat’s “Undiscovered Genius Of The Mississippi Delta,” and your eyes are forced to dart from one ambiguous scribble to the next. The seemingly random bits of symbolism — a quasi-anatomical sketch here, the crude face of a cow there — appear smudged and chaotic before your eyes. Like a graffiti-infused response to Picasso’s “Guernica” or a Deep Southern take on “The Garden of Earthly Delights,” the masterpiece forces you to digest 15-feet worth of text and color, piecing together the five canvases worth of select African American history. » source: Katherine Brooks for Huffpost

01/03/2018

Do you love art ? Are you a tech and innovation enthusiast ?
Great news: Artistery’s digital canvas is finally available on KICKSTARTER !
https://www.kickstarter.com/projects/2077839060/artistery-digital-canvas-tableau-digital

01/03/2018

Amateurs d’art et d’innovation ? Découvrez le tableau digital d’Artistery enfin disponible sur KICKSTARTER !
https://www.kickstarter.com/projects/2077839060/artistery-digital-canvas-tableau-digital

28/02/2018

Hollywood Africans
1983
« Hollywood Africans is one of a series of Jean-Michel Basquiat’s paintings that feature images and texts relating to stereotypes of African Americans in the entertainment industry. It was painted while Basquiat was on an extended visit to Los Angeles, California, in 1983. Several of the work’s notations are autobiographical: the trio of figures on the right depicts the artist with the rap musician Rammellzee and the painter Toxic, who had traveled with him from New York, and he includes the digits of his birth date: 12, 22, and 60. Other notations are historical: phrases such as “Sugar Cane,” “Tobacco,” “Gangsterism,” and “What is Bwana?” allude to the limited roles available to black actors in old Hollywood movies. The notion of exclusion or excision is reiterated in the way that Basquiat often crossed out words or phrases in his works. »
Source: Whitney.org

27/02/2018

Untitled (Boxer)
1982
« Jean-Michel Basquiat's paintings of boxers are among his most personally and politically charged subjects. In the figure of the black boxer, Basquiat found an alluring icon of self-made power, a hero for the modern era, an athletic champion who manages to triumph in a world where the odds were firmly stacked against him in the form of deep-seated racial prejudices. This was a heroic figure that Basquiat deeply identified with, as a young man possessed of powerful artistic talent, of Haitian and Puerto Rican heritage, going up against the predominantly white world of the art establishment. »
Source: Christies.com

26/02/2018

Bird on Money
1981
"The painting is an homage to one of Jean-Michel Basquiat's heroes, jazz saxman Charlie Parker ... yardbird ... was one of the musician's nicknames...Basquiat was nothing if not sophisticated. He toyed with primitivist tropes rhythmically the way jazz musicians play with standards. He made that connection himself; the names of famous jazz players turn up in many of his works." Source: Irequireart.com

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