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explicit reviews, New City, NY (2026)

04/18/2026

It's funny, but I found this audiobook by accident. I had seen the paperback floating around, but every time I looked it up and saw the price, I put it back down with the specific irritation of someone who refuses to be held hostage by what I think is a ridiculous cover price for a slim memoir. Surely the universe would provide a more reasonable arrangement.

The universe provided the audiobook. Narrated by Charlotte Smart.

I settled for it. Genuinely settled, you know the way you settle for the second option on a menu when the thing you actually wanted costs too much. A little resigned. A little unconvinced.

Within twenty minutes I had pulled over, parked, and sat in my car with the engine off, completely unable to drive.

Charlotte Smart's voice does something to Plum Johnson's prose that I am still turning over weeks later. It carries the wit without leaning on it. It holds the grief without performing it. The writing is warm and funny and devastatingly honest, and Smart delivers every note of that with the restraint of someone who trusts the words completely.

There is a particular quality to a memoir read by the right voice; it gives a feeling of being spoken to rather than read at, of the story arriving through a different door than text uses. This audiobook is that experience, completely and from the very first sentence.

And the story it delivers is extraordinary.

Plum Johnson spent twenty years caring for her aging parents, first her father, taken slowly by Alzheimer's, then her mother, a cantankerous, opinionated, gin-gimlet-drinking Southern belle who lived to ninety-three and had strong feelings about everything, including her only daughter.

When her mother finally died, the siblings held what they called a Sibling Supper - no spouses allowed - ordered the best bottle of wine and filet mignon, and divided the work. Plum, as the eldest, volunteered to clear the family home on the shores of Lake Ontario. Twenty-three rooms. More than half a century of accumulated living. Two completely opposite people's entire existence, pressed into drawers and stacked in corners and waiting, silently, to be sorted.

She figured: how hard can it be? She knows how to buy garbage bags.
She stayed for sixteen months.

What kept her there, what this audiobook gives you, in Charlotte Smart's warm, unhurried voice, over hours that pass the way good conversations pass, is the discovery Plum makes room by room and drawer by drawer.

That a dead parent's possessions are an archive. That letters and photographs and handwriting on the back of a receipt hold conversations you can still have with people who can no longer speak. That the mother she experienced as difficult and demanding was a woman who had wanted closeness with her daughter but never learned to ask for it cleanly - because nobody had ever given it to her cleanly either.

I called a sibling after finishing this. We set a date to go back to the house.

The physical book's price still irritates me slightly. But the audiobook, Charlotte Smart's voice carrying Plum Johnson's words through those sixteen months of a family home, turned out to be the exact right way to receive this story. Intimate. Unhurried. Delivered directly into the ear and straight to the place where things actually land.

You have to listen to this. Or buy a copy, if you can.

AUDIOBOOK: https://amzn.to/3OKVibS

04/18/2026

Here's how I ended up here: I was on a plane. The woman next to me was crying into her paperback. Not the polite, silent kind of crying. The kind where you've stopped pretending. I glanced at the cover. Demon Copperhead. I'd heard the name, Pulitzer Prize, Women's Prize, all of it, but I hadn't read it. I'm not a novel person. I've made peace with this.

She saw me looking. "Sorry," she said, wiping her face. "It's just, this boy. You have to read it."

I bought it the next day. I read it in four days. I cried on my couch, alone, at 1 AM, and I understood exactly what that woman on the plane was feeling.

This is not a book about poverty. It's not a book about the opioid crisis. It's not a book about foster care or Appalachia or the failure of American institutions, though it is all of those things. It is, first and last, a book about a boy who refuses to disappear. And Barbara Kingsolver, a woman in her sixties, a biologist, a novelist who has spent decades writing about the places America forgets, writes him so convincingly that you will forget she is not him.

Damon Fields is born in a single-wide trailer in Lee County, Virginia, to an eighteen-year-old mother who is already more ghost than person . His father is dead, drowned before Demon was born, a Melungeon man with copper-colored hair that he passed down along with nothing else . The neighbors, the Peggots, help raise him. His best friend is their grandson, Matt, who everyone calls Maggot because children are cruel and also hilarious.

Demon's mother marries a man named Stoner. Stoner is abusive. His mother relapses into addiction. She overdoses. She is sent to rehab. She overdoses again. She dies .

What follows is a tour of the American foster care system that will make you want to throw the book across the room. Creaky Farms, where the children are forced to work to***co fields and the man in charge doesn't know their names. A family that takes him in only for the check. A coach who sees his athletic potential and gives him a chance—until a knee injury leads to OxyContin, which leads to addiction, which leads to a girl named Dori, who is kind and broken and will not survive this book .

Demon loses his mother. He loses Dori. He loses his best friend to juvenile prison. He loses himself, for a while, to the same drugs that killed his mother. And then, slowly, impossibly, he finds his way back. Not to a fairy tale. Not to a life without scars. But to a life.

The book ends with Demon and Angus, the coach's daughter, sharp and steady, the best character you haven't met yet, driving to see the ocean. He has wanted to see the ocean his whole life. It is not a metaphor. It is also a metaphor.

3 Things I Keep Thinking About:

1. The Title Is Perfect
Demon Copperhead. It's a nickname he earns, the copper hair, the fighting spirit, the sense that he's dangerous in the way that cornered animals are dangerous. But a copperhead is also a snake. And in Appalachia, snakes are everywhere. They are part of the landscape. They are not monsters. They are just... there. Demon is not a monster. He's a boy who learned to bite because no one ever taught him another way to survive.

2. The Ending Is Not a Fairy Tale
Demon does not become rich. He does not become famous. He does not get revenge on the people who hurt him. He goes to rehab. He starts drawing again, a graphic novel about Appalachian history, because someone finally told him that his people have a story worth telling . He drives to the ocean with a girl who loves him. He sees the water. He breathes.

That's it. That's the happy ending. And it is, Kingsolver argues, enough. Survival is not the same as triumph. But it is not nothing.

3. The Book's Dedication Made Me Cry
At the very end, after the acknowledgments, Kingsolver writes:
"For the kids who wake up hungry in those dark places every day, who've lost their families to poverty and pain pills, whose caseworkers keep losing their files, or feel invisible, or wish they were: this book is for you" .
I read that and thought about Demon. I thought about the real kids—the ones who will never have a Pulitzer Prize-winning novelist tell their story. The ones who will never escape. The ones who will die before they turn twenty, of overdoses or despair or simply the weight of being unseen.
This book is for them. And it is for us, the ones who need to be reminded that they exist.

Late in the book, after everything, after the foster homes, the addiction, the death of the girl he loved—Demon says something that has lodged itself in my chest:

"I was learning to love the brutal burnt screw-you taste of that word I'd been given to eat forever. Sorry" .

That's the whole book. A boy who has been told his whole life that he should be sorry, for being poor, for being born, for existing in a world that didn't want him, and who finally, finally learns to stop apologizing.

BOOK:https://amzn.to/4cwR2Vj

04/15/2026

“Your worth is not determined by her inability to see it.” ― Dr. Karyl McBride Ph.D.

Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers by Dr. Karyl McBride Ph.D. is a compassionate, research‑based guide for women who grew up under the shadow of a narcissistic mother. McBride, a seasoned therapist, blends clinical insights, real‑life stories, and healing exercises to help daughters understand the roots of their self‑doubt, reclaim their inner voice, and build boundaries that protect their emotional well‑being. Through a step‑by‑step recovery model, she shows how acknowledging past wounds can become the first step toward lasting self‑acceptance and resilience.

1️⃣ Recognize the narcissistic cycle by understanding how love and abuse were intertwined in your childhood. When a compliment was followed by criticism or emotional withdrawal, your self‑esteem was conditioned to rely on her approval. Noticing this pattern helps you separate love from manipulation and begin trusting your own sense of worth.

2️⃣ Validate your own feelings by giving yourself permission to feel anger, sadness, or confusion about your mother’s behavior. Instead of dismissing these emotions as “overreacting,” journal specific memories—such as times she compared you unfavorably to others—and acknowledge how they hurt you. This practice affirms that your experiences are real and deserving of attention.

3️⃣ Identify inherited voices by listening for the critical internal messages—“You’re never good enough” or “You’ll always disappoint someone”—that echo your mother’s judgments. When you notice these thoughts, pause and reframe them with kinder language: “I am learning and growing, and that is enough.” Over time, this rewiring replaces self‑criticism with self‑compassion.

4️⃣ Establish healthy boundaries by defining what behavior you will no longer tolerate—such as unsolicited advice, guilt‑tripping, or emotional blackmail. Communicate your limits clearly (“I will hang up if you start insulting me”) and follow through consistently. Enforcing these boundaries protects your emotional space and teaches others how to treat you.

5️⃣ Build a support network by connecting with friends, support groups, or a therapist who understands narcissistic abuse. Sharing your story in a safe environment reduces isolation and provides fresh perspectives on coping strategies. As you see others heal, you gain hope and practical tools for setting boundaries and practicing self‑care.

6️⃣ Practice self‑care rituals that replenish your spirit and counteract chronic stress. Whether it’s a daily walk in nature, a weekly yoga class, or five minutes of deep breathing before bed, choose at least one activity that feels nurturing and make it non‑negotiable. Consistent self‑care reinforces your worth and resilience.

7️⃣ Challenge core beliefs through evidence gathering. If you believe “I’m unlovable,” list three people who have shown genuine care for you—friends, partners, or mentors—and note specific actions they took. Reviewing this list when doubts arise reminds you that you are worthy of love and respect.

8️⃣ Reclaim your voice by speaking your truth in low‑risk situations first—perhaps by voicing a preference among friends or expressing a boundary to a coworker. As you practice asserting yourself with small matters, you’ll gain confidence to address more challenging relationships, including interactions with family members.

9️⃣ Integrate healing exercises from the book, such as letter‑writing to your younger self. Write a compassionate note to the child version of you—acknowledging her pain, offering reassurance, and promising protection. This symbolic act bridges past and present, fostering a sense of inner safety and continuity.

🔟 Commit to ongoing growth by scheduling monthly “check‑ins” with yourself: review your journal entries, assess which boundaries are holding, and set a new personal goal—like exploring a creative hobby or deepening a supportive friendship. These regular reflections ensure your healing journey remains active and evolving.

BOOK: https://amzn.to/427FsLp

You can ENJOY the AUDIOBOOK for FREE (when you register for an Audible Membership Trial) using the same link above.

04/15/2026

The Grapes of Wrath is John Steinbeck's 1939 novel about a family from Oklahoma who lose their farm during the Dust Bowl and drive west to California, hoping for work. It won the Pulitzer Prize. It got Steinbeck the Nobel Prize. It was also banned and burned for being "obscene" and "socialist." Which tells you everything you need to know about how hard it hits.

The Joad family is packing up their truck. Tom Joad has just been released from prison. He comes home to find the family farm empty, the crops dead, and the bank taking over. His mother packs the family Bible and a few pans. His father stares at the ground. The whole family Ma, Pa, Uncle John, Granma, Granpa, Tom, his pregnant sister Rose of Sharon and her husband Connie, and the kids cram into a beat-up Hudson and head west. Route 66. The promised land. California, where they say you can pick fruit right off the trees.

The novel cuts between the Joads' story and intercalary chapters short, poetic, angry interludes that pull back to show the bigger picture: the tractors that destroyed the farms, the used car salesmen who cheated them, the police who protected the growers, the camps where starving families huddled by the roadside. Steinbeck was not subtle. He didn't want to be. He wanted you to feel the dust in your throat and the hunger in your gut.

What happens in California is not a dream. It's a trap. The growers need workers during harvest, so they advertise for more than they need. That drives wages down. Families live in tents. Children die of starvation. Men beg for work at thirty cents an hour. The Joads find a government camp that treats them like humans clean showers, running water, elected committees. That was Steinbeck's vision of what America could be. The growers hated it. They burned the camps in the book and burned the book in real life.

The ending is famous for a reason. Rose of Sharon's baby is stillborn. A flood forces the family to higher ground. They find a boy starving in a barn, his father dead of hunger. Rose of Sharon looks at him. Then she does something that shocked readers then and still shocks now. Steinbeck didn't explain it. He just showed it. And let you decide.

The Grapes of Wrath is not a happy book. It's a furious book. It's also a deeply compassionate one. Steinbeck loved the Joads the way he loved his own neighbors in Salinas. He knew their accents, their silences, their stubborn dignity. He wrote the novel in a hundred days, typing so fast his hands cramped. When it was done, he said he'd put everything he had into it. He wasn't lying.

BOOK: https://amzn.to/4cJF5wG

You can get the book and also enjoy up to 90% FREE Audible books using this link.

04/14/2026

He almost lost everything before he learned how to lead.

Not because he wasn’t smart. Not because the idea was bad. But because he thought building a business was about control… until reality showed him it’s really about people.

That’s the energy Entrepreneurial Leadership by Joel Peterson carries.

This isn’t one of those books that talks down to you or throws big grammar around. It feels like someone who has been inside real boardrooms, real chaos, real pressure… sitting you down and telling you what actually matters when you’re building something from scratch.

Peterson doesn’t paint entrepreneurship as freedom and vibes. He shows you the weight of it. The uncertainty. The moments where your decisions affect people’s livelihoods. And then he brings you back to the core truth… leadership is the difference.
Not titles. Not funding. Not even strategy alone.
Leadership.

The kind that builds trust when nothing is certain.
The kind that keeps people moving when results are slow.
The kind that doesn’t hide when things go wrong.

What hits hard in this book is how practical it feels without trying to impress you.
It’s about choosing the right people. Communicating clearly. Making decisions even when you don’t have all the answers. Staying grounded when things are going well… and steady when they’re not.

You start to realize… most businesses don’t fail because of bad ideas.

They fail because leadership breaks under pressure.

And Peterson keeps bringing you back to that. Over and over again. Quietly reminding you that if you want to build something that lasts, you have to become the kind of person people can actually follow.
Because at the end of the day… businesses don’t grow.
People do. And the business follows.

7 Lessons from Entrepreneurial Leadership by Joel Peterson

1. When things get uncertain, do you become clearer… or more confusing to the people depending on you?

2. Are you hiring people just to fill roles… or choosing people who can carry the vision with you?

3. When pressure rises, do you protect your ego… or protect your team’s trust?

4. Are you making decisions based on fear of failure… or clarity of direction?

5. When things go well, do you stay grounded… or start losing focus on what built it?

6. Are you building a business that depends on you… or a team that can grow beyond you?

7. When everything is on the line, will people follow you because they have to… or because they believe in you?

BOOK:https://amzn.to/4vuN0VU

04/12/2026

"The journey to financial freedom doesn't begin with a large sum of money; it begins with the discipline to manage the small amount you have today."

In Personal Finance for Beginners, J. J. Wallace provides a foundational roadmap for anyone looking to take their first steps toward financial literacy. Here are seven essential lessons from the book:

1. The Mindset of Wealth
Before looking at spreadsheets, you must address your relationship with money. Many people struggle because of "scarcity mindsets" or emotional spending. Shifting your perspective to see money as a tool for freedom—rather than a means for tempo

rary status—is the prerequisite for all financial growth.

2. The Power of "Pay Yourself First"
The most fundamental habit in personal finance is automating your savings. Instead of saving what is left over at the end of the month, treat your savings like a mandatory bill that gets paid the moment your paycheck arrives. This ensures consistency and forces you to live on the remaining balance.

3. Understanding the "Big Three" Expenses
Wallace highlights that while small cuts (like coffee) help, the real wins are found in optimizing the "Big Three": Housing, Transportation, and Food. By making one or two major structural changes in these areas, you can free up hundreds of dollars a month without the fatigue of constant micro-budgeting.

4. Debt: The Great Accelerator (or Anchor)
Not all debt is created equal, but for a beginner, high-interest consumer debt is an anchor. The book emphasizes the "Debt Snowball" or "Debt Avalanche" methods to systematically eliminate credit card balances, freeing up your cash flow to eventually use "good debt" (leverage) for investments.

5. The Anatomy of an Emergency Fund
A financial plan is only as good as its defense. An emergency fund—typically 3 to 6 months of expenses—acts as an insurance policy against the unexpected. This "peace of mind fund" prevents you from dipping into investments or taking on new debt when life happens.

6. Demystifying Compound Interest
Compound interest is often called the eighth wonder of the world. The lesson here is that time is more valuable than the amount invested. Starting early, even with small amounts, allows the math of compounding to do the heavy lifting, turning modest contributions into significant wealth over decades.

7. Diversification for Beginners
Investing shouldn't be gambling. For those starting out, Wallace recommends low-cost index funds or ETFs that track the entire market. This approach provides instant diversification, lowers your risk, and outperforms the majority of active stock pickers over the long term.

Conclusion.

Personal Finance for Beginners is a clarion call to stop being a spectator in your own financial life. It teaches us that while the world of money can seem intentionally complex, the principles of success are remarkably simple: spend less than you earn, invest the difference, and let time do the rest.
By mastering these seven skills, you don't just build a bank account—you build a foundation of security that allows you to live life on your own terms.
The best time to start was ten years ago; the second best time is today.

BOOK/ AUDIO.. https://amzn.to/4e14hjB

04/12/2026

What happens when an 82-year-old widower, broke and being evicted, is mistaken for a dead man and taken to a nursing home? A surprisingly hilarious and heartbreaking debut novel about kindness, second chances, and finding family in the most unlikely places.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he'd return it washed with a full tank of gas . The problem is, at 82, there's nobody left to borrow from. His beloved wife Dawn died of cancer years ago, their savings drained by her medical care. They never had children. He's alone, broke, and about to lose his home .

Then, in a bizarre twist of fate, Fred stumbles upon Bernard Greer, an elderly man who looks exactly like him, slumped in a wheelchair during a nursing home outing. Bernard is dead. When Fred's attempt to help goes comically wrong and the body floats down the river, nursing home staff mistake Fred for Bernard. His protests are dismissed as dementia. Warm meals, a bed, and suddenly Fred has everything he thought he'd lost forever .

But borrowing a life comes with complications. Bernard was not a good man: estranged from his daughter Hannah, haunted by a gambling addiction, responsible for a childhood wound involving a smashed birdhouse that Hannah never forgave. Meanwhile, Denise, a sharp-eyed caregiver, grows suspicious of "Bernard's" miraculous personality change while her own marriage crumbles and her daughter fights leukemia .

The novel shifts between Fred, Hannah, and Denise, weaving together a story about people carrying grief they can't name. Fred, the man with no family, slowly heals a family that Bernard destroyed. He knits booties for Hannah's unborn baby, builds a new birdhouse from the pieces of the old one, and tries to release Bernard's hidden gambling windfall to a daughter who wants nothing to do with him.

What makes this book extraordinary is Fred himself. He's not a grump learning to love, he's a man whose heart is overflowing with love and has simply had no one to give it to . He's patient, funny, quietly wise. When asked the secret to happiness, he says: "Being grateful for whatever you have, whether it's a new car or a new packet of chips. And having someone to share it all with, someone to love, and be loved by. You'll be richer than a millionaire if you can find that" .

Anna Johnston worked as a social support coordinator in her grandfather's nursing home before an injury forced her to leave. That experience infuses every page: the boredom and small indignities of elder care, the overlooked humanity of people written off as "ga-ga," the quiet friendships that form over shared meals and daily routines .

For fans of Remarkably Bright Creatures and A Man Called Ove, for anyone who needs a reminder that it's never too late to find family, for readers who want to laugh through their tears, read this book. Then call someone you love.

BOOK: https://amzn.to/3QhMVEZ

Enjoy the audio book with FREE trial using the link above. Use the link to register on audible and start enjoying!

04/12/2026

On the morning of June 10, 1991, Jaycee Lee Dugard walked toward her school bus stop.

She was eleven years old. She had a mother who loved her. She had friends and a younger sister and the ordinary, unremarkable, completely precious life of a child in South Lake Tahoe, California. She would be gone before the bus arrived. She would not see her mother again for eighteen years.

"A Stolen Life" is the memoir she wrote when she got back.

I want to tell you something about this book before you decide whether to pick it up. It was written as part of Jaycee's therapy - word by word, at her own pace, in her own voice, without a ghostwriter.

Jaycee writes the way someone writes when they have spent eighteen years with no one safe to tell their story to. Carefully. Then in a rush. Then carefully again. The prose carries the shape of the experience itself; it's controlled here, then overwhelmed there, then gathering itself back together. And that is the first extraordinary thing about this book: the form and the content are the same thing. The writing is the survival. You feel it happening in real time.

Please approach this with care if you carry your own history of trauma. Take it slowly. Put it down when you need to. But if you are able to receive it, here is what this book gives.

1. Captivity reshapes the mind before it finishes breaking the body.
What Phillip Garrido did to Jaycee in those first weeks and months reaches beyond the physical. He constructed, with deliberate and patient precision, an entire reality; one in which she was complicit, in which speaking would bring blame rather than rescue, in which her mother had moved on and the world she had known had closed behind her like water. He imprisoned her mind long before she stopped believing in escape. This child did not simply endure. She was psychologically rebuilt from the foundation, and then had to be rebuilt again, by her own hands, when she finally got out.

2. Love found a way to exist inside the unsurvivable.
At fourteen, Jaycee gave birth to her first daughter in that backyard. At seventeen, her second. Both fathered by her captor. Both delivered without medical care. And Jaycee loved those girls with everything she had. She taught them. She played with them. She created pockets of tenderness inside a structure of horror that had no right to contain tenderness at all. Those daughters became her reason to remain present, her daily reason to survive.

3. The rescue was a beginning, not an ending.
On August 26, 2009, Garrido brought Jaycee, her daughters, and his wife to a meeting with his parole officer. Something in their behaviour raised questions. An investigation followed. And Jaycee Lee Dugard, after eighteen years, took her name back. But freedom, she writes, arrived as its own form of disorientation. She had spent her entire adolescence and young adulthood in captivity. The ordinary world with its rhythms, its expectations, its textures, all felt alien. Surviving trauma and healing from it are two entirely different journeys, and the second one, she makes clear, is longer and quieter and requires everything the first one did, just differently.

4. Writing this was the final act of reclamation.
For eighteen years Jaycee's voice belonged to someone else. He controlled what she said, what she did, what she was allowed to call herself. She writes that for eighteen years she was not permitted to speak her own name. And so this memoir - though imperfect, unpolished, yet entirely hers - is the last and most significant thing he could not take and did not get back. Every sentence she placed on a page was a sentence he had no power over.

Read this book for her. For the eleven-year-old who walked toward a school bus and did not make it. For the thirty-year-old who sat down and made sense of what happened, one difficult sentence at a time. For everyone who has ever survived something that should have ended them and needed someone to show them that the work of coming back, however long and however hard, was possible.

She shows you it is possible.

BOOK: https://amzn.to/3Q6bLaT

04/12/2026

There are some books you read, and then there are books that quietly sit beside you… like someone who understands more than they say.

Theo of Golden isn’t loud. It doesn’t rush you or try to impress you. Instead, it unfolds gently—like a long conversation on a quiet afternoon when neither of you is in a hurry to leave.

At the center of it is Theo, a man who seems, at first, a little… different. Not in a way you can easily explain, but in that subtle way where you realize he sees the world through a softer, more patient lens. And as the town of Golden brushes up against him—through grief, brokenness, regret, and quiet longing—you start to notice something uncomfortable: the way we all carry things we don’t talk about.

This book reminded me of those moments when you’re sitting alone in your car after a long day, engine off, just staring ahead… because going inside means facing everything you’ve been trying to hold together. That’s what this story feels like. It meets you in that pause.

What struck me most is how Allen Levi writes about pain—not as something dramatic or explosive, but as something ordinary. The kind that shows up in missed connections, in words we didn’t say, in the way life didn’t turn out the way we imagined. And yet, woven through all of that, there’s this quiet thread of grace. Not the loud, cinematic kind. The small kind. The kind that looks like someone simply showing up.

Theo himself… he’s not just a character. He feels like a mirror. Or maybe a question. What if the people we overlook are the ones carrying the deepest wisdom? What if healing doesn’t come in big, life-changing moments, but in small, almost invisible acts of kindness?

“I didn’t realize how much noise I was carrying inside me until this book taught me how to sit in the quiet.”

There’s something sacred about this story. It doesn’t try to fix you. It doesn’t give you neat answers. But it gently nudges you to look at your own life—your relationships, your wounds, your assumptions—and ask, Have I really been paying attention?

I closed this book slowly. Not because it was confusing… but because I wasn’t ready to leave the stillness it created in me.

And honestly, that stillness might be the most healing thing it gives you.

Book:https://amzn.to/4spoIdv

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