Rehaus

Rehaus The online destination for vintage & pre-owned designer furniture.

💛 Better than new:
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01/08/2026

If vintage furniture is your thing, these three are hard to ignore.

The Soriana Ottoman by Afra and Tobia Scarpa for Cassina. The Mah Jong Sectional by Hans Hopfer for Roche Bobois. The Togo Corner by Michel Ducaroy for Ligne Roset.

Icons. All of them.

Pieces like these are available at rehaus.co

28/07/2026

Three chairs. Three designers. All original.

The Pierre Loti by Faruk Malhan for Koleksiyon. The DS-57 in black and red leather by Franz Romero for De Sede. The Hudson Street Lounge Chair by Ralph Lauren.

Built to be lived in, not looked past.

Pieces like these are available at rehaus.co

Designed by Hans Hopfer for Roche Bobois in 1971.Hopfer had spent the previous decade building a new vocabulary for seat...
26/07/2026

Designed by Hans Hopfer for Roche Bobois in 1971.

Hopfer had spent the previous decade building a new vocabulary for seating. The Mah Jong was its fullest expression. No legs, no fixed frame - just three basic elements that the user stacks, combines and reconfigures at will. A lounge chair, a large sofa, a bed. He called it a seating landscape, and nothing like it had existed before.

Fifty-five years later, every Mah Jong is still hand-sewn in a dedicated workshop. It has been dressed by Missoni, Kenzo Takada, Jean Paul Gaultier and Sonia Rykiel. Each collaboration a reinterpretation, never a revision.

Still in continuous production. Still the most recognised piece in the Roche Bobois collection.

Pieces like this are available at rehaus.co

Designed by Charles and Ray Eames for Herman Miller in 1956. Still in continuous production after more than 70 years.The...
25/07/2026

Designed by Charles and Ray Eames for Herman Miller in 1956. Still in continuous production after more than 70 years.

The brief was simple: a lounge with the warmth of a well-used first baseman's mitt. The presence of an English club chair. Something that felt lived in before you even sat down.

Their answer was molded rosewood veneer and feather and down cushions wrapped in leather. Three curved shells, each one allowed a slight movement in relation to the others. A swivelling base so the body could follow its own logic. Charles was specific about the wrinkles already built into the leather: a clue, he said, that spells comfort to come.

The rosewood version, produced until 1993 when Brazilian rosewood veneer was phased out for eco-friendlier alternatives, is now among the most sought-after expressions of the design. A chair that was always meant to get better with use.

Pieces like this are available at rehaus.co

Photos: Martin McMurray/Vielmetter Los Angeles; Miguel Flores-Vianna.

24/07/2026

One vision. Four pieces. Nearly a century of relevance.

Le Corbusier, Jeanneret, and Perriand designed the LC collection in 1928. Steel frames. Feather cushions. Glass tops modelled on aircraft geometry. Cassina began producing them in 1965. They have not stopped since.

All available now at rehaus.co

Designed by Eero Saarinen for Knoll in 1956. Still in continuous production after nearly 70 years.Saarinen called it a w...
23/07/2026

Designed by Eero Saarinen for Knoll in 1956. Still in continuous production after nearly 70 years.

Saarinen called it a war on the "slum of legs." The undercarriage of chairs and tables had become, in his words, ugly, confusing, unrestful. His answer was to eliminate it entirely. Five years of drawings, scale models, and full scale clay prototypes led to a single pedestal rising from the floor like a stem. One form. One idea carried all the way through.

The Tulip was not designed to fill a room. It was designed to clear one.

Pieces like this are available at rehaus.co

Photo by Michael Paul. Courtesy of Living Inside.

Designed by Ronan and Erwan Bouroullec for Ligne Roset in 2011. Still in continuous production after more than 15 years....
21/07/2026

Designed by Ronan and Erwan Bouroullec for Ligne Roset in 2011. Still in continuous production after more than 15 years.

The Bouroullecs began with one question: what does real comfort actually look like? Not the upright sofa of mid-century convention. Not the rigid geometry of modernism. Something else entirely.

Their answer was Ploum. Stretch fabric over ultra-flexible foam. No hard edges, no defined borders. A seat so low and so wide it stops being furniture and starts being somewhere you genuinely want to stay. The designers described it as a ripe piece of fruit. Generous. Organic. Unapologetically soft.

The large version is deliberately asymmetrical. The right backrest sits slightly higher than the left. The angle of the seat draws people closer together. Designed not just for comfort, but for conversation.

Pieces like this are available at rehaus.co

Photos courtesy of Ligne Roset.

19/07/2026

Rejected in 1973. Iconic now.

The Togo was the first all-foam sofa ever made. No rigid frame. No compromise. Just Michel Ducaroy trusting the design completely.

People called it ugly. They said it looked like a crumpled tube of toothpaste.

It outlasted every trend that came after it.

Authenticated original Togos and pieces like this are available at rehaus.co

17/07/2026

This week's drop.

Ligne Roset Cemia Sideboard.
Maxalto Three Seater Sofa.
Rolf Benz Linea 318 Leather Sofa.
Ligne Roset Togo Modular Sofa and Footstool.
Cassina LC3 Armchair.

Design icons, ready now. Gone tomorrow.

Pieces like this are available at rehaus.co

Designed by Charlotte Perriand, Pierre Jeanneret, and Le Corbusier in 1928. Still in continuous production after nearly ...
15/07/2026

Designed by Charlotte Perriand, Pierre Jeanneret, and Le Corbusier in 1928. Still in continuous production after nearly 60 years with Cassina.

The LC4 was not designed as a chair. It was designed as a position. The three set out to find the ideal angle for a resting human body, then built the furniture around it. Raw cowhide over tubular steel. The body leads. The object follows.

This is what it looks like inside a real home. Not a showroom, not a render. A 45sqm apartment in Milan's Lambrate district, where it holds its own against custom marble and pleated travertine.

Pieces like this are available at rehaus.co

Photos courtesy of Pier Carlo Quecchia

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