06/05/2026
https://www.facebook.com/100064430450013/posts/1428571485967186/?mibextid=rS40aB7S9Ucbxw6v
Marjane Satrapi, the Iranian-French author and artist who showed millions of readers a revolution and the repression that followed through the eyes of a child in her acclaimed graphic memoir series "Persepolis," has died at the age of 56. Those close to her told the French press that she "died of sadness" a little over a year after the death of Mattias Ripa -- her husband, her English translator, and, as she described him, the love of her life.
Tragically, it is as if she had foreseen her own ending. Decades earlier, Marjane had written that nothing is worse than saying goodbye, that it feels "a little like dying." She had spent a career insisting that the inner lives of ordinary people mattered as much as the headlines that swallowed them -- and it was the size of her grief, not any public event, that defined her final year.
Marjane was born in 1969 in the northern Iranian city of Rasht, into a worldly, left-leaning family that had opposed the Shah, only to watch, disillusioned, as the revolution they had wanted hardened into something crueler. One of her uncles was imprisoned as a suspected spy for the Soviets and put to death. She was about ten when the clerics took power and the veil became compulsory, and the strangeness of watching her world remade overnight -- her schools segregated, her mother threatened in the street for going unveiled -- is what she would later render in stark black-and-white panels that became "Persepolis," published in France between 2000 and 2003.
The regime, she wrote, had understood that a woman preoccupied with whether her trousers were long enough or her hair was hidden would stop asking where her freedom of thought had gone. Under such a system, the smallest gestures turned subversive: "showing your hair or putting on makeup logically became acts of rebellion."
At fourteen, after Marjane hit a headmaster who tried to take away her jewelry, her alarmed parents sent her to study in Vienna -- and the years that followed nearly destroyed her. She was homeless for a stretch and was hospitalized with a bout of bronchitis that almost killed her. She returned to Iran, studied art in Tehran, married young, divorced, and left again, this time for good, settling in Paris by way of Strasbourg in 1994.
The dislocation never fully healed, and she stopped pretending it would. "I call Iran home," she once wrote, "because no matter how long I live in France... to me the word 'home' has only one meaning: Iran." It was the contradiction she lived inside -- French enough to be elected to the Académie des Beaux-Arts, yet certain, as she wrote, that "no matter how much I am in love with Paris and its indescribable beauty," it was Tehran "with all its ugliness" that would "forever be the 'bride' of all cities around the world."
She refused, always, to let fear do the regime's work for it. "When we're afraid, we lose all sense of analysis and reflection," she wrote. "Fear has always been the driving force behind all dictators' repression." So she kept drawing. She made films -- an Oscar-nominated animated adaptation of "Persepolis," a Marie Curie biopic, a dark comedy with Ryan Reynolds -- and wrote a dozen books in five languages.
And when Iranian women revolted and ripped off their headscarves in 2022 after the death of Mahsa Amini in police custody, Marjane answered with "Woman, Life, Freedom," an anthology gathering more than twenty artists, journalists, and scholars. She got goosebumps, she said, watching teenage girls demand their freedom. A genuine feminist revolution, she insisted, "cannot succeed until men understand that equality between them and women is also good for them."
French President Emmanuel Macron paid tribute to "a remarkable artist who transformed an Iranian childhood into a universal fable," while his office called her "an artist devoted to freedom, whose work carried a universal message." Marjane herself never let the word universal erase where she came from. Accepting the Jury Prize at Cannes for the film of "Persepolis," she said, "Even if this is a universal film, I want to dedicate this prize to all Iranians."
Marjane measured her feminism the same way -- not in statements but in proof. "If I show that I know how to do things just as well as -- or even better than -- a man," she once said, "then I've won the battle and I can be an example for the girl who will come after me."
To read the full tribute in The New York Times, visit https://www.nytimes.com/2026/06/04/world/middleeast/marjane-satrapi-dead.html?unlocked_article_code=1.nlA.rKZI.GnNsFqG85qu9&smid=url-share
Both volumes of Marjane Satrapi's masterpiece are available in "The Complete Persepolis" for ages 14 and up at https://www.amightygirl.com/the-complete-persepolis
"Persepolis" was also adapted into an Oscar-nominated animated film for ages 13 and up at https://www.amightygirl.com/persepolis
For Marjane's most recent graphic novel, a collaboration with seventeen artists documenting the Woman, Life, Freedom protests that swept Iran after the death of Mahsa Amini, we recommend "Woman, Life, Freedom" for adult readers at https://amzn.to/4e7ZqeM (Amazon) and https://bookshop.org/a/8011/9781644214053 (Bookshop)
For a riveting historical fiction novel about two friends living through decades of upheaval in Iran -- from the 1953 CIA-backed coup to the 1979 Islamic Revolution -- and the impact of these seismic events on their lives as women, we highly recommend "The Lion Women of Tehran" at https://bookshop.org/a/8011/9781668036594 (Bookshop) https://amzn.to/4majFv7 (Amazon)
For books for tweens and teens about girls living under real-life authoritarian regimes throughout history that will help them appreciate how precious democracy truly is, visit our blog post "The Fragility of Freedom: Mighty Girl Books About Life Under Authoritarianism" at https://www.amightygirl.com/blog?p=32426
