Adam Calvert Bentley Antiques

Adam Calvert Bentley Antiques Specialising in fine decorative European pieces from the 17th Century to the 21st Century. Based in Central London

New stock: A fine and rare pair of large Louis XVI style gilt bronze hanging lanterns of cylindrical form hung with ribb...
08/05/2026

New stock: A fine and rare pair of large Louis XVI style gilt bronze hanging lanterns of cylindrical form hung with ribbon-tied swags and tassels above balustrades and suspended from scrolling brackets. Fitted with three-branch candle fitting.
These lanterns can be wired in our workshop for use in any country
Height 98 cm (38.5 inches)
Diameter 46 cm (18 inches)
French. circa 1890


The design based on the lantern produced for Marie Antoinette at Petit Trianon in the grounds of Versailles. The original in gilt bronze still hangs in the Antechamber

New stock: Large 18th Century Portrait of a Young Woman in Renaissance Dressfinely painted and shown wearing fine renais...
05/05/2026

New stock: Large 18th Century Portrait of a Young Woman in Renaissance Dress

finely painted and shown wearing fine renaissance jewellery hung with pearls, standing in a yellow silk gown, embroidered apron or “zinale”, traditionally a symbol of virginity, and a fur stole over her shoulder, probably a marten or zibellino.
Oil on canvas (relined by Francis Leedham [1794-1870]) presented in an ebonised and gilt frame
Height inc. frame 151 cm (59 inches)
Width inc. frame 103 cm (40.5 inches)
18th century or earlier
Provenance:
The Hon Mrs Anthony Birtwistle, Hatch Hill House, Surrey

New stock: Follower of Jan Siberechts(1627-ca. 1703) Italian Landscape with Shepherds£1,650A 17th century Italian Landsc...
28/01/2026

New stock: Follower of Jan Siberechts(1627-ca. 1703) Italian Landscape with Shepherds
£1,650

A 17th century Italian Landscape with Shepherds by a follower of Jan Siberechts, Jan (1627-ca. 1703),
depicting an evening landscape. On the left, a slope with a waterfall cascades down to the foreground where sheep are grazing in a meadow at the edge of the forest. A shepherd and shepherdess are dancing to the sound of a flutist, behind them the waterfall disappears into the ravine beyond where further figures can be seen.
Bears the signature and dated “J. Sieberechts 1649” at the bottom right. Oil on panel, presented in an ebonised frame
Height 58 cm (22.75 inches) including frame
Width 66.5 cm (26 inches) including frame
Dated 1649
Siberechts, born in Antwerp in 1627, was a member of the Guild of St Luke in Antwerp at the time this work was created. His early work is characterised by Italian landscapes. He is thought to have travelled to Italy in 1650. Siberechts lived in London from 1672 until the end of his life.

Provenance:
Anon. sale, Neumeister, Munich, 18 September 1991, lot 452.

New stock: Pair of mid 18th Century Anglo-Dutch Portraits£2,800An unusual pair of mid 18th century Anglo-Dutch portraits...
27/01/2026

New stock: Pair of mid 18th Century Anglo-Dutch Portraits
£2,800

An unusual pair of mid 18th century Anglo-Dutch portraits of a gardener and a fruit-picker, the gardener standing by a table with an auricula and carnations in pots and smelling a carnation, the fruit-picker also standing at a table bearing the fruits of her labours, probably gathered from a hot-house, both standing in a grand garden with architectural hedges in the manner made popular by Queen Mary at Het Loo Palace, and much copied in England and Holland; Presented in original, carved and part sanded gilt frames
Height 24 cm (9.4 inches) excluding frame, 30.5 cm (12 inches) with frame
Width 18.5 cm (7.25 inches) excluding frame, 24.5 cm (9.75 inches) with frame
mid 18th century
Auriculas were first recorded in England in Elizabethan times as rare plants cultivated by the elite but by the 18th century had become a widespread passion among horticulturists.

In the 18th century peaches and grapevines were usually grown in hot-houses in Northern Europe and our fruit-picker mainly seems to have these, along with a melon or gourd. The estate where she works obviously has an orangery or hothouse as two orange trees are prominently displayed behind her, which would certainly have had to winter somewhere protected from the cold weather. The famous ‘Great Vine’ at Hampton Court was planted in 1768 by Lancelot ‘Capability’ Brown, and is now contained in at least its fifth greenhouse, changed to accommodate its burgeoning size.

Bunny Mellon?

New stock: Rare Aesthetics Movement Mirror By James Powell & SonsWhitefriars Glass, of octagonal form with a border of e...
25/01/2026

New stock: Rare Aesthetics Movement Mirror By James Powell & Sons
Whitefriars Glass, of octagonal form with a border of enamelled glass panels decorated with stylised floral motifs within gilded leadwork and containing a convex mirror plate surrounded by enamelled opaline glass spandrel.
Height 37 cm (14.5 inches)
Depth 37 cm (14.5 inches)
English. Circa 1880
The only known source for the identification of mirrors from this group, that can now be shown to date between the late 1870s and the mid 1880s, is a 10-page manuscript catalogue, inscribed on the first page: ‘Messrs James Powell & Sons Whitefriars Glassworks…’

The volume contains ten beautifully rendered designs. Mirrors are shown with or without candle arms, and either white decorated on a blue ground, or with blue decoration on a white ground.



In 1834, James Powell (1774–1840) purchased the Whitefriars Glass Company, a small glassworks off Fleet Street in London, believed to have been established in 1680. He was a London wine merchant and entrepreneur, of the same family as the founder of the Scout movement, Robert Baden-Powell. Powell, and his sons Arthur and Nathanael, were newcomers to glass making, but soon acquired the necessary expertise. They experimented and developed new techniques, devoting a large part of their production to the creating of stained glass windows for churches. The firm acquired a large number of patents for their new ideas and became world leaders in their field, business being boosted by the building of hundreds of new churches during the Victorian era. While Powell manufactured complete windows, it also provided glass to other stained glass firms.

New stock: George II Mahogany and Parcel Gilt Fretwork Mirror£1,950A George II mahogany and parcel-gilt fretwork mirror,...
06/01/2026

New stock: George II Mahogany and Parcel Gilt Fretwork Mirror
£1,950

A George II mahogany and parcel-gilt fretwork mirror, the mahogany veneered fretwork frame formed of scrollwork and enriched with applied giltwood swan-neck pediment flanking a central basket of flowers and with giltwood pendants in the form of fruiting foliage flanking the rectangular plate
Height 120 cm (47.25 inches)
Width 60 cm (23.5 inches)
English. Circa 1750

New stock: Early Victorian Oak and Needlework Screen£2,750A large early Victorian oak and needlework screen or room divi...
04/11/2025

New stock: Early Victorian Oak and Needlework Screen
£2,750

A large early Victorian oak and needlework screen or room divider, each leaf of triple panelled form, inset with a total of twelve gros and petit-point needlework panels; four panels of an historicist nature populated with various figures dressed in 16th and 17th century attire; two featuring Ottoman horse riders; two pheasants; two depicting assorted flowers and foliage; one a floral-filled antique urn and another of a bouquet replete with various garden flowers, the reverse applied with polychrome decorated wallpaper backing.
This screen could also be used as doors on a run of fitted wardrobes
Height 208 cm (82 inches)
Width 244 cm (96 inches)
English. Circa 1850
Provenance:
Christie’s, South Kensington, 9 February 2010, lot 165. £4,750

Exciting News! I'll be showcasing a curated selection of my antique stock alongside  wonderful collection of fabrics, wa...
21/10/2025

Exciting News! I'll be showcasing a curated selection of my antique stock alongside wonderful collection of fabrics, wallpapers, and furniture at showroom, 69 Pimlico Road, London. The exhibition runs for the next three weeks. We hope to see you in there!

New stock: Sir Frank Brangwyn R.A Drawing of a Sailor£1,250A drawing of a Sailor smoking a pipe by Sir Frank Brangwyn, R...
17/08/2025

New stock: Sir Frank Brangwyn R.A Drawing of a Sailor
£1,250

A drawing of a Sailor smoking a pipe by Sir Frank Brangwyn, RA (British 1867-1956)
signed with monogram ‘FB’ (lower left)
Pencil and ink on paper, mounted and presented in a gilt-wood frame.
Height 22 cm (8.75 inches) excluding frame
Width 16.7 cm (6.5 inches) excluding frame
English. Early 20th century
Sir Frank William Brangwyn (12 May 1867 – 11 June 1956) was a Welsh artist, painter, watercolourist, printmaker, illustrator and designer.

Brangwyn worked in a wide range of artistic fields. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, glass tableware, mosaics, buildings and interiors, and was a lithographer and woodcutter and book illustrator. It has been estimated that during his lifetime Brangwyn produced more than 12,000 works. His mural commissions would cover over 22,000 sq ft (2,000 m2) of canvas, he painted over 1,000 oils, more than 660 mixed-media works (watercolours, gouache), over 500 etchings, around 400 wood-engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows.

Brangwyn received some artistic training, probably from his father, and later from Arthur Heygate Mackmurdo and in the workshops of William Morris, but he was largely an autodidact without a formal artistic education. When, at the age of 17, one of his paintings was accepted at the Royal Academy Summer Exhibition, he was strengthened in his conviction to become an artist. Initially, he painted traditional subjects about the sea and life on the seas. His 1890 canvas, Funeral At Sea won a medal of the third class at the 1891 Paris Salon. The murals for which Brangwyn was famous, and during his lifetime he was very famous indeed, were brightly coloured and crowded with details of plants and animals, although they became flatter and less flamboyant later in his life.

New stock: Fine Louis XV Style Tapestry Portrait by the Braquenié Factory£2,400A fine exhibition quality Louis XV style ...
08/08/2025

New stock: Fine Louis XV Style Tapestry Portrait by the Braquenié Factory
£2,400

A fine exhibition quality Louis XV style tapestry portrait by the Braquenié factory, in the style of the Gobelins factory, depicting Anne-Louise Brillon de Jouy as the Muse of Science after Jean-Honoré Fragonard (1732-1808) [illustrated]. The sitter shown with dressed hair and wearing a brown velvet dress in 17th century style and impressive jewels, a piano beside her and reading a book of music (perhaps standing in for a scientific tome); signed Braquenié on the piano and signed by the weaver L. Jabin and dated 1887 ; contained within a well-carved Louis XV style frame
Height 104 cm (41 inches)
Width 84 cm (33 inches)
French. dated 1887
The Muse of Science was one of a series of portraits Fragonard painted in the late 1760s under the group title “Fantastic Figures”. The sitter, Anne-Louise Brillon de Jouy, was a musician and composer – she had a popular and well-attended salon at her home in Passy. The painting. is sometimes described as L’étude

Maison Braquenié
In 1858 the brothers Alexandre and Charles-Henri Braquenié acquired the Démy-Doineau fabric company that had existed since the 18th century. The Brothers then opened workshops in Aubusson and Malines and attracted a grand clientèle, becoming official suppliers to Napoleon III as well as the King of the Belgians and the German Emperor, and soon being the most famous tapestry, rug and fabric makers of the 19th century

In 1899 the company supplied 15 tapestries in the style of Fragonard to a commission from Tsar Nicholas II.

Braquenié is still producing fine textiles to this day and is now part of Pierre Frey.

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By Appointment
London
SW1A2

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