Ryan The Goldbacher

Ryan The Goldbacher TM PM & FOH 20+ years intl. Exper Credits: Tom Keifer, The HU, Accept, Sebastian Bach, Thin Lizzy, Live, MRBig , More https://linktr.ee/RyanTheGoldbacher

06/27/2026

Touring professional with over 20 years of experience managing complex international productions across 5 continents. In dual-role TM/FOH or PM/FOH positions. Expert in budgeting, advancing, backend settlements, and high end FOH audio.

04/10/2026

Are we losing the art of listening? 🤨

If you can’t identify a frequency without an RTA, you’re hamstringing your own career. Visual tools are helpful, but they don't tell the whole story of how a room actually feels. Real pros prioritize their ears over their gear every single time.

Tough love: If you're constantly staring at a screen to find feedback, you're missing the show.

Who else learned to mix before RTAs were built into every channel strip? Let’s hear it. 👇

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04/03/2026

Hard truth for anyone in production: You cannot please everyone all the time. In fact, trying to do so is the quickest way to p**s off the entire crew.

I’ve seen it a hundred times—someone gets so bogged down in "small requests" that they lose sight of the primary mission. Make sure the core of your job gets done well first. When the foundation is solid, you can handle the extras. Not only will people be more satisfied with your work, but you’ll actually move faster.

Is it better to be the "nice guy" who's behind schedule, or the "pro" who delivers the show? Let’s hear it in the comments. 👇

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03/27/2026

Let’s talk about the one "compromise" that actually kills a show: Shared Preamps. I’m seeing this more and more on fly dates lately, and it’s time to stop. When you lose independent control of your gain, you lose control of your mix. Period. Even with gain compensation

Is a split really that much to ask for in 2026, or am I just the "salty" one here? (Hint: I'm not.)

Real pros know—if you can’t protect the gain stage, you can’t protect the show. What’s your "hill to die on" for fly date gear?

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03/20/2026

The music industry is full of complex technical hurdles, but the best piece of advice I ever received was remarkably simple: "Put that thing on the ground because it’s gonna end up there anyway."

Whether it’s a laptop, a pelican case, or a wireless rack—if it isn't secured, it's eventually going to find the floor. Being a professional isn't just about how you mix; it’s about how you manage your environment to prevent disasters before they happen.



Think about it. What's the most expensive peice of gear you've lost this way?

03/20/2026

Stop overcomplicating your mix. 🎚️

Whether you're in a club or an arena, the job is the same. No rules, just results. We're going console-agnostic

What’s the one piece of "pro" audio advice you were given that turned out to be total nonsense?

03/20/2026

It’s an "industry standard" that usually sounds like a box of bees. Shrill, mid-heavy, and honestly... lazy. If you aren't pairing it with something that actually has some weight, you're missing half the tone. Better options exist, we just stopped looking for them in 1985.

Is the 57 a legendary workhorse or just a lazy default? What’s your go-to instead?

03/20/2026

Most touring musicians have no idea that FAA Modernization laws (49 U.S.C. § 41724) actually protect your instrument. You don’t have to "gate check" just because a gate agent is having a bad day. Know the law so you don’t get bullied at the gate.

What’s the worst "airline vs. instrument" horror story you’ve ever had?

03/20/2026

If you’re not using your preamps to find that sweet spot, you’re just a gain-stager, not a mixer. Stop mixing with your eyes and Turn the k**b until it sounds good.

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Anaheim, CA
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