Guitarholic_hk

Guitarholic_hk Vintage & Rare Guitars Collector 🎸
Tone Master Lab ™️
Sell | Buy | Trade | Consignment 🤝

Choose your Axe now! 🎸🔥1) Contestant Black - SVL 56’ Strat, with Maple Neck, Ash body & Alan Dingwall pickups2) Contesta...
07/04/2026

Choose your Axe now! 🎸🔥

1) Contestant Black - SVL 56’ Strat, with Maple Neck, Ash body & Alan Dingwall pickups

2) Contestant Red - Fender Jason Smith Masterbuilt Strat Custom 69’ Specs

3) Contestant Blue - Fender Custom Shop NAMM Limited
1960 Stratocaster Relic, with rosewood board, selected Alder body & Hand-Wound Texas Special Single Coil pickups

4) Contestant White - Fender John Mayer Signature Stratocaster

All available for try and purchase‼️DM anytime for more photos or specs in detail. We ship overseas ✈️

Listen up, guitar lovers—let’s give a big round of applause for the arrival of the legendary 2003 Brazilian limited run ...
05/04/2026

Listen up, guitar lovers—let’s give a big round of applause for the arrival of the legendary 2003 Brazilian limited run of the Gibson Custom Shop ’57 Gold Top! This beast isn’t just loaded with a pair of the iconic Throbak KZ-115 PAF pickups (worth US$949 on their own)—it also boasts a rare set of vintage Sprague Bumblebee capacitors, wired together with genuine 1950s Belden wire. Yes, the real deal.

Combine that with vintage-correct wood and electronics, and you get a tone that’s loud, gritty, yet crystal clear—paired with a playing response so direct and raw, it’ll make you say “wow” every single time you pick it up. Now turning 23 years old, this guitar has aged naturally and beautifully, like a fine instrument should. One strum, and anyone can feel its mojo. Come experience the magic for yourself, you won’t forget it! 🤩

This is probably the pinnacle of guitar aging — work from the almighty Fender Masterbuilder Dale Wilson, accompanied by ...
02/04/2026

This is probably the pinnacle of guitar aging — work from the almighty Fender Masterbuilder Dale Wilson, accompanied by a top-notch wood selection‼️🔥

Fender Dale Wilson Masterbuilt ‘60s Stratocaster 3 tone Sunburst Super Heavy Relic

Body : Lightweight Roasted Alder
Neck : Rift Sawn Maple
Neck Shape : 60s oval C
Fretboard : 9mm AAA Slab Rosewood
Radius : 7.25”
Pickups : Josephina Hand-Wound Fat 60’s Pickups

If you prefer one with absolute resonance, check out this Vintage 1968 Gibson ES-330 🍒. Simply unbeatable! 😌香港古董及收藏級結他 G...
31/03/2026

If you prefer one with absolute resonance, check out this Vintage 1968 Gibson ES-330 🍒. Simply unbeatable! 😌

香港古董及收藏級結他 Guitarholic_hk @ Tone Master Lab

Distinctive Selection ✅
Top Quality ✅
Uncompromising Integrity ✅
Competitive Pricing ✅
Worldwide Shipping ✅

“Only the best is good enough for us”
這裡每一枝結他,都是我們願意一直擁有的珍藏

I really dig this one! The tone and response are even better than the excellent samples of other Murphy Lab 335s. It’s a...
30/03/2026

I really dig this one! The tone and response are even better than the excellent samples of other Murphy Lab 335s. It’s a CME special edition in the cool Brunswick Blue Sparkle with a heavy aged finish. The guitar was bought brand new by the owner and is all original, with full documentation and accessories. The condition is as good as new (maybe even better after our professional setup 🤪). Since we’re currently running an Easter sale, this guitar is now down to HK$ 65,000 (From HK$ 78,000)‼️🤤 Hit me up if you’d like more details or pictures! Worldwide Shipping available ✈️

These BEASTS simply look at great as they sound‼️ 🤩 2001 Gibson Custom Shop 59’ Les Paul Murphy Aged Yamano x 2013 Fende...
29/03/2026

These BEASTS simply look at great as they sound‼️ 🤩

2001 Gibson Custom Shop 59’ Les Paul Murphy Aged Yamano x 2013 Fender Custom Shop 61’ Stratocaster Relic Olympic White Matching Headstock x 1963 Fender Deluxe Amp 6G3!

Swipe to the last slide and turn the sound on. The photos tell part of it. The last slide fills in the rest.I first came...
27/01/2026

Swipe to the last slide and turn the sound on.
The photos tell part of it. The last slide fills in the rest.

I first came across this guitarist a few years ago on social media, and I’ve been following his work ever since. His playing lives in that rare space - searing, face-melting licks balanced by a deep, locked-in groove.

His jams on YouTube have been a regular soundtrack in the shop, often the music I choose when I’m hanging around, shooting photos, or just letting the room breathe. More than once, friends have stopped mid-conversation to ask, “Who’s playing?”

On the last day of NAMM 2026, while passing the Ernie Ball booth, I finally caught him live. Flying V, the Green Bastard, in hand, and every bit as convincing in person. Effortless fire, total control, and feel you can’t fake.

Some players sound great online. The real ones sound even better on stage.

Feat:-

I’m truly grateful for the opportunity to collaborate with XRecer, a bold and innovative new multi‑effects processor bra...
26/01/2026

I’m truly grateful for the opportunity to collaborate with XRecer, a bold and innovative new multi‑effects processor brand from Hong Kong, and to demo their unit at NAMM 2026.

Those who know me know that I’m very much a vintage guitar kind of player. I don’t get impressed easily by modern digital gear. But after spending three full days living with the XRecer XR1, I can honestly say this thing surprised me in the best possible way. It’s an absolute monster of a multi‑effects processor, seamlessly balancing tone, feel, dynamics, and usability. It responds like a real instrument, not a machine, and that’s no small achievement.

And I wasn’t alone in that feeling. Over the course of the show, hundreds, if not thousands of players stopped by the booth, plugged in, and put the unit through its paces. The reactions were immediate and unanimous—smiles, raised eyebrows, and plenty of “wow” moments. That kind of response doesn’t happen by accident.

Over the past few days at NAMM, I received tons of questions about pricing and release dates. While nothing has been officially announced by the brand yet, what I can share is that XRecer is aiming for a mid‑2026 release, and the price is expected to come in lower than most competing units in its class. The unit we used at the show was still a prototype, and the team is continuing to refine every detail before the final release, pushing it all the way to perfection.

There’s already strong competition among dealers who want to carry the brand, but fingers crossed 🤞🏻we’ll be able to bring the XRecer XR1 to . Stay tuned.

And finally, after the NAMM madness, we’re taking a short breather. TML will re‑open on January 30th. Time to recharge… before the next wave hits. 😎

Check out the product 🔥

如果你之前上過黎我們陳列室,可能會注意到在店內最角落頭位置掛了一支橄欖綠色的Les Paul。很多朋友看到後都會問這支結他的價格和詳情,可是由於它除了是我日常使用的workhorse外,也是一枝對我具有特別紀念意義的結他,所以一直是非賣品。...
13/01/2026

如果你之前上過黎我們陳列室,可能會注意到在店內最角落頭位置掛了一支橄欖綠色的Les Paul。很多朋友看到後都會問這支結他的價格和詳情,可是由於它除了是我日常使用的workhorse外,也是一枝對我具有特別紀念意義的結他,所以一直是非賣品。正因為問的人太多,Nero都向我「投訴」說不如把它收起來,免得他經常要向客人解釋一遍,因此我最近已經把它放回玻璃櫃裡了🤪🙏

不過!話說最近一次在外地進行guitar safari時,竟然讓我遇到了這支正到核爆的Murphy Lab Heavy Aged 58‘ reissue 😱 試完真係點都要千辛萬苦親手帶佢番黎香港! 這支R8是dealer selected specs,採用稀少的Olive Drab + Heavy Aged既finish,搭配高密度極黑 Indian Rosewood指板、輕身Mahogany琴身,以及一對既有力又通透的Unpotted Custombucker pickups,整體重量分布平衡,重要係全新dealer一手訂回來的貨。至於音色方面來說,它比我原本的那枝更沉厚、黏度較高,meaty少少但清晰度依然非常足夠,彈pop, rock野或big lead時我覺得比我原本那枝更悅耳(我原本嗰枝的specs同呢枝本身亦有不同,聲就相對較vintage,output低啲,高音多啲,聲忟憎啲with more bloom,各有特色)。如果你咁啱同我一樣都對呢隻顏色情有獨鍾,或者想搵枝較稀有特別的高階Gibson Les Paul,你真係一定要上來試試佢!🤘🏻😋

NGD個人主觀感覺分享🤘🏻😎作為一名長期的結他收藏者,至今我仍會因為遇見一把心儀的結他而心跳加速,這份心情,相信你們一定也懂。今天想和大家分享的,是一枝近期讓我頗感意外的結他。客觀上看,它並非特別稀有,沒有「Private Stock」那般...
22/12/2025

NGD個人主觀感覺分享🤘🏻😎

作為一名長期的結他收藏者,至今我仍會因為遇見一把心儀的結他而心跳加速,這份心情,相信你們一定也懂。

今天想和大家分享的,是一枝近期讓我頗感意外的結他。客觀上看,它並非特別稀有,沒有「Private Stock」那般耀眼的光環,配置也稱不上華麗。但它簡約的風格、有趣的薄荷綠色調(我對綠色系結他的抵抗力向來很低🫣),以及楓木面板上那完美對稱的紋理卻深深吸引了我,但這些都不是讓我最後決定入手的原因,而是它有tick到每次買結他時「我會想拿上手彈」的checkbox。

除了收藏,結他更是我工作及與朋友聚會上經常彈奏的夥伴。我習慣使用真實音箱,較少接觸插件或模擬設備,因此對結他本身的音色與動態反應格外敏感,也很清楚自己追求的是怎樣的聲音與回饋。熟悉我的朋友都知道,我對 PRS 結他一直沒有太深的感覺。就我個人主觀感受而言,大部分 PRS的音色往往偏向「扁平」、「冷」、「hifi」,即便以現代結他音色的標準來衡量,許多PRS結他都趨向反應偏硬、高compression,缺乏溫度 ,整體共鳴與琴身的動態回應也較薄弱,時常讓人覺得琴體在反應上參與度不足,單靠拾音器主導發聲,甚至完全沒有給予合理的回饋,所謂沒有「底聲」。當在不使用結他amp的時候,相信我對這種反應的結他也未至於太過抗拒,可以盡情「享受」無論大細力彈每粒音都一樣清晰有力的外掛模式好像也不錯吧?當然這是我的個人主觀感覺,而且這特性其實沒有什麼不妥,只是彈奏風格和音色喜好是否能夠配合,有很多我崇拜的大師都是在使用PRS,因此只能說PRS結他與我的彈奏風格及喜好不相符,喜歡它的人可能會覺得它可靠,平衡,一致,容錯率高等等,但我喜歡更organic,更原始,更坦誠的體驗。

這種音色特質其實與結他的設計、木材、金屬零件及電子元件息息相關。但 PRS 不像傳統Les Paul, Strat等那樣擁有豐富的改裝空間,其音色走向基本上在購買時就已決定,後天調整餘地有限。常有人問:換pickup不就能解決問題嗎?事實上,換拾音器只能改變你耳聽到的聲音,卻無法改變結他本身的反應。而彈奏者與結他之間那種「一拍即合」的默契,往往不只是靠耳朵聽出來的,而更多是來自於手與結他之間的互動——也就是所謂的「反應」。結他能否對你的彈奏習慣給出預期的反饋,這是彈奏者與樂器之間私密的對話,旁人很難體會。當然,一把讓你彈得投入、暢快的琴,觀眾也能感受到其感染力,那是另一回事。總之,若不調整結他本身的聲acoustic本質,換再多拾音器也只能治標不治本。若你不喜歡一枝結他的反應,換pickup只能一時騙過你的耳朵,你和它的緣份亦有天總會完結。字數所限,若有興趣了解結他音色和反應的關係和如何在眾多參數中找到平衡點,可以多上來TML交流下(如果我剛好在的話)🤪🤪。

話說回來,過去縱使我遇到許多外觀誘人的 PRS結他,我也大多止步。畢竟外觀再吸引的結他,若無法享受其音色,經驗告訴我早晚我都會想離開它,因為結他帶給我的最大的樂趣始終還是彈的過程,因此考慮到我的彈奏風格與應用場景,即使覺得很多PRS 華麗好看,一直都難以下決心入手。然而,這一次遇見的這枝 PRS Wood Library CU24 卻出乎意料:除了外觀與顏色正中我的喜好,它的音色竟然也相對大部分的PRS生動、開揚,充滿活力,也有足夠的動態可以表現到一些微細的touching ,至少過到「我會想拿上手彈」的心理關口。正是這難得的顏色,外觀和音色上完美配合,讓原本對 PRS 無感的我,最終還是忍不住入手。這枝CU24我帶了回店並掛了出來,如果大家去開 Tone Master Lab時看到它,有興趣試彈的話,歡迎跟 Nero 說一聲。也歡迎之後告訴我,你的感受是否和我一樣喔!🤘🏻😜

Address

17A, 2/F, Elite Industrial Center, Lai Chi Kok
Hong Kong

Opening Hours

Monday 14:00 - 20:30
Tuesday 14:00 - 20:30
Thursday 14:00 - 20:30
Friday 14:00 - 20:30
Saturday 14:00 - 20:30
Sunday 14:00 - 20:30

Telephone

+85231029291

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