Céline Garnier - Luthier

Céline Garnier - Luthier I specialize in the restoration and fine tuning of high end stringed instruments. You can find here et Mrs. H. and A. I have learned a lot. I still am.

- Graduated in 2007 from the Swiss School of Violin Making, Brienz, Switzerland. Four years of training, under the direction of Hansruedi Hoesli, Simon Glaus, and Jean-Jacques Fastnacht, internationnally reknowned violin restoration expert.

- 2007, 2008 : a bit of change of horizons... Violin-making in Central America. I had the opportunity to meet and work with many different makers, restorers a

nd musicians. Costa Ricans, Mexicans, Cubans... Different ways to live and feel music, strong traditions and new experimentations, great people, and highly gifted handworkers

I worked as a volunteer within the music school of Santa Ana, Costa Rica (partnership with the Music Conservatory of Sion, Switzerland), then with the music department of the University of Chiapas (UNICACH) in Tuxtla Guttierez, Mexico, with Mr. Plancarte, violin-makers in Queretaro, Mexico, for el Maestro E. Ramirez, violin-maker in Tepoztlan, Mexico...


- 2009, back to France. Violin making and restoration workshops, back to the old european tradition and knowledge (and a little new music too)

Various internships in the workshops of masters makers and restorers. Ms Hélène Guichard,in Grenoble, Mr Claude Macabrey in Lyon, Mr Bodo Vosshenrich in Villemur sur Tarn ...


- 2009 till now, Hong Kong. It's been four years now I settled down in Hong Kong. I had the priviledge of having Mr Vincent Gonthier as a master and teacher, and definitely specialized in the restoration of high quality music instruments. Within Orfeo Strings first, as the direct assistant of Mr Vincent Gonthier and Mr Dany Chan, then as a senior restorer within Vincent Gonthier Fine Violins, I had the opportunity to study, restore and finetune some of the most beautiful pieces of famous antique masters and be at the service of musicians from the Hong Kong Philharmonic, the Simphonietta, the Macau Orchestra and great musician from everywhere in Asia.

Here are a few steps of the restoration process of the Jacquet Père bass with collapsed arching I showed you recently. T...
27/02/2026

Here are a few steps of the restoration process of the Jacquet Père bass with collapsed arching I showed you recently.
The big first step was making a plaster cast of the whole front - not an easy task. I I'll admit I find that work scary but also quite fun to do. 😊
You can see on the next picture how a sunken area translates into a bump on the cast.
That cast then gets corrected to go back to a smooth and regular arching.
Then, the front of the bass is gently pressed down into the newly corrected cast using hot sandbags, and bit bit bit it regains it's original shape.
Last pictures are a peak of the inside work to stabilize the whole thing. New bassbar of course. I also had to do a lot of patches in the bassbar area, more than I usually would like to - I try to be as little invasive as possible. Reason for this was that there were deeply inlaid cleats everywhere underneath the bassbar, and they were full of PVA glue. So replacing them was necessary. I also replaced the old and worn half-edge while at it, to make sure it goes back to the owner healthy and ready for a few more decades of music 😊

-----

Quelques étapes du processus de restauration de la jolie contrebasse Jacquet Père que je vous ai montrée récemment, celle dont la voûte de table s'était effondrée !
D'abord, on réalise un moulage en plâtre de la table en l'état. C'est un gros boulot, un peu effrayant- c'est gros !- mais sympa à faire aussi.
Sur la photo suivante, on voit bien que les creux sur la table apparaissent comme des bosses sur le moulage plâtre.
Le plâtre est ensuite corrigé pour revenir à une voûte harmonieuse.
Enfin, la table est doucement pressée dans le plâtre corrige à l'aide de sacs de sable chaud. Peu à peu, la voûte reprend sa forme originale.
Enfin, les dernières photos vous donnent un aperçu du travail de renfort à l'intérieur. J'ai bien sûr posé une nouvelle barre, mais j'ai aussi du réaliser des doublures dans toute la zone en dessous. Ce n'est pas un choix habituel- on essaye toujours de préserver le matériel original au maximum, mais ici pas le choix : il y avait partout des taquets incrustés profondément et collés à la colle blanche, il était nécessaire de les remplacer !
Au passage, j'ai aussi refait la vieille doublure de bords, abîmée, et voilà ! L'instrument est reparti sur des bases saines, prêt à nouveau pour quelques décennie de musique ! 😊

Adresse

Siévoz
38350

Notifications

Soyez le premier à savoir et laissez-nous vous envoyer un courriel lorsque Céline Garnier - Luthier publie des nouvelles et des promotions. Votre adresse e-mail ne sera pas utilisée à d'autres fins, et vous pouvez vous désabonner à tout moment.

Contacter L'entreprise

Envoyer un message à Céline Garnier - Luthier:

Raccourcis

Partager