29/09/2026
#測評分享 轉速是否穩定，評者以鋼琴與薩克斯風為先。Merlin NEO 並無晃動。Monk 與 Coltrane 那張，空間打開，樂器各安其位；低音大提琴與鋼琴下盤尤具現場的重量。本為檢驗速度而來，後來把整面聽完。
John Martyn《Solid Air》半速母帶，細節與層次都在，曲子後段的空間與效果不會扁掉。評者自己的 Technics 1200G 配 Ortofon MC 90X 更細一點、多挖一點槽裡的東西，但不妨礙這套的享受。機器大多讓開，不把一種個性硬加在唱片上。試聽機裝的是 Acoustic Signature MCX-1；原廠零售套裝不含唱頭，評者認為合理，臂與盤還吃得下更貴的頭。
Stereolab 那張，人聲層次分開，結像穩，低頻有分量卻不腫，不是盤自己加厚。有夾盤時，穩重再多一點。總的聽感：準、清楚，自身色彩不多。1200G 在某些說不清的地方仍勝一籌；若偏好皮帶盤，這套會讓不少人聽得進去。
測評出處：Stuart Smith，HiFi Pig〈Acoustic Signature Merlin Neo Turntable And TA-500 Tonearm〉
Speed was judged first by piano and saxophone. The Merlin NEO did not wander. On the Monk and Coltrane set the room opened and each instrument kept its place; the double bass and the lower piano carried a live weight. He had come to test consistency, and stayed for the side.
John Martyn’s half-speed Solid Air kept its detail and its layers; the space and the effects at the end of the cut did not go flat. The reviewer’s own Technics 1200G with an Ortofon MC 90X was a little finer and pulled a little more from the groove, without spoiling the pleasure of this set. For the most part the machine stepped aside and did not stamp a character on the record. The sample wore an Acoustic Signature MCX-1. The retail pack leaves the cartridge off, which he thinks is right—the arm and platter will take a dearer head.
On Stereolab the voices sat in layers, the image was steady, and the low end had weight without swell; the deck was not adding thickness of its own. A clamp added a little more solidity. The impression overall: accurate, clear, little colour of its own. The 1200G still leads in places that are hard to name. Anyone who prefers a belt deck, he thinks, will find this set easy to live with.
Source: Stuart Smith, HiFi Pig, “Acoustic Signature Merlin Neo Turntable And TA-500 Tonearm”
Acoustic Signature Merlin NEO 套裝
/ TA-500唱臂 + MC-X1 唱頭
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