Jonathan Solars Fine Violins

Jonathan Solars Fine Violins Expert Dealers, Appraisers, and Consultants. Certified Member-Appraisers Association of America

Some fine cello bows for you this Friday. Available now at Jonathan Solars Fine Violins.In the photos:- A Cello Bow by N...
08/28/2026

Some fine cello bows for you this Friday. Available now at Jonathan Solars Fine Violins.

In the photos:
- A Cello Bow by Nicolas Leonard Tourte ‘l’Aine’
- A Cello Bow by Dominique Peccatte
- A Cello Bow by Nicolas Rémy Maire
- A Cello Bow by Joseph Henry
- A Cello Bow by Francois Nicolas Voirin
- (Bonus) A Cello by Jean Baptiste Vuillaume

Contact us via DM or our website to arrange a private viewing in our NYC studio.

Congratulations to Mingzhe Ye, First Prize winner of the 2026 Thomas and Evon Cooper International Competition at Oberli...
08/24/2026

Congratulations to Mingzhe Ye, First Prize winner of the 2026 Thomas and Evon Cooper International Competition at Oberlin.

Sixteen years old, and he closed the finals with the Tchaikovsky Concerto alongside the ProMusica Chamber Orchestra. It was a performance that spoke for itself.

As part of his prize, Jonathan Solars Fine Violins is placing a fine violin in Mingzhe's hands for the next two years. Instruments like these are meant to be played, and there is no better place for one than with a young artist at the start of a serious career. We are honored to be part of what comes next.

Photo courtesy of the Cooper International Competition, Oberlin College and Conservatory.

A violin by William, Alfred, and Charles Voller, London c. 1900.The Vollers were not merely capable copyists. At their b...
07/30/2026

A violin by William, Alfred, and Charles Voller, London c. 1900.
The Vollers were not merely capable copyists. At their best they were master technicians of classical style, and at their most notorious, they built a system designed to exploit exactly how expertise and attribution function in the marketplace.

The 'Balfour Strad' episode sits behind any serious discussion of their work: a reminder that when the workmanship is persuasive enough and the market incentives align, attribution can be engineered rather than discovered.

For today's connoisseur a Voller is a double object: Elite London bench skill at the turn of the century, and a window into how risk actually works in this market.

This example is in excellent condition with a fantastic sound.

357 mm. Available by appointment in New York.

This exceptionally preserved violin by Ansaldo Poggi, made in Bologna in 1924, represents a particularly desirable momen...
06/17/2026

This exceptionally preserved violin by Ansaldo Poggi, made in Bologna in 1924, represents a particularly desirable moment in the maker’s early maturity—when his work begins to display the confidence, refinement, and tonal ambition that would secure his reputation among the most important Italian makers of the twentieth century.

Poggi’s instruments from the 1920s are sought after for their disciplined craftsmanship and unmistakably Italian character: a clear architectural sense in the model, a purposeful hand in the edgework and scroll, and a varnish aesthetic that balances elegance with vitality. In this period, Poggi’s approach reflects a deep engagement with the classical tradition while asserting a modern Italian voice—an equilibrium that appeals equally to advanced players and connoisseurs.

Offered here in mint condition, the violin retains an uncommon degree of integrity and visual freshness, an attribute that materially enhances both its musical and historical appeal. For musicians, such preservation often translates into an instrument that responds with immediacy and stability; for collectors, it represents an increasingly rare opportunity to acquire a Poggi of this caliber with minimal compromise.

In the present market, early Poggi violins—particularly well-preserved examples from the 1920s—are recognized for combining performance-level utility with enduring collectability. This 1924 violin stands as a compelling example of why Poggi’s best work from this period continues to command sustained international interest.

Interested parties, please contact us to arrange a private viewing in our NYC showroom.

Chiara Scardinale is an exceptional modern luthier based in Turin, whose work beautifully bridges the meticulous history...
06/12/2026

Chiara Scardinale is an exceptional modern luthier based in Turin, whose work beautifully bridges the meticulous history of baroque instrument design with contemporary acoustic innovation. Her training includes rigorous study at the Civic School of Violin Making in Milan and an invaluable three-year assistantship under the esteemed maker Giacomo Rocca. Her violins have quickly gained prestigious international acclaim, even prompting a dedicated exhibition of her work in Tokyo. This deep devotion to the craft culminated in her exquisite 2024 violin, an instrument featuring a brilliant fusion of baroque-influenced acoustics and modern projection. This handcrafted masterpieces meets the high standards of today’s conservatory students and concert soloists.

Rare violins are quietly one of the most resilient alternative assets in the world. While the markets fluctuate, these i...
05/13/2026

Rare violins are quietly one of the most resilient alternative assets in the world. While the markets fluctuate, these instruments offer a track record of stability that spans centuries.

And unlike a stock certificate, a Rugeri or a Tononi performs on the world’s greatest stages, not just at the auction house.

If you’re considering an investment that pairs strategic wealth preservation with cultural stewardship, let’s start a conversation. 🎻✨

An exceptional Cremonese violin by Vincenzo Rugeri, made in Cremona circa 1705, known as the ex “Le Brun.” Rugeri holds ...
05/01/2026

An exceptional Cremonese violin by Vincenzo Rugeri, made in Cremona circa 1705, known as the ex “Le Brun.” Rugeri holds a distinctive place in the Cremonese tradition: his best work combines an elegant, classical model with a direct, singing tonal core—an aesthetic and acoustic profile that feels unmistakably “Cremona.”
Examples firmly attributable to Rugeri’s own hand are comparatively few, and truly characteristic instruments are encountered only rarely on the market. For that reason, benchmark violins—those that define a maker’s style in the public imagination—carry special weight for players, collectors, and scholars alike.

This violin is widely regarded as one of those benchmarks. In fact, it is among the most widely recognized instruments by Rugeri: if you search his name, this is the violin that is so often pictured—an instrument that has come to represent the maker at his best.

From a making standpoint, Rugeri’s work is frequently discussed in relation to the Cremonese masters, and this violin is a strong illustration of that lineage. The arching reflects a clear dialogue with Stradivari’s approach—a disciplined, purposeful concept that supports both tonal focus and carrying power—while still retaining Rugeri’s own voice and character.

Musically, the ex “Le Brun” offers a refined balance of warmth and clarity with an immediate, responsive feel under the bow. The sound carries with ease, with a focused center that supports lyrical playing and brilliance when pushed—qualities that make the finest Rugeri instruments enduring favorites among discerning musicians and collectors.

Available by appointment in New York City.

Landscape Photo By Tiziana coppetti - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94398715

Cathedral Photo By Meriadoc Brandibuck - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=93169580

A rare and characterful violin attributed to Matthys (Matthias) Hoffmans, made in Antwerp and dated c. 1720, representin...
04/24/2026

A rare and characterful violin attributed to Matthys (Matthias) Hoffmans, made in Antwerp and dated c. 1720, representing an intriguing example of mid-18th-century Northern European making. Instruments from this region and period are valued for their individuality: built with practical intent, shaped by local traditions, and often reflecting a selective engagement with the Italian models that were increasingly admired across Europe.

This violin offers a distinctive visual and musical personality, with a direct, speaking response and a focused tonal core that suits both chamber and ensemble playing. Its appeal lies in the combination of historical character and everyday usability—an instrument that feels grounded, honest, and purpose-built rather than ornamental.

For players and collectors drawn to uncommon makers and regional schools beyond the standard Italian canon, this Antwerp-dated Hoffmans presents a compelling opportunity to own a violin with real presence and period authenticity.

Available by appointment in New York City.

A rare and elegant Parisian violin by Claude Pierray, dated 1712, modeled after the refined tradition of Nicolo Amati. P...
04/17/2026

A rare and elegant Parisian violin by Claude Pierray, dated 1712, modeled after the refined tradition of Nicolo Amati. Pierray’s work represents the French school at a moment of exceptional sophistication, when Parisian makers absorbed Italian ideals while preserving a distinctly French sense of proportion, finish, and restraint.

Built on an Amati-inspired concept, this violin favors grace over exaggeration: a poised outline, balanced arching, and a visual harmony that feels immediately classical. The result is an instrument with a clear, articulate response and a focused, singing tone—well suited to players who value nuance, color, and elegance as much as power.

Pierray’s best instruments are prized for their rarity and their connection to the musical culture of early 18th-century Paris, and this 1712 example offers a particularly compelling blend of historical character and practical musical utility.

Available by appointment in New York City.

We are thrilled to announce a significant addition to the Jonathan Solars Fine Violins team: Sam Morel has officially jo...
04/15/2026

We are thrilled to announce a significant addition to the Jonathan Solars Fine Violins team: Sam Morel has officially joined us as our new Head of Conservation and Restoration!

At JSFV, we believe that behind every great performance is a luthier who understands the delicate balance between historical integrity and modern playability. Sam brings a meticulous eye to the bench, ensuring that whether an instrument is a 300-year-old Cremonese treasure or a contemporary masterpiece, it leaves our studio in peak voice.

Sam will be in our stories for an AMA on Friday!

Address

1925 7th Avenue #8L
New York, NY

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm

Telephone

+16463867658

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