Solar Crone Creations

27/09/2026

Rituals aren’t just for witches or spiritual people. From birthday wishes and lucky habits to morning routines and meaningful objects, humans use ritual to create intention and meaning all the time. Here’s why my ritual items aren’t exclusively for people who practise witchcraft or identify as spiritual. 🖤

16/09/2026

It’s ok to say no if you’re a small business. But knowing that is also a place of privilege and being grateful that I can 🫶🏻

13/09/2026

13/09/2026

There’s something incredibly special about making an object knowing there will only ever be one of it.

This amulet will never become a collection of hundreds.

It will never be made for the masses.

It exists once.

Which means somewhere in the world, there is one person who will eventually find it and know that this is the one they were looking for.

That’s the opposite of how many successful businesses operate. There’s enormous value in creating something that lots of people want.

But that was never going to be Solar Crone.

I make one-of-a-kind ritual objects because I love the idea that the right object can find the right person.

And that moment when those two things meet, the object and its person, is one of the most magical parts of being a maker.

Will this business make me a millionaire?

Absolutely not.

But is it a lifelong passion?

Absolutely.

So I’ll keep making these strange, beautiful, meaningful things.

And then I’ll wait.

Waiting for their person.

Waiting in the dark until the light returns to them.

03/09/2026

Some people don’t understand my craft.

And that’s okay. It’s not for them anyway.

The moment I stopped trying to make things for everyone, my creativity changed.

I became clearer about what Solar Crone is, what I want to make, and who I’m making it for.

And strangely, that’s when the right people started connecting with my work.

Maybe the best thing you can be as a maker is unapologetically yourself.

01/09/2026

I think my creativity skyrocketed when I stopped trying to make things for everyone.

For a long time, I thought being a successful maker meant creating things that other people would like.

Which sounds sensible, doesn’t it?

But somewhere along the way, I realised I was spending so much energy thinking about what other people might want that I wasn’t leaving much room for my own creativity.

Would people like this colour?

Would they understand this symbolism?

Would this be too unusual?

Would someone actually buy it?

And the more I tried to answer those questions before I’d even made the thing, the more I found myself editing the idea before it had a chance to become anything.

Eventually, I started doing something different.

I stopped trying to make for everyone.

Instead, I started asking:

Does this feel like Solar Crone?

Does it interest me?

Does the symbolism mean something to me?

Do I want to spend hours making it?

Would I be excited to see it sitting on someone’s altar or being part of their ceremony?

And something changed.

I became more experimental.

I made stranger things.

I followed ideas further.

I started making things simply because I couldn’t stop thinking about them.

And, perhaps most importantly, I started creating from a much more honest place.

I’m not trying to make objects that everyone will love.

I’m trying to make objects that feel unmistakably Solar Crone.

And I think that’s actually much more interesting.

Because if you make for everyone, you can end up making something that doesn’t really belong to anyone.

But when you make something with a strong point of view, the right person can look at it and think:

“That’s mine.”

That’s the kind of connection I want my work to have.

29/08/2026

Colour is part of the symbolic language I use when I make my scourges. These are my associations, not rules.

The meaning ultimately belongs to the person who connects with the piece.