Schoenberg Guitars

Schoenberg Guitars We are a low to high end seller of great instruments, with a specialty in vintage guitars.

Manuel Ramirez, circa 1912A very beautiful and elaborate small-bodied guitar by Manuel Ramirez (1864-1916), one of the m...
09/09/2026

Manuel Ramirez, circa 1912

A very beautiful and elaborate small-bodied guitar by Manuel Ramirez (1864-1916), one of the most important luthiers of guitar history. This is a modern instrument in an almost parlor size, possibly made as a lady's guitar. Back and sides are cypress with a center section of rosewood with an elaborate rosette of spruce, ebony and pearl. The bridge has a pearl tie block and pearl wing inlays. Condition is remarkable considering its 112 years of age, with apparently all original elements. The tone is full and rich, especially considering the small size of the box.

https://om28.com/ProductDetail?product=P240913001

We are searching for the owner of this stolen guitarThe model is SD-18 Custom, serial number 2541659. It’s a unique prec...
09/05/2026

We are searching for the owner of this stolen guitar
The model is SD-18 Custom, serial number 2541659. It’s a unique precursor to the new SD-18, a slightly larger dreadnaught, and may be the prototype.
We can be reached at: Schoenberg Guitars, 415-789-0846; [email protected]

New at Schoenberg Guitars, a first class 1952 Martin D-28:A fine Instrument in excellent original condition that's been ...
08/27/2026

New at Schoenberg Guitars, a first class 1952 Martin D-28:

A fine Instrument in excellent original condition that's been played a lot for decades by its latest owner, Artie Rose, of the Dave Ronk Jug Band, Harry & Jeannie West, and former manager of Acoustic Disc. There are no cracks and the neck has recently been reset. Back and sides are Brazilian rosewood and I believe the top is Vermont red spruce, what we used to call "mystery top". Nowadays we have Greig Hutton's fabulous research to set us straight.

https://om28.com/ProductDetail?product=P260805001
https://om28.com/

Just arrived, a wonderful Washburn from around 1885, in almost new condition.It's a Style 6 model, one of the more lovel...
08/27/2026

Just arrived, a wonderful Washburn from around 1885, in almost new condition.

It's a Style 6 model, one of the more lovely guitars to grace the shop. For one, it is in practically as-new condition despite its century and a half age. It's not overly fancy, but the decoration that it has is quite beautiful and unique. It is fully original with its original French polish finish and exceptional Brazilian rosewood. It also sounds lovely and takes steel strings with ease.

https://om28.com/ProductDetail?product=P260816001
Our site: https://om28.com/

Here's a quick shot of an interesting part of our wall. Starting from the top row left: 1937 000-45, 1929 OM-28 (the 9th...
08/11/2026

Here's a quick shot of an interesting part of our wall. Starting from the top row left: 1937 000-45, 1929 OM-28 (the 9th one so it's not an OM - they hadn't yet come out yet with the name.)
2nd row: 1930 0-42, 1932 OM-18, 19041 00-18H (formerly owned by Geoff Muldaur.
32d row: Loar era F-2 with Virzi, Tom Ellis #005.

Schoenberg Guitars, Tiburon, CA https://om28.com/

Schoenberg 0C Standard, NewTwelve Fret Cutaway Single "O"Brazilian and AdirondackBuilder: Bruce SexauerThis model is a v...
08/08/2026

Schoenberg 0C Standard, New

Twelve Fret Cutaway Single "O"
Brazilian and Adirondack
Builder: Bruce Sexauer

This model is a very special joint project of Schoenberg Guitars and Bruce Sexauer that has created some of the most endearing guitars, ones that owners tend to hang on to and treasure forever. First of all, it is Schoenberg’s special innovative concept of a cutaway 12-fret, offering the tone of the 12-fret body with the access of a 14-fret and thus becoming the equal alternative to the OM as the perfect instrument. The second Schoenberg innovation is the use of the OM scale length, 25 ⅜”. This turns the small 0 body into a full fledged concert instrument, a true steel-string classical guitar, with the most wonderful treble and a bottom end that is perfectly balanced and beautiful. I played the first one, a mahogany back & sides one, for years; toured with it, performed solo and duo concerts with it, and got comments from listeners about the beauty of its sound.

This latest of sixteen or seventeen Single 0s is out of Adirondack spruce and extra-fine Brazilian rosewood, all woods that Bruce and I have been holding onto for decades, saved for special projects. We had the opportunity to be among the first to choose from the first import of stump wood and picked out some amazing stuff. Take a look at the photo—this is the stuff of legend!

More Photos: https://om28.com/ProductDetail?product=P250706001

Our Web Site: https://om28.com/

Goodall BRJ-553 Custom Jumbo, 1994 Now in stock at Schoenberg Guitars* Brazilian Rosewood Back and Sides* Spruce Top, Fl...
08/07/2026

Goodall BRJ-553 Custom Jumbo, 1994 Now in stock at Schoenberg Guitars

* Brazilian Rosewood Back and Sides
* Spruce Top, Flame Koa Binding
* Intense Abalone Rosette

A custom made unique instrument, from Goodall's time in Hawaii. It is 17" wide and 4 ½" deep, and actually sounds bigger than that. Back and sides are Brazilian rosewood, top is Sitka spruce, and it's in as-new condition. Due to these factors, its tone has a unique character, that of gigantic, deep sound and a clear, bright treble.

Martin 0-28K 1929  We’re drowning in 1929! Not a problem, since we consider 1929-1930 as a peak era. The transition to s...
08/06/2026

Martin 0-28K 1929

We’re drowning in 1929! Not a problem, since we consider 1929-1930 as a peak era. The transition to steel strings was still in its early stages and construction was lighter and necks hadn’t yet ballooned out of the fear of heavy strings. In fact, Martin’s necks were works of art. Gibson’s neck shapes, at least other better models, were surprisingly modern as well. Right now we have two 1929 0-18s, this o-28K, our 1929 OM-28, a Gibson L-1 and our very early 1930 0-42. The fabulous 1929 00-21 just sold today.
This 1929 0-28K is a particularly fine example of the model. Not all koa topped guitars sound like this - they can be tight or thin sounding. A Hawaiian koa dealer told me that koa varies a lot in density, so a lighter density top would work better tonally. At any rate, this box is surprisingly full and sweet.
It's also in great condition: all original and just one small spot of pickwear. The koa is high flame and a deep rich color, the set up is perfect, with low action and saddle height that can go either direction, and the neck shape is that perfect early thirties thin, subtle V.
More Photos: https://om28.com/ProductDetail?product=P260312002
Our Site: https://om28.com/

08/06/2026

In August 2010, Jane Mayer published a 10,000-word investigation in The New Yorker.

The piece was called "Covert Operations." It traced how Charles and David Koch, the billionaire brothers behind Koch Industries, had spent decades quietly funding a network of think tanks, political organizations, and advocacy groups aimed at reshaping American policy.

Mayer had spent months reporting it. She had documents. She had sources. She had the receipts.

What came back was not a factual rebuttal.

Shortly after the piece ran, operatives working with a private intelligence firm called Vigilant Resources International began making calls. They were looking for dirt. On Mayer.

The firm had ties to Howard Safir, the former New York City police commissioner. According to reporting that later surfaced, the inquiry was aimed at finding something, anything, that could be used to undermine her credibility and redirect attention away from the story itself.

The angle they landed on was plagiarism.

In January 2011, the New York Post reached out to Mayer with a list of questions suggesting she had lifted passages in her previous work. The implication was clear: here was a journalist who could not be trusted.

Mayer did not back down.

She acknowledged minor citation errors that were standard in long-form journalism of that era and corrected them. The New Yorker stood behind her. The plagiarism accusation, examined carefully by editors and outside observers, did not hold.

What the episode revealed was not a flaw in Mayer's reporting. It revealed something about how institutional power responds when it is reported on accurately.

A factual rebuttal would have engaged the substance: the funding flows, the organizational connections, the policy influence. None of that was seriously disputed.

Instead, the response was personal. Attack the journalist. Manufacture a scandal. Change the subject.

It is a pattern with a long history. Powerful interests rarely win arguments about documented facts by addressing those facts.

Mayer went on to continue covering money and influence in American politics. Her book "Dark Money," published in 2016, expanded the investigation that "Covert Operations" had begun.

The story did not disappear. The reporter did not disappear.

What the smear campaign accomplished, in the end, was to make the story bigger.

Image: "Jane mayer 2008" by Larry D. Moore · CC BY 4.0 · via Wikimedia Commons

Address

106 Main Street
Tiburon, CA
94920

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 7:30pm
Friday 11am - 5:30pm
Saturday 11am - 5:30pm

Telephone

+14157890846

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