Emmons Guitar Co.

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Emmons Guitar Co. Emmons Guitar Co. is a pedal steel guitar manufacturer specializing in push-pull wraparound models.

⚠️⚠️  SCAM ALERT ⚠️ ⚠️Please be aware of an active cold caller targeting steel guitar players and acting as the official...
09/14/2026

⚠️⚠️ SCAM ALERT ⚠️ ⚠️

Please be aware of an active cold caller targeting steel guitar players and acting as the official Emmons page, posing as Co-Owner, Darin Shiflett.

Emmons will never cold call, targeting or solicit like this. Do not pay deposits or engage in any sale outside the official website, www.emmonsguitar.co.

We are not: www.emmons.com, www.emmonsguitars.com, or any another URL.

Please call our main office or respond via private message if you believe you have been targeted.

Thank you!

📢📢 Please share this alert. 📢📢

We’re proud to showcase “Blondie,” a ReSound’65 Custom built for Kenny Langdon — and our first ReSound’65 Custom lacquer...
09/04/2026

We’re proud to showcase “Blondie,” a ReSound’65 Custom built for Kenny Langdon — and our first ReSound’65 Custom lacquer-body completed in-house by our own Darin Shiflett.

Because it is a natural birdseye, it allowed him to focus on the veneer, inlay, clearcoat, and buffing procedures before moving into sunburst, or specialty tinting designs that are up next. Several other Customs are already underway utilizeling the technics he dial in on this build, so be on the lookout for those coming very soon.

The "Blondie" edition pays tribute to a remarkable, one-of-a-kind natural birdseye maple steel guitar built for Buddy in the early 1960s. Rather than simply recreate the past, we wanted to capture its character and carry that legacy forward through the ReSound’65.

Featuring highly figured natural birdseye maple, custom decorative inlay, deep red flocking, and underneath, a sea of precision ReSound’65 push-pull mechanics with polished levers providing the finishing touch. Kelcey masterfully assembled the undercarriage and performed incredible setup.

The package is completed with a matching crushed-velvet-lined case with rolling casters and our embroidered leg bag.

The action is dialed in for that smooth, buttery feel, and the tone has everything you expect from a great push-pull — clarity, separation, sustain, presence and authority.

Kenny, thank you for trusting us to build yours. "Blondie" is a beauty!

08/29/2026

Assembly Journal - Volume 2 ▪︎ Issue 1

REMEMBERING DOLLY PARTONAll of us at Emmons Guitar Company are deeply saddened by the passing of Dolly Parton.From her e...
08/25/2026

REMEMBERING DOLLY PARTON

All of us at Emmons Guitar Company are deeply saddened by the passing of Dolly Parton.

From her earliest recordings, Dolly’s voice carried warmth, authenticity, and an unmistakable connection to her East Tennessee roots. She transcended genres, lifted voices, broke barriers, and reminded the world that music belongs to everyone. Her songs became the soundtrack to countless lives, but her kindness, generosity, and love for people left an even deeper mark.

We especially admired Dolly’s unwavering and unashamed faith in God. She spoke openly about the foundation upon which her life was built and used her influence to encourage and uplift others.

For those of us who love the pedal steel guitar, one story has always been especially meaningful. While recording her 1977 crossover hit “Here You Come Again,” Dolly insisted that steel guitar remain clearly present in the final mix—a touch of country that assured her longtime fans she had not left her roots behind. Al Perkins provided the part, and that unmistakable sound helped connect the song’s pop success to the country music Dolly loved.

Her gospel legacy was equally enduring, beginning with her first gospel album, “Golden Streets of Glory,” in 1971 and continuing through later faith-filled songs such as her Grammy-winning collaboration “There Was Jesus.”

Dolly Parton’s legacy will continue to inspire generations. We extend our heartfelt condolences to her family, friends, and the millions around the world who loved her.

Rest in peace, Dolly—and thank you for the music.

ReSound'65 | Workshop JournalVol. 1 • Issue 7Hurry Up And WaitThe workshop was full of bodies this week as another group...
08/22/2026

ReSound'65 | Workshop Journal
Vol. 1 • Issue 7

Hurry Up And Wait

The workshop was full of bodies this week as another group of ReSound'65 guitars moved through fitting, sealing, and flocking.

Before flocking can begin, mock-up cast-aluminum endplates are placed onto each body to check their fit within the CNC-milled pockets. If we find a gap, high spot, or obstruction, the corners and edges are carefully hand-filed and sanded until the endplates make solid, even contact.

This work has to be completed now. Once the flocking is applied, no additional fabrication should be necessary.

The undercarriage is then inspected one final time. Any remaining holes, scrapes, cracks, or imperfections are filled, and the surfaces are sanded level before receiving their final coat of sealer. The mica or clear-coated finishes are also carefully masked to protect them from sealer, adhesive, and flocking fibers.

Many newer players may not be familiar with flocking because most modern pedal steel manufacturers use other methods to finish the underside of their guitars. The ReSound'65 is a reissue of a mid-1960s instrument, so this is one of the traditional details we continue to preserve.

Nylon flocking transforms the prepared surface into a durable, velvety, suede-like finish. Millions of finely cut synthetic fibers are deposited into a specially prepared adhesive, creating the dense and uniform texture seen beneath the guitar.

It looks amazing—but it cannot be rushed.

The sealer, adhesive, and flocking process often requires 24-hour drying and curing cycles. Every body must then be inspected for thin areas, flaws, or poor adhesion before the endplates and assembly components can be installed.

When the materials need 24 hours, they get 24 hours. We prepare carefully, work quickly while the window is open—and then we hurry up and wait.

Of course, the workshop never truly stops. While the bodies cure, aluminum parts continue through sanding, polishing, and cleaning so everything will be ready when assembly begins.

Next, we return to the machines and begin transforming more raw aluminum into beautiful ReSound'65 parts.

For more photos, additional media, and a deeper dive into this week’s work, visit the complete Production Blog:

https://www.emmonsguitar.co/blog/categories/production

ReSound'65 | Workshop JournalVol. 1 • Issue 6 — “The Art Of The Craft”The production cycle is always looping through the...
08/15/2026

ReSound'65 | Workshop Journal
Vol. 1 • Issue 6 — “The Art Of The Craft”

The production cycle is always looping through the many stages of manufacturing. As you follow these journals, you’ll see some guitars just beginning their journey while others are nearing completion. That is the nature of batch manufacturing: multiple groups of instruments moving in and out of sequence, each advancing through the shop at its own stage.

This week, a new load of bodies is in!

Building an exceptional guitar begins long before the finishing touches. It starts with accurate CAD files guiding the CNC machines that transform raw wood and aluminum into precision components. Once those parts come off the machines, every critical dimension must be checked against our established tolerances. If something is off at this stage, it will only create larger problems downstream.

Today, we are carefully checking the newly machined hard maple components before moving into sanding and surface preparation. CNC equipment provides remarkable precision, but nothing replaces the trained hand of a craftsman when it comes to removing the final splinters, machining marks, and imperfections.

Wood is temperamental, so the prepared bodies must be sealed to protect the surface and grain from moisture and other contaminants. The sealer also creates the foundation needed for the nylon flocking process later in the build.

Once the sealer cures, the bodies are sanded again to remove any dust or debris that may have settled during drying. Every edge is inspected, every surface is smoothed, and then we move into lamination.

This stage requires tremendous attention to detail.

Before the Formica laminate is applied, every piece must be inspected for scratches—even though the factory covers the sheets with protective PVC film. We learned that lesson the hard way! The laminate is cut to size, the surfaces are thoroughly cleaned, and the adhesive process begins.

At this point, a single speck of sawdust, dirt, or dust trapped beneath the laminate can create a visible dimple in the finished surface. Clean, dust-free conditions are essential.

After the laminate is applied, a router removes the excess material. Every seam is inspected for fit and adhesion, and the edges are carefully dressed with a file until each corner is eased, smooth, and beautiful. If we find a scratch, crack, or flaw, we start over and make it right.

Fortunately, that happens far less often when good craftsmen are building the guitar!

Cases are also moving through production this week. This is a constant process because no guitar can be shipped or delivered without one. Our cases feature a gorgeous crushed-velvet interior with plush padding designed to protect the instrument and provide lasting peace of mind during transportation.

Meanwhile, another side of the craft is taking shape in our custom finishing process.

For custom guitars, the customer selects the colors and inlays before we begin producing color samples and mockups. The goal is to ensure that the colors work together and achieve the intended design before the finish is applied to the guitar.

Today’s project is a Deep-Sea Blue Flame Maple finish with diamond inlays.

The process begins with black dye, which is allowed to dry and then carefully sanded back before the blue is applied. This requires finesse and patience because every piece of wood absorbs color differently, and every flame pattern reacts in its own way. It is not an exact science—which is precisely why samples and customer approvals matter.

This week, we began developing the sample. Next, we will apply the clear finish and watch that rich, dynamic “pop” emerge from the flame maple grain.

Precision machinery may begin the process, but skilled hands, trained eyes, patience, and judgment bring it all together.

That is The Art Of The Craft.

Stay tuned for the next Workshop Journal as this striking custom finish begins to come alive.

We sure appreciate Justin!As our fabricator, Justin’s craftsmanship and attention to detail are a big part of what happe...
08/13/2026

We sure appreciate Justin!

As our fabricator, Justin’s craftsmanship and attention to detail are a big part of what happens every day in the Emmons workshop—and if you follow our Workshop Journals, you’ve probably seen him hard at work.

Today, it’s his birthday, and we’d love to make sure he knows just how much the steel guitar world appreciates him, too!

Help us wish Justin a very Happy Birthday! 🎉

Drop him a birthday wish in the comments and show him a little love from the Emmons family and steel guitar community.

Happy Birthday, Justin!

ReSound'65 | Workshop JournalVol. 1 • Issue 5 — “A New Shiny Thing”Another busy week inside the Emmons Guitar Co. Produc...
08/08/2026

ReSound'65 | Workshop Journal
Vol. 1 • Issue 5 — “A New Shiny Thing”

Another busy week inside the Emmons Guitar Co. Production Center, with work moving from raw maple all the way to some very shiny aluminum.

As ReSound'65 bodies cycle through production, new hard maple is being sourced, inspected, and prepared for the next batch. Phil has been busy reducing the raw stock on the precision planer, and CNC cutting parts while maintaining our required ±.005" tolerance as that lumber begins its transformation into Emmons Guitar parts. We should see more of those pieces coming together as bodies next week.

On the metal side of the shop, endplates, necks, changers, levers, and pedal racks have been getting plenty of attention.

Parts coming off the Haas VF-4 are precise, but they're nowhere near finished. Milling leaves fine striations in the aluminum, so each part moves through progressive stages of sanding with a pneumatic DA sander before it can be polished. Flats need to remain flat, edges need to stay crisp, and every surface is inspected before moving to the buffer.

Then we make them shine.

Depending on the part, we're working with pieces ranging from only a couple of inches to more than 30" long. Bringing them to that deep, mirror-like finish requires a careful balance of buffing wheels, compounds, speed, pressure, motion, and heat. Friction can bring the aluminum surface to around 130°F during the process—and the person at the buffer has to control all of it while safely controlling the part.

Once polished, we're still not finished.

Buffing compound finds its way into seemingly every hole, thread, pocket, and corner, so the parts go through a thorough cleaning process followed by another inspection. The finished surfaces are then carefully masked to protect them during assembly.

And if we find a wisp, scratch, or imperfection along the way?

Back to the buffer.

That's the less glamorous side of making shiny things shiny.

While our latest flocked bodies continue curing, we're also fabricating custom-height guitar legs according to each player's specifications. Chrome-finished steel tubing is cut to length, fitted with the classic chromed clutch assembly, and finished with our custom threaded steel inserts. Those inserts are precision-fit and pressed into the tubing for a strong, durable connection to the endplate.

It may seem like a small detail—right up until you've had a guitar leg that spins when you try to tighten it.

The Custom Lacquer side of the shop is moving too, although this week provided one of those reminders that progress doesn't always move in a straight line.

One lacquer body had made it through finishing and well into assembly when the clear coat chipped all the way down to the wood inlay. It was nearly ready to move into final assembly and undercarriage installation.

Instead, it came apart, - again! This isn't the first issue with this finish, but we hope and pray it is the last :).

The body went back to the booth for repair, and we're already making good progress toward getting it back into the production flow. It's never fun to move backward, but we'd much rather discover an issue here than have a customer discover it later.

So that's the week: raw maple becoming precision parts, aluminum becoming mirrors, guitar legs being built to fit their players, bodies curing, lacquer being repaired, and a whole lot of sanding, polishing, cleaning, inspecting, masking, and occasionally doing it all over again.

Just another week building ReSound'65 pedal steel guitars.

The full Workshop Journal includes more of the story, media, and behind-the-scenes details:

Production Center:
https://www.emmonsguitar.co/status

Workshop Journal Blog:
https://www.emmonsguitar.co/blog/categories/production

The staff at Emmons and the steel community at large mourn the passing of our friend and brother Tommy Detamore. His ski...
08/06/2026

The staff at Emmons and the steel community at large mourn the passing of our friend and brother Tommy Detamore. His skill as an artist and producer brought joy to all who heard his work, and his infectious personality produced smiles in the rooms he walked in.

Tommy was a friend to all, but especially to fellow steelers. Countless stories could be told of his generosity in helping others in their musical endeavors -- from dispensing pointers on his well honed chops, to imbuing eager listeners
with technical wisdom -- our friend was an indispensable asset to the community, and indeed, to the world.

Tommy's love for Emmons guitars was well known, and he was instrumental in facilitating an historic time in the Emmons story too. Our friend graciously hosted a summit of legendary Emmons Wraparound instruments and owners, and invited us to showcase our personal tribute to Buddy Emmons, the new ReSound'65 model. It was a smashing success, and fond memories abound of the wonderful time that was had and of his friendship.

Our sincerest prayers are with Sandra and the family. He will be greatly missed, but forever remembered for loving people, loving music, and loving Jesus.

📣 Following Emmons production just got easier.For those who prefer to follow along outside of Facebook, we've launched a...
08/03/2026

📣 Following Emmons production just got easier.

For those who prefer to follow along outside of Facebook, we've launched a dedicated Production Journal on the Emmons website.

Every weekly production update is now available in three places:

• Production Journal (Blog) – The complete story, with additional photos, videos, and behind-the-scenes content that allows us to share a deeper look into the journey.
• Production Center – A central hub where you can track production progress and access the latest journals.
• Facebook – Continue enjoying our weekly updates and joining the conversation with the Emmons community.

No matter how you choose to follow along, you'll have access to the same weekly progress reports from design, engineering, fabrication, finishing, and final assembly. The blog simply gives us the freedom to tell the story in greater depth as we continue adding more media and exclusive content over time.

🔗 Production Journal (Blog):
https://www.emmonsguitar.co/blog/categories/production

🔗 Production Center:
https://www.emmonsguitar.co/status

Whether you're a customer, an Emmons enthusiast, or simply curious about how these instruments come to life, we invite you to follow the journey with us. Thanks for being part of the Emmons family!

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938 Parkway
Sevierville, TN
37862

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