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π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "A Very Easy Death" by Simone De Beauvoir ——————–——————————————————————Some books demand to be read; others...
15/07/2026

π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "A Very Easy Death" by Simone De Beauvoir
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Some books demand to be read; others simply sit with you, quietly, long after you've turned the last page. A Very Easy Death belongs firmly to the latter.

Despite its almost ironic title, there is nothing easy about Simone de Beauvoir's account of her mother's final illness. Written with her characteristic clarity and intellectual honesty, the memoir refuses to romanticize death or grief. Instead, it exposes the raw, often uncomfortable reality of watching someone you love slowly disappearβ€”not just physically, but in dignity, autonomy, and identity.

What struck me most wasn't the sadness, but the contradictions. Beauvoir writes as a philosopher capable of cool observation, yet every now and then the daughter breaks through. She moves between resentment and tenderness, guilt and relief, emotional distance and overwhelming love with such honesty that it feels almost intrusive to read. There are no grand revelations, no manufactured sentimentality, and no attempts to make suffering appear meaningful. She simply tells the truth as she experienced it.

The memoir also becomes a quiet critique of medicine and hospitals, particularly the way illness can reduce a person to a body to be managed rather than a life to be understood. Reading it today, decades after it was written, I was surprised by how contemporary many of its observations still feel.

What makes this book extraordinary is that it doesn't try to comfort the reader. It doesn't offer lessons on coping with loss or promise that grief becomes beautiful. Instead, it reminds us that love is often messy, families are complicated, and death has a way of exposing every unresolved emotion we've spent years trying to bury.

This isn't a book you'll recommend because it's enjoyable. You'll recommend it because it's truthful. Beauvoir transforms one of the most universal human experiences into something deeply intimate without ever losing her intellectual precision. It's a memoir that lingers not because it tells us how to face death, but because it reminds us what it means to witness another person's final chapter.

Hello Bookstafam!Exciting update - I am finally beginning a very special chapter of my life soon, one that I have been w...
15/07/2026

Hello Bookstafam!

Exciting update - I am finally beginning a very special chapter of my life soon, one that I have been working really hard to achieve for the last couple of years.

There's a sense of relief, but also some nervousness as I head into this new project, and I hope I can get back to reading and drawing and creativity to help keep myself sane and sharp through it all.

I drew this Backpack during Inktober of 2024, for the first prompt of that year, and it was really fun! I realized how much I love drawing botanicals, and I'll be sure to get back to it this year.

Any life updates from your side? Let me know in the comments!

π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "The Liver Doctor" by Dr. Cyriac Abby Philips——————–——————————————————————Meeting this book was serendipito...
10/07/2026

π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "The Liver Doctor" by Dr. Cyriac Abby Philips
——————–——————————————————————
Meeting this book was serendipitous. I'd made a new friend just a week or two prior, and in that short time, he found me worthy of a small kindness that turned out huge. He attended a talk by Dr. Cyriac Abby Philips with a book signing, surprised me with a signed copy, and shipped it to my home. We buddy-read it over the next couple weeks, and I had the most incredible time.

The contents aren't fun. It's the truth, stripped bare, with no exaggeration needed, because these events don't need embellishment to bring out their dread. What makes it so compelling is exactly this refusal to soften anything; every case is allowed to speak for itself.

The book is structured case by case based on underlying causes of liver diseases, such as cancer, herb-induced toxicity, and autoimmune disorders. Seeing the same danger claim multiple victims in different ways hits harder than a single story could.

Dr. Philips own life is intertwined with his patients' - people with the worst liver conditions imaginable. Some made it, some didn't, and we read the exact process behind either outcome. The stories lay bare the mistakes people make - herbal "detox" cures, unverified supplements, Alcohol consumption, misplaced health advice - and the misinformation that leads people to trust these over scientific evidence. This book solidifies that Medical science remains the most no-bullsh*t path to recovery we have.

Just as striking was Dr. Philips' personal journey. Online he comes across as pretty aggressive, but this book showed me the human behind that, someone who cries when he loses a patient, and beams when he saves one. The turmoil doctors face daily, and how they keep showing up anyway, opened my eyes to how incredible their work is.

This book is the most important read in today's world. I cannot stress enough how necessary it is for you and your loved ones. It'll change how you see your health and healthcare providers.

Every time I pick up my copy, I'll think of the friend who gave it to me, a signed reminder that the best things arrive exactly when you least expect them.

I am not going to pretend I finished this one. I didn't. And I think that is worth talking about as much as any five sta...
06/07/2026

I am not going to pretend I finished this one. I didn't. And I think that is worth talking about as much as any five star review is.

I picked up Walden expecting something that would slow me down in a good way. A meditation on simplicity, on stepping outside the noise, on what it actually means to live deliberately. I wanted to like the idea of it. I still do, honestly.

But the actual reading experience wore me down. The pacing is glacial in a way that felt less like intentional stillness and more like the book forgetting it needed momentum at all. Entire chapters go by measuring the depth of a pond or cataloguing the cost of nails, and I kept waiting for it to go somewhere, for the observation to sharpen into something I could hold onto. It rarely did, at least not before I lost patience.

And the language did not help. Thoreau writes in long, winding, self-consciously literary sentences that demand a kind of close attention I could not sustain. I found myself rereading paragraphs not because they were rich, but because I had drifted off halfway through and had no idea what he had just said. That is not a good sign for a book you are trying to enjoy rather than study.

I want to be clear that this is not a takedown. I think there is a real chance Walden is a book I come back to later, at a different point in my life, with more patience for its rhythms. Some books ask you to meet them on their terms, and maybe I just was not ready to meet these ones. But I also do not think unfinished books deserve to be quietly shelved and forgotten, as if reading is only worth documenting when it goes well.

So this is me admitting it did not work this time. Not every classic earns its reputation for every reader, and not every DNF is a failure on the reader's part either. Sometimes it is just bad timing, or the wrong translation of patience meeting the wrong translation of prose.

Has anyone else bounced off Walden, or is it just me?

I just visited the most beautiful bookshop - cm - cafe I've even seen, and I gotta share it with y'all. Tucked into the...
10/05/2026

I just visited the most beautiful bookshop - cm - cafe I've even seen, and I gotta share it with y'all.

Tucked into the literary chaos and nostalgia of Chennai’s historic Moore Market is a place that feels less like a bookstore and more like a secret passage into another world β€” The Raven Academy. Inspired by the gothic imagination of Edgar Allan Poe, the space has quietly become one of the city’s most atmospheric destinations for book lovers.

At first glance, the market around it hums with the familiar energy of old Chennai β€” narrow lanes, towering stacks of second-hand books, bargaining voices, and the smell of paper that has survived decades. But stepping toward The Raven Academy feels cinematic. Grey walls, antique frames, dim lighting, and a haunted-mansion aesthetic create an experience that is worlds apart from the conventional bookstore. Vogue recently described it as a place that feels β€œless like a bookstore and more like a secret society.”

What makes Moore Market special is not just the books themselves, but the culture surrounding them. The larger Moore Market ecosystem has long been a haven for students, collectors, and curious wanderers searching for everything from rare editions to medical textbooks and forgotten classics. MOORE MARKET remains one of Chennai’s most beloved spaces for second-hand and specialty books, housing stores such as FAMOUS BOOK SHOP, Paramount Book Stall, and ANNAI BOOK STALL.

The Raven Academy builds on that legacy while adding a distinctly modern personality. Beyond shelves of novels and collectibles, the space embraces aesthetics, conversation, and community. It reflects a newer generation of bookstores β€” places where people linger, take photographs, discover obscure titles, and fall back in love with reading.

In a time when online shopping threatens the romance of physical bookstores, Chennai’s Moore Market still survives through atmosphere and human connection. And The Raven Academy proves that bookstores do not merely sell books β€” they create moods, memories, and entire worlds hidden behind dusty shelves.

So this is my second Murakami read, and I .... don't know how to feel about it? The single most common complaint I have ...
30/10/2025

So this is my second Murakami read, and I .... don't know how to feel about it?

The single most common complaint I have heard from Murakami readers is that he writes s*x really badly. When I read 'Kafka on the shore', I didn't really pick up much on that sentiment but this time around, I would have to agree.

'Norwegian Wood' by Haruki Murakami, is a haunting, tender exploration of love, loss, and the quiet ache of growing up. Set in 1960s Tokyo, the novel follows Toru Watanabe, a young student navigating the delicate line between memory and desire as he is drawn between two women β€” the fragile, introspective Naoko and the free-spirited, vibrant Midori.

I resonated closely with Toru's confusion with handling life as you transition into adulthood, even though he's doing it at 20 and I'm doing it at 25. His honesty about his thoughts was such a refreshing quality, because I feel like everyone just assumes that you're not supposed to truly reflect what's going on in your head when you meet people. Everyone just guards their soul with barbed wires, and then they wonder why we've lost the art of human connection.

I also really enjoyed the conversation about death that this book brings up. The whole book talks about it as a part of life, as a soft cradle for eternal sleep, instead of finality and dread. Su***de is a very prominent and recurring event in the book, and Murakami beautifully illustrates the process of dealing with it as someone who's on the recieving end of the grief.

But, as I mentioned above, the one thing that really put me off the plot multiple times was the unnecessary s*x scenes put in, and even those are written in a very weird, disjointed manner. Some of them are understandable in terms of fleshing out romantic interest, but most others - especially the ones involving extremely inappropriate age differences (and there's multiple) - really didn't feel worth the pages.

Still, it doesn't take away from the genius of the author. Murakami writes with a kind of stillness that feels almost musical, each scene soaked in nostalgia and solitude. The novel doesn’t shout its emotions; it hums them softly, like the Beatles song it’s named after.

Hey bookstafam! So, here we are, at the end of October, and I just wanted to share this artwork with y'all. I made it fo...
30/10/2025

Hey bookstafam!

So, here we are, at the end of October, and I just wanted to share this artwork with y'all. I made it for last year's Inktober prompt, called "Boots". I had thought I'd do all the prompts last Inktober, but ended up doing only 3. I then promised myself that I would do the next Inktober for sure.

This year, I really hyped myself up for Inktober. I prepped myself, and was fully intent on going through with it, but when it came to it, I didn't pick up the pen even once.

I am currently going through a depressive episode, and most days I try to do atleat 1 creative thing, but it never came to me just drawing. There's a lot of things like that these days, but I'm pushing myself to get a little better each day, and I'm just letting that take however much time it needs.

Hopefully, I'll be a lot better by best October, and I'll do the full prompt list like I used to do.

Till then, I'll still keep expressing myself in one way or another, and I hope y'all will join me on the journey!

Some books don’t just tell a story β€” they hold up a mirror. This one does that with quiet devastation.An elderly mother ...
14/10/2025

Some books don’t just tell a story β€” they hold up a mirror. This one does that with quiet devastation.

An elderly mother goes missing in a crowded Seoul subway station, and her family begins the desperate search to find her. But as the days pass, what unfolds isn’t just a mystery about her disappearance β€” it’s an unraveling of memory, guilt, and the realization of how little we truly know the people who love us most.

Through the voices of the daughter, son, husband, and finally the mother herself, the author paints a breathtaking mosaic of family life β€” one that feels painfully universal. We see a mother who gave everything without ever asking for recognition, a woman whose identity slowly faded behind the roles of wife and mother. It’s a portrait of love that’s both immense and invisible, a love that only comes into focus when it’s too late.

Shin’s writing is simple yet piercing β€” it slips under your skin. She doesn’t dramatize grief; she whispers it. Every page feels like a confession you didn’t know you were waiting to make. The shifting second-person perspective -" you” - during narration, feels like an accusation and an embrace at once β€” as if the novel is speaking directly to *you*, asking: *Did you ever really see your mother?*

It’s not an easy read β€” not because of language, but because of the emotions it stirs. You’ll find yourself stopping mid-paragraph, thinking of your own mother’s hands, her silences, her small, unspoken sacrifices. This book lingers long after you finish it β€” not as a memory of fiction, but as a feeling of longing, of apology, of love that words never quite capture.

If you’ve ever taken someone’s care for granted, this story will quietly break you and then teach you tenderness again.

Highly recommend all of you to pick this up for your next read.

π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "The Runaways" by Fatima Bhutto——————–——————————————————————This book is one of those rare ones in my libra...
10/10/2025

π”Ήπ• π• π•œ β„π•–π•§π•šπ•–π•¨: "The Runaways" by Fatima Bhutto
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This book is one of those rare ones in my library that I went into blind. I had bought it a long time ago because there was a sale and I never really knew anything about its subject matter or author. I finally decided to pick it up recently, and what a journey it has been.

"The Runaways" is a story told through three parallel narratives, in a chronologically fractured manner, via three protagonists - Anita Rose, Sunny and Monty. They are three young Muslims, hailing from three different strata of the socio-economic world, who fall into the clutches of religious extremism and leave behind their worlds to reach the heart of Islamic Extremist Activity in Iraq. Fatima Bhutto beautifully illustrates the mental dialogue that the characters engage in while making this journey, while hinting at the war with their subconscious mind from between the lines.

What I found most impressive about the book, is that not once did the author imply that it's their religion (Islam), that led the youngsters down their path of violence. She has impeccably highlighted, through a very subtle but strong grasp on the narrative, that it is confusion and questions within one's own heart that allow them to be misled by certain people in the society who prey on such vulnerability. Being someone who actively stands against religious prosecution, especially of Muslims, I found answers to a lot of my questions through this book - about how evil, violent organisations are able to recruit young people into their regressive quest for hatred, when all religions speak predominantly of love, compassion and progress.

Anita's quest for power, Monty's quest for love, and Sunny's quest for a sense of belonging, are preyed upon by men who know exactly how to sink their claws into their youth, which is supplemented by things like poverty, loneliness, inability to come to understand ones queerness, and gender based oppression. The author describes in great detail not only the mental, but physical landscapes that the characters find themselves in, which makes this a highly engaging read.

August is almost halfway out! Really picking up my pace with books these days, so I'm optimistic about getting a better ...
12/08/2025

August is almost halfway out! Really picking up my pace with books these days, so I'm optimistic about getting a better amount of reading done than the first half of this year.

Currently reading - The Runways by Fatima Bhutto

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