Mountain Girl Clay

Mountain Girl Clay Handmade functional and aesthetic pottery. Pottery to be used and enjoyed! My pottery is designed to be used, loved, and an active part of daily routines.

Each hand holds a mug or bowl in their own way, each person's eyes are attracted to subtle changes in shape or texture, and thus each person will be attracted to pieces that speak to them, to their way of connecting with the object. I am inspired by natural elements:

-mountains and valleys
-rivers and trees
-flowers and stones


These elements blend in my works of clay with other inspiration such as:

-East Indian styled patterns and fabrics such as batik
-Scandinavian clean lines and utilitarian design historical pots and patterns
-abstractions of folk art


I thrill at the differences in texture from worn surfaces, showing age and use through time, and sleek clean lines Scandinavian design. The imperfections and subtleties that are inherent in handmade objects captivate my attention.

I'm pleased to be included in an upcoming ceramic art show called Dream Weaver held at Salida Ceramics as part of the Sa...
09/16/2026

I'm pleased to be included in an upcoming ceramic art show called Dream Weaver held at Salida Ceramics as part of the Salida Art Festival in October.

My submission: Fractured Dream
Wheel-thrown stoneware, cone 6 oxidation firing Glazed interior, oxide stained exterior

The ponderosa pines outside our family cabin near Salida have stood through four generations of weather, joy, and grief. That log cabin is where my heart resides, the one place that stays comforting no matter what the season brings. It is where our family pets are laid to rest, where my son’s memorial tree grows tall among the others, and yet where every memory I hold is a fond one.

This vase carries that same trunk line: rough, tall and reaching, having grown through challenges and pressure. A tree spends its whole life reaching for what it cannot see yet, growing upward long before it knows how tall it will become. To crackle the surface, I heat the exterior with a torch then push outward from inside the vessel, letting the clay split and buckle under pressure it did not choose. Every fracture found its own path, the way a dream shifts shape when life presses against it from within. Not broken, just reshaped. The hollow is not absence; it is space held open on purpose for a future still deciding its shape. The bark carries the past forward, weathered and true. The fractures show where the dream shifted, changed but still whole. Reshaped, cracked, and still standing, carrying both what I have loved and what I hope to grow into.

Photo credit: Kyle Burnett Photography, Alamosa

Part of making beautiful art and trying so many fun new glazes includes making messes and mistakes and learning from the...
09/11/2026

Part of making beautiful art and trying so many fun new glazes includes making messes and mistakes and learning from the whole process. Every now and then, we get a kiln load with a lot of learning involved...

It was time to get the angle grinder out and take care of the kiln shelves that have been stacking up in the corner. If glaze has dripped into the shelf, it sticks, melting into either the kiln wash (the white stuff that works like butter in baking dishes) or melting deeper into the ceramic shelf itself. Whether it's glaze drips or removing the bottom of cups that got stuck, the angle grinder is my favorite solution for cleaning things up again.

Make sure to wear your protective gear!!!

So important to wear a good respirator when grinding shelves. The dust is full of silica and highly dangerous to breathe. Because of the dust level, I always grind shelves outside and I personally prefer long sleeves,a hat, and often a Buff or other neck gater. I also take a shower afterwards and wash my clothes so I'm not bringing that dust into my house or studio.

The before image. Some shelves weren't that bad, but one of them shows the results of an over-firing we had a few weeks ago.

Eeek! That cup lost its whole base!

Stacey Martin found a diamond grinding disk for my angle grinder that makes light work of this process. It sure beats the brick I used to use to manually clean my shelves.

The shelves get ground down to be a smooth surface again, with all of the glaze bits gone and any chipping kiln wash removed too, then 3 coats of fresh kiln wash get applied to each shelf.

All clean and with fresh kiln wash, ready for the next firing!!

Big cheers for Stacey Martin who also learned how to make the kiln wash and prepared another gallon of wash for the studio. One of my favorite things about my studio set up is that all of my friends/students who work with me learn each of the steps in the process. It's incredible to watch their knowledge grow and their love for this art continue to blossom 🌸

08/17/2026

Reclaim day!

Pulling reclaim out of the pillowcase and spreading it on the board to dry before wedging 🪣 The board makes a high difference, pulling excess moisture out. I was a little impatient with this batch and tried to take it off the board faster than I probably should have! There's so much patience required in pottery and sometimes I do better than others!

08/15/2026

People kept asking how clear my reclaim water actually gets, so I recorded this to show you 💧

Thread count may impact water clarity. I separate my clay reclaim into grogged and smooth clays, all of which are cone 6 in my studio. I used pillowcases I had on hand. The grog reclaim is in a high thread count cotton pillowcase, and the smooth reclaim in a cheap microfiber pillowcase, both drain nearly clear.

Address

Monte Vista, CO
81144

Alerts

Be the first to know and let us send you an email when Mountain Girl Clay posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Mountain Girl Clay:

Shortcuts

Share