RIT Press

RIT Press Scholarly publishing at Rochester Institute of Technology, since 2001. Learn more at press.rit.edu

Scholarly book publishing at Rochester Institute of Technology, since 2001.

RIT Press summer semester hours start on Monday, May 11, and will continue through August.Monday: 9 am – 4:30 pmTuesday:...
05/08/2026

RIT Press summer semester hours start on Monday, May 11, and will continue through August.

Monday: 9 am – 4:30 pm
Tuesday: 9 am – 4:30 pm
Wednesday: 9 am – 4:30 pm
Thursday: 9 am – 4:30 pm
Friday: Open by appointment

From Bill Kopp at Musoscribe: "'WAIL: The Visual Language of Prestige Records' is the product of an intensive and often ...
05/06/2026

From Bill Kopp at Musoscribe: "'WAIL: The Visual Language of Prestige Records' is the product of an intensive and often daunting two-decade adventure in which the authors sought to locate quality copies of every record released on Prestige Records during the ‘50s. The duo also went to great lengths to locate the designers – or traces of them – to include new, firsthand perspectives on the often revolutionary design work done for the label."

Almost from its very beginning, Prestige Records was a landmark record label, a giant in the world of jazz. Artists including Dorothy Ashby, John Coltrane, Miles Davis, Milt Jackson, Thelonious Monk, Sonny Rollins and other greats released records on the New York City-based independent label founded

New book!A photo may capture a moment in cultural time—literally mirroring beliefs, assumptions, conventions, and notion...
05/01/2026

New book!

A photo may capture a moment in cultural time—literally mirroring beliefs, assumptions, conventions, and notions of behaviors acceptable and scorned. The 385 photographs in this book are just such mirrors. Two decades ago, John Ibson, a historian of masculinity’s history in the United States and of the variety of male relationships, used that approach to photography to examine shifting meanings of American manhood in his influential book "Picturing Men: A Century of Male Relationships in Everyday American Photography."

Now, in "The Pleasure of His Company," John Ibson opens his vast collection of everyday photographs of males together once again. Ibson believes these photos, all published here for the first time, take us to a world of unselfconscious affection among American men, a world largely lost today.

Learn more at: https://press.rit.edu/9781956313406/the-pleasure-of-his-company/

✨ Introducing the Craft for Social Change series ✨This series spotlights original scholarship about how craft objects ar...
04/29/2026

✨ Introducing the Craft for Social Change series ✨

This series spotlights original scholarship about how craft objects are created and deployed to enact social reform and express dissent to the reigning political order and social status quo. The series generously defines and enthusiastically embraces a big-tent approach to craft by medium, historical era, technical approach, level of expertise, and geographic location of the craftwork. The series welcomes submissions from interested scholars, curators, makers, and activists. Series editor: Hinda Mandell

The first book in the series is "đây/đó (here/there)" by Grace McQuilten, Rimi Khan, Becky Lu, Nguyễn Ngọc Thảo, and Tammy Wong Hulbert.

"đây/đó (here/there)" explores how transnational collaboration in the Asia-Pacific can sustain craft knowledge, cultural heritage, and livelihoods in a time of ecological and social precarity. Bringing together critical scholarship and creative practice, the book examines cross-cultural exchange as both a possibility and a problem: a space for reciprocal learning and innovation, but also one that can reproduce colonial hierarchies of cultural value. Centered on four in-depth case studies of collaboration between Australian and Vietnamese makers and designers, the book traces innovative practices across fashion and textiles, ceramics, and furniture-making.

Learn more at: https://press.rit.edu/9781956313321/daydo-herethere/

The spring issue of Rochester History is now available! Copies have been mailed to subscribers, and individual issues ca...
04/16/2026

The spring issue of Rochester History is now available! Copies have been mailed to subscribers, and individual issues can be purchased from press.rit.edu.

Urban renewal marked a pivotal chapter in the evolution of American cities, and, as Benjamin Comeau and Katie Eggers Comeau demonstrate in “Saved by Play: The Rise and Fall of Urban Renewal in Rochester’s Southeast Loop,” Rochester was no exception. They explore urban renewal and its lasting legacies of racial inequity in the city of Rochester, with an unexpected ending. Also in this issue, historian Rich Newman interviews Mark Ferrara about his book, "The Raging Erie: Life and Labor Along the Erie Canal."

Rochester History, which was awarded Best New Journal in Humanities and Social Sciences in the 2025 PROSE Awards, is a collaboration between RIT Press, the Central Library of Rochester & Monroe County, and the RIT Department of History. Visit https://rochesterhistory.rit.edu to learn more or subscribe today!

Join us at RIT Zine Fest on Friday, March 27!Stop by the 1st Floor Main Lobby of the SHED and check out zinesters and sm...
03/19/2026

Join us at RIT Zine Fest on Friday, March 27!

Stop by the 1st Floor Main Lobby of the SHED and check out zinesters and small publishers from RIT, Rochester, and beyond. There will also be a free drop-in zine workshop table if you want to try your hand at making your own.

More details at: https://www.rit.edu/events/rit-zine-fest-2026

Sponsored by RIT Libraries and RIT School of Communication

Did you see our books at the 2026 CAA conference in Chicago last week? We had four titles in the Ingram Academic booth, ...
02/24/2026

Did you see our books at the 2026 CAA conference in Chicago last week? We had four titles in the Ingram Academic booth, with subjects spanning ceramic art, midcentury jazz album design, information design, and photography. Learn more about these titles and more at press.rit.edu.

CAA Advancing Art & Design
Longleaf Services, Inc.

"If poster art is a mass medium, here is the punchy exception: images made by one person, for one movie, at one cinema."...
02/23/2026

"If poster art is a mass medium, here is the punchy exception: images made by one person, for one movie, at one cinema."

The New Yorker highlights the work of Peter Strausfeld, on view at Poster House and in a book from RIT Press.

The artist Peter Strausfeld was born in Germany, in 1910. Nourished on a love of Expressionist art, and having designed work that was critical of Na**sm, he left his home country in 1938 for the safety of Britain.

In the 1940s, Strausfeld quickly found himself interned as an “enemy alien”—a term applied to almost anyone, including Jewish refugees, who had fled from countries with which Britain was then at war. Strausfeld was taken to the Isle of Man, where he met an Austrian film producer and director named George Hoellering.

Once released, the two men made animated films for the British war effort, and then, in 1944, Hoellering took charge of the Academy, a cinema on London’s Oxford Street. The storied reputation of the theatre was fortified during Hoellering’s reign, and crystallized by an unforgettable series of posters designed by Strausfeld. They were displayed not just outside the cinema but around London, and they confirmed the Academy’s status as a mecca for the adventurous moviegoer. Read more about the artist and his new exhibit in New York: https://newyorkermag.visitlink.me/P3b0RW

02/23/2026

Along with its slew of images — photos, sketches, and ephemera as well as album covers — WAIL offers what amounts to a compelling oral history of the mid-century explosion, not only of recorded jazz but of graphic design and, by extension, a burgeoning New York cultural scene.

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