09/18/2026
Good day, all.
An extremely fortunate trip to a Portland-area bookstore led me to purchase these six lovelies.
$420.00, post-paid via Domestic Media Mail rate.
https://www.svafinebooks.com/product/16979/Illustrierte-Sittengeschichte-vom-Mittelalter-bis-zur-Gegenwart-six-volumes-Erster-Band-Renaissance-plus-supplemental-volume-Erganzungsband-Zweiter-Band-Die-Galante-Zeit-plus-supplemental-volume-Erganzungsband-Das-Burgerliche-Zeitalter-Dritter-band-plus-supplemental-volume-Erganzungsband
I offer today, an uncommonly pretty set of the six volumes making up Eduard Fuchs' (1870-1940) magnum opus survey of European art history, erotica, morals, manners and social history.
Undated, but published in Munchen (Munich, Germany) by Albert Langen from 1910 on.
Quarto hardcover format, heavy, tank-like volumes that are profusely illustrated with monochrome and duotone and tritone and even full-color plates galore. Bound in crushed cloth over boards (tan to the main volumes, blue to the supplemental volumes but that whose spines have sunned to the same light tan.
Monochrome vignettes to all volumes, with 65 monochrome and colour plates to Die Galante Zeit; 59 to Renaissance; 63 to Das Burgerliche Zeitalter; then, as regards the supplemental volumes, 36 six to Geschichte de Erotischen Kunst; 37 to the supplement to Die Galante Zeit; 33 to Das Burgerliche Zeitalter.
Augmented with cameo cut-outs to front covers of the main volumes with pasted-on illustrations and with bound-in linen silk-ribbon book-marks. Six and four pages missing from the Renaissance supplemental volume. Bound quite handsomely in a tall quarto format, and quite heavy in toto (roughly 30 pounds). Still remarkably bright gilt-stamping including titles to covers and spines. Some scuffing to tips, bumping to spine heads and feet, mild shelf-wear and wear to extremities, including some very faint foxing and toning to interiors, else a remarkably handsome set. Decorated endpapers front and rear to each volume, and with hundreds of fine illustrations between the six volumes. Each volume stands solidly on its own on the shelf.
The compiler and author, Eduard Fuchs, was a scholar, historian, art collector, and a political activist of German Marxist stripe. He contributed biographies of Honore Daumier; he was a close confidante of Vladimir Lenin; and he was an enemy of both Kaiser Wilhelm and Adolf Hi**er. It would take a long winter to go through, look at and digest the scope, breadth and beauty of the images, most being in black-and-white, but many being in color, some being small, others full-page, and a few in double-page format, e.g., "Les Incroyables (from 1795). Supplemental volumes top-stained in blue.
The third volume and its supplementing companion feature some black-and-white photographs of nudes, nudists, and naturists (so there is some hubba-hubba factor), and all volumes feature vaginal and a**l fi***ng, defecation, urination, and copulation.
Volume I, Renaissance, clocks in at 500 pp. after extensive frontis matter, and features a color paper illustration set within a border, with gilt-stamped title on cover and spine and with publisher's logo in gilt. Each volume features an author/compiler Foreword and an extensive Table of Contents, and there are illustrations on virtually every page. Volume I's companion volume, "Erganzungsband," with 336 pp., has 265 "textillustrationen und 36 beilagen," again being gorgeously illustrated throughout.
The Zweiter Band, Volume II, Die Galante Zeit (The Age of Chivalry), has 484 pp. and its companion volume, 328 pp. ages, also features a pastel-toned paper illustration of an alluring woman with a partially bared breast.
Volume III, Das Burgerliche Zeitalter (The Bourgeois Age), is 496 pp. in length and features sharp black-and-white photographs or other kinds of reproductions of individual nudes, nudists, and mildly erotic scenes. The front cover's pasted-on illustration is of a coquettish woman pressing handkerchief to mouth and with fan between legs. This volume features photographs and reproductions of placards, posters, business cards, C.D.V.s and the like. The companion volume, "Erganzungsband," is 342 pp. also features top-stain all around, and provides a handy index to entries in each volume.
Frequently at odds with "the authorities" for, among other things, accusing the Kaiser of being a mass murderer, he turned to using art historical images to get his points across, e.g., Karikatur der Europäischen Völker (Caricatures of European Peoples, 1902).
All in this is a lovely set for the serious collector of art and erotica, of European history and morals, worthy of the title, magnum opus.
Thank you for looking.
Structure, Verses, Agency Books
Spray, Oregon 97874