Shropshire Collectables

Shropshire Collectables From Shropshire UK, buying and selling antiques and collectables. Dealing in mainly ceramics. or anything else interesting or unusual.

Get in touch if your looking to sell Doulton, Beswick, Coalport, Moorcroft e.t.c.

*** Daily Ceramics Blog ***Hollinshead & Kirkham potteryHollinshead & Kirkham was an English earthenware manufacturer ba...
09/04/2026

*** Daily Ceramics Blog ***
Hollinshead & Kirkham pottery

Hollinshead & Kirkham was an English earthenware manufacturer based in Staffordshire, known for producing tableware and decorative pottery from around 1870 until the mid-20th century.

The firm began in Burslem, Staffordshire, with original partners J.W. Hollinshead, Samuel Hollinshead, and Samuel Kirkham. In about 1876, they relocated to Woodland Pottery on Woodland Street in Tunstall, then around 1890 took over the Unicorn Pottery on Amicable Street (previously used by Wedgwood & Co.), where they operated as Hollinshead & Kirkham Ltd.

Partnership changes occurred, including Samuel Kirkham's departure in 1878 and a dissolution in 1891, after which John Kirkham and George Frederick Helé continued under the same name. The company employed a young Clarice Cliff as a lithographer around 1915 before she moved to A.J. Wilkinson. In the 1930s, they gained popularity for hand-painted fruit tableware and Art Deco shapes with patterns like "Luscious" and "Autumn," often compared to Worcester styles or dubbed "poor man's Moorcroft" for their vibrant palettes.

Hollinshead & Kirkham ceased independent operations around 1942 amid wartime challenges, though the Unicorn Pottery continued under Johnson Bros (Hanley) Ltd after purchasing it in 1956. Marks evolved, featuring unicorns (1900-1942, shaggier in 1930s), "H&K," "late Wedgwood" post-1890, and wartime "B" stamps.

*** Daily Ceramics Blog ***HEWITT & LEADBETTERHewitt & Leadbetter was a notable pottery company founded around 1907 by b...
09/04/2026

*** Daily Ceramics Blog ***
HEWITT & LEADBETTER

Hewitt & Leadbetter was a notable pottery company founded around 1907 by brothers-in-law Arthur Hewitt and Edwin Leadbeater. The company was based in Longton, Staffordshire, an area famous for its pottery industry. Hewitt & Leadbetter specialized in producing crested china miniatures and ornamental ceramics, which were popular collectible items.

Founding: Circa 1907 by Arthur Hewitt and Edwin Leadbeater.

Location: Longton, Staffordshire, England.

Products: Known primarily for crested china miniatures and decorative ceramics.

Significance: Hewitt & Leadbetter, along with Hewitt Brothers (a related company), were important manufacturers in the crested china market.

Legacy: The business was eventually acquired by Harold Taylor, indicating its integration into larger pottery enterprises.

The company played a significant role in the early 20th-century pottery scene, contributing to the rich heritage of Staffordshire ceramics. Their products are now considered collectible antiques, especially among enthusiasts of crested china.

HAPPY EASTER *** Daily Ceramics Blog ***Collecting Easter CeramicsVintage and antique Easter-themed ceramics offer charm...
03/04/2026

HAPPY EASTER
*** Daily Ceramics Blog ***

Collecting Easter Ceramics

Vintage and antique Easter-themed ceramics offer charming collectibles, often featuring motifs like eggs, bunnies, chicks, lambs, and spring florals from British and American potters. These pieces align well with your interest in UK and US manufacturers like Royal Worcester, Coalport, and Salem China.

Key Manufacturers
American firms like Salem China produced 1940s Easter-themed child's plates with divided sections, ideal for collectors seeking playful, functional antiques. British makers such as Royal Worcester offered fine bone china patterns like Gloriana, noted for white, pink, and gold designs suitable for Easter tables. Coalport created miniature Easter egg trinket boxes with floral patterns like Indian Tree or Ming Rose, blending spring motifs with porcelain craftsmanship.

Popular Motifs
Portrait of Homer Laughlin.
Eggs dominate as the emblem of Easter, with hand-painted porcelain examples from Limoges (France-influenced US/UK imports) depicting bunnies, baskets, and chicks in vibrant colors. Other motifs include lambs, doves, and rabbits on Sicilian-style ceramics or Russian porcelain eggs, which evolved from Imperial gifts to affordable 19th-century mass items with religious scenes. Spring florals on plates from Montrose Gladstone or Royal Worcester daffodil holders add whimsy for table displays.

Homer Laughlin, a major US pottery, ties into broader American china traditions that could include seasonal Easter wares.

Collecting Tips
Focus on maker's marks for authenticity—Staffordshire potteries used regional symbols like eagles or shields from the 1870s-1880s. Shop Etsy for vintage Salem plates ($18) or Coalport eggs (£55), and antiques sites like Antiques.co.uk for egg cups, spring ceramics, or devotional items. Prioritize original condition, clear provenance, and quality materials over labeled "Easter" pieces.

*** Daily Ceramics Blog ***J.E HEATH POTTERYJ.E. Heath Ltd was an earthenware manufacturer based at the Albert Potteries...
29/03/2026

*** Daily Ceramics Blog ***
J.E HEATH POTTERY

J.E. Heath Ltd was an earthenware manufacturer based at the Albert Potteries in Burslem, Stoke-on-Trent, England, operating from 1951 until June 1996. The company specialized in durable catering ware for hotels, restaurants, railway dining cars, and institutions, emphasizing functional designs with understated patterns that withstood heavy use. In June 1996, it was acquired by Dudson Armorlite Ltd, continuing operations until March 2001.

Heath produced commercial tableware and kitchenware, often marked with production dates like "9-58" for September 1958 and tailored for export markets such as Canada. Pieces like the "Erica" retro diner plates from the 1950s were made for brands including Grand Central and Russell Foods, known for extreme durability.

J.E. Heath Ltd operated successfully at the Albert Potteries in Burslem, Stoke-on-Trent, until the late 20th century but faced challenges typical of the British pottery industry, including foreign competition and consolidation pressures.

By 1980, the company was fully owned by Dudson (Holdings) Ltd, signaling integration into a larger group amid industry shifts. On June 1, 1996, J.E. Heath Ltd renamed to Dudson Armorlite Ltd, effectively ending its independent identity while production continued at the same site.

Dudson Armorlite operations persisted until March 2001, after which the Burslem facility ceased as part of broader rationalizations in the sector. No specific reasons like financial distress are detailed, but the era marked widespread decline in traditional UK earthenware manufacturing.

18/03/2026
*** Daily Ceramics Blog ***HEWITT & LEADBEATER POTTERYHewitt & Leadbeater was a small early‑20th‑century pottery partner...
18/03/2026

*** Daily Ceramics Blog ***

HEWITT & LEADBEATER POTTERY

Hewitt & Leadbeater was a small early‑20th‑century pottery partnership in Stoke‑on‑Trent, best known for crested souvenir china and linked closely to the larger Robinson & Leadbeater firm.

The partnership was founded around 1907 by brothers‑in‑law Arthur Hewitt and Edwin Leadbeater in Stoke‑on‑Trent.

Edwin was the son of a partner in the well‑known firm Robinson & Leadbeater, famous for Parian statuary and fine porcelain, and he brought that technical and commercial experience into the new venture.

Arthur Hewitt came from the same Potteries district and the firm traded at what became known as the Old Willow Pottery.

Hewitt & Leadbeater specialised in small crested china souvenirs, part of the huge Edwardian craze for town‑ and resort‑crested novelties (miniature jugs, vases, figures and buildings bearing local coats of arms).

Their pieces often carry trade names associated with “Willow” or “Willow Art”, which later continued under Hewitt Brothers and then Willow Potteries Ltd at the same works.

Stylistically, their output fits into the broader crested‑china market dominated by firms like Goss and Carlton, but with its own moulds and backstamps identifying the maker and town crest.

Edwin left the partnership in or about 1919, after which Arthur’s brother joined and the firm’s name changed from Hewitt & Leadbeater to Hewitt Brothers.

Under the Hewitt Brothers name, production of crested and decorative china continued at the Willow Pottery in Stoke, using the “Willow Art” branding on many wares.

This transition reflects a common pattern in Potteries businesses, where family changes, deaths or retirements prompted renaming but continuity of staff, moulds and trade names.

By 1925, the business at the Willow Pottery had been bought by pottery magnate Harold Taylor Robinson, who was assembling a group of firms under the Cauldon Potteries name.

At this point Willow Potteries Ltd was formed, taking over from Hewitt Brothers and continuing crested and decorative ware production at the Arcadian/Willow works in Stoke.

Willow Potteries quickly became just one part of Robinson’s larger Cauldon conglomerate, and the original Hewitt & Leadbeater identity disappeared as a separate concern.

Edwin Leadbeater’s involvement connects Hewitt & Leadbeater directly to Robinson & Leadbeater, the major Stoke firm established in the mid‑19th century and renowned for Parian statuary and “Royal Ivory” porcelain.

Robinson & Leadbeater operated from several sites in Stoke (Glebe Street, Wharf Street, then Wolfe Street), growing from a modest enterprise into a leading specialist in sculptural porcelain.

Edwin later set up his own short‑lived china concern in Longton (c.1920–1924), mainly producing crested china before going bankrupt, which marks the end of his independent pottery ventures.

*** Daily Ceramics Blog ***HARKER POTTERYHarker Pottery was one of the longest‑operating pottery firms in the United Sta...
18/03/2026

*** Daily Ceramics Blog ***
HARKER POTTERY

Harker Pottery was one of the longest‑operating pottery firms in the United States, active from about 1840 until the early 1970s in the East Liverpool, Ohio pottery district.

Benjamin Harker Sr., an English immigrant from the Staffordshire area, settled near East Liverpool, Ohio, in 1839 and bought riverfront land rich in clay deposits along the Ohio River.

Inspired by the success of fellow English potter James Bennett, who opened East Liverpool’s first pottery in 1839–1840, Harker converted a log building on his farm into a small pottery and began production around 1840.

Early on, the family had little pottery experience; Harker leased the works to experienced Staffordshire potters, including John Goodwin, on the condition that his sons Benjamin Jr. and George could apprentice there, which trained the next generation of the firm’s leadership.

By the mid‑1840s, Benjamin Sr. and his sons partnered with James Taylor to form Harker, Taylor & Company, building a larger, three‑story brick pottery known as the Etruria Works, named after Wedgwood’s factory in England.

In 1850, Benjamin Sr. sold his interests to his son George, cementing leadership in the second generation and helping establish what became known as one of the longest‑running family potteries in the country.

Through the 19th century, the works expanded and at one point (late 1860s) operated the largest plant in the area, employing around 60 workers and producing a wide variety of ceramic goods beyond tableware, such as k***s and other small items.

In its early decades, Harker made Rockingham‑type wares, hound‑handled mugs, spittoons, and other molded pieces that gained recognition at exhibitions, including an award for Rockingham ware in Boston in 1850.

The company began producing whiteware (refined, lighter‑colored tableware) around 1879; notable early whiteware shapes included “Republic” and “Cable.”

In 1890, the business was reorganized as the Harker China Company and produced semi‑porcelain and decorated tablewares; over time it marketed heat‑resistant and ovenproof lines, sometimes under special backstamps such as Sun‑Glow Bakerite, Hotoven, Oven Ware, and Columbia China Company, used to offer “exclusive” lines to different retailers.

Harker often promoted itself as the “oldest pottery in America,” based on its continuous operation from the 1840 founding in a log‑cabin pottery.

The firm remained a significant employer and producer in the East Liverpool–Chester district, adapting to changing tastes with decorated whiteware, semi‑porcelain dinnerware, and kitchenware through the early and mid‑20th century.

Company culture included internal newsletters, such as the “Harpco News,” which mixed plant news, local gossip, and broader topics like sports, reflecting an established industrial community.

Despite its long history and various marketing efforts, Harker, like many American potteries, faced rising competition, changing consumer preferences, and economic pressures in the mid‑20th century.

The pottery ultimately ceased operations in 1972 (some sources say 1973), ending roughly 131–132 years of continuous production in the East Liverpool district.

By the time of its closure, Harker was recognized as one of the oldest continuously operating family‑associated potteries in the United States and a key contributor to East Liverpool’s reputation as the “Pottery Capital of the World.”


*** Daily Ceramics Blog ***Sampson Hancock & SonsSampson Hancock & Sons was a Staffordshire pottery firm founded by Samp...
10/03/2026

*** Daily Ceramics Blog ***
Sampson Hancock & Sons

Sampson Hancock & Sons was a Staffordshire pottery firm founded by Sampson Hancock in 1857 and closed, after several changes of name and location, in 1937.

The business began in Tunstall in the Potteries around 1857–1858, started by Sampson Hancock, a prominent Wesleyan.

Works and addresses over time included: Victoria Street, Tunstall (c.1857–1870), then Bridge Works/Bridge Pottery at Stoke or Shelton from about 1870, later Gordon Works in Wolfe Street, Shelton, and finally sites in Hanley, including the Corona Pottery.

It remained a relatively small enterprise, employing around 150 people.

By 1891 the firm traded as S. Hancock & Sons, reflecting the involvement of Sampson’s sons in the business.

Sampson Hancock died on 9 May 1900 and was succeeded by his sons Jabez, Harry and Arthur, who continued to expand production.

In 1935 the firm was reconstituted as S. Hancock & Sons (Potters) Ltd and moved operations fully to Hanley, but this final company only survived about two years.

The firm specialised in semi‑porcelain and earthenware tablewares, toilet wares, vases, and vitreous hotel wares, much of it aimed at the popular market and export trade.

A 1906 Pottery Gazette article described them as long‑established makers of toilet ware, dinner ware, flowerpots and vases in high‑class semi‑porcelain and “ivory” ware.

After the First World War they increased production of ornamental and decorative wares, including children’s wares, boxed nursery‑rhyme teasets and doll’s heads, often designed by named decorators such as Molly Hancock and Edith Gater.

The pottery used numerous trade names and backstamps, including “MAGNET”, “THE ‘DUCHESS’ CHINA” (registered as a mark in 1911), and later “Royal Corona Ware” or “Corona Ware”, particularly from about 1912 until closure.

They produced Chinese‑inspired “Khang He” wares, notably the “Cheng” pattern introduced around 1913, evoking Kangxi‑period porcelain; pieces are often marked “Khang He” or similar.

Marking evolved from “S. HANCOCK” and initials “S.H.” (c.1858–1891) to “S. H. & S.” or “S. H. & Sons” (1891–1935), then “S. Hancock & Sons (Potters) Ltd” during the Hanley/Corona period, with “England” added to marks after 1891.

By the mid‑1930s the business was struggling; in 1935 it was formally renamed S. Hancock & Sons (Potters) Ltd and concentrated at Corona Pottery, Hanley.

The re‑organised firm was not successful and went into receivership on 23 March 1937, with all production ceasing that year.

*** Daily Ceramics Blog ***HAMPSHIRE POTTERYHampshire Pottery was an American art pottery firm founded in 1871 in Keene,...
02/03/2026

*** Daily Ceramics Blog ***
HAMPSHIRE POTTERY

Hampshire Pottery was an American art pottery firm founded in 1871 in Keene, New Hampshire, by James Scollay Taft (often styled J. S. Taft) and is best known today for its matte green art wares from the late 19th and early 20th centuries.

James Scollay Taft established J. S. Taft & Co., known as Hampshire Pottery, in Keene, New Hampshire, in 1871, working in a former clothespin factory called the Millstone Mills on lower Main Street.

The firm initially produced utilitarian wares such as flowerpots, hanging vases, mugs, pitchers, and general earthenware using locally found clay.

By 1878, Taft had expanded into majolica ware in green, brown, yellow, and blue, often with raised figures and decorative motifs.

In 1883 a new kiln for decorative pottery was added and artist Wallace L. King was hired to run a department focused on “art specialties,” including more refined vases, jars, and ornamental forms.

Around the same time, Hampshire introduced its now-famous matte green glaze (often simply called “mat green”), which became a signature of the company’s art line and a hallmark of American Arts and Crafts pottery.

Over time the firm shifted from mainly utilitarian wares toward decorative art pottery, aligning with broader art pottery trends in the United States.

In 1904, Cadmon (also spelled Cadman) Robertson, Taft’s brother‑in‑law, joined Hampshire Pottery and soon became superintendent and the driving creative force behind its art line.

Robertson developed an extensive range of glazes—reportedly more than 900—along with many of the company’s most recognizable forms.

Under Robertson, Hampshire refined its matte green and related glazes on simple, often softly modeled shapes that fit well within Arts and Crafts interiors.

Robertson remained in charge of production until his death in 1914.
In 1916, two years after Robertson’s death, Taft sold Hampshire Pottery to George Morton, who had previously been associated with Grueby Pottery, another important American art pottery firm.

Under Morton the pottery continued for only about a year as an art pottery and closed in 1917.

After the end of World War I, Morton revived Hampshire Pottery, but the focus shifted largely to white china and hotel or restaurant ware rather than decorative art pottery.
​This second phase was short-lived, and Hampshire Pottery closed permanently in 1923.

Marks and identification
Early pieces often carry a red printed “Hampshire Pottery, J. S. Taft & Co.” mark, reflecting the original firm name.

Later art pottery pieces typically have an impressed “Hampshire Pottery” mark; some also retained paper labels.

A distinctive mark found on certain art wares is an “M” inside an “O,” a device Robertson created for his wife, Emoretta Morton Robertson, and used on select pieces.

Legacy
Hampshire Pottery is regarded as a notable American art pottery, particularly for its matte green and related glazes, which place it in the same collecting universe as firms like Grueby and others of the Arts and Crafts movement.

Surviving vases and art pieces are held in private collections and museums; for example, the Metropolitan Museum of Art holds Hampshire Pottery vases that demonstrate the firm’s characteristic simple forms and soft, monochrome glazes.


Address

Telford
TF10

Alerts

Be the first to know and let us send you an email when Shropshire Collectables posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Shropshire Collectables:

Share