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Whitman Books sells used, new and rare books as well as antiques, collectibles and art. We have great collections both in fiction and nonfiction, including mysteries, history, children's books, religion and art.

I woke up to the news that Gloria Steinem (March 25, 1934 – September 2, 2026), was gone. It seemed that she was always ...
09/03/2026

I woke up to the news that Gloria Steinem (March 25, 1934 – September 2, 2026), was gone. It seemed that she was always there, a part of the social fabric that changed all our lives –both women and men--for the better. A woman who persistently said NO to the societal mores that kept woman—all of us—from achieving the best in ourselves.

I start this (rather lengthy) post with an excerpt from the N.Y. Times obituary of Gloria Steinem, followed with quotes, then four poems flowing from the women’s movement.

Here’s an excerpt from today’s N.Y Times; the complete obituary can be accessed by clicking the link below.

Sept. 3, 2026; Updated 6:55 a.m. ET

Gloria Steinem, the feminist crusader who, in galvanizing the modern women’s movement, helped millions of women develop a sense of self-worth and gain a measure of equality at home, at work and in society at large, died on Wednesday at her home in New York City. She was 92.

Calling herself “an entrepreneur of social change,” Ms. Steinem helped usher in sweeping cultural transformations across virtually every facet of American life, from the boardroom to the courtroom to the bedroom.

For more than half a century, she personified the women’s movement and became its most enduring symbol; her tinted aviator glasses and curtain of streaked-blond hair parted in the center made her one of the most recognizable women in the world.

She led protests and consciousness-raising sessions, wrote essays and delivered speeches, delved into political organizing, helped establish r**e crisis centers and shelters for battered women, founded numerous groups that promoted women and had the Midas touch when it came to raising money for their causes.

Decades after the movement dissipated and progressive women faced renewed setbacks, Ms. Steinem continued to push for their rights and equality. Indefatigable, she wrote essays and lectured into her 90s, and the news media never stopped seeking her opinion.

She was the author of nearly a dozen major nonfiction books; her latest, “An Unexpected Life,” is scheduled for publication in late September.

Click on the following link to read the complete N.Y. Times Obituary

https://www.nytimes.com/2026/09/03/us/politics/gloria-steinem-dead.html
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Quotes by Gloria Steinem:

“we are the women our parents warned us against, and we are proud”
― Gloria Steinem
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“No wonder male religious leaders so often say that humans were born in sin—because we were born to female creatures. Only by obeying the rules of the patriarchy can we be reborn through men. No wonder priests and ministers in skirts sprinkle imitation birth fluid over our heads, give us new names, and promise rebirth into everlasting life.”
― Gloria Steinem, The Va**na Monologues
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“I myself cried when I got angry, then became unable to explain why I was angry in the first place. Later I would discover this was endemic among female human beings. Anger is supposed to be "unfeminine" so we suppress it -until it overflows. I could see that not speaking up made my mother feel worse.

This was my first hint of the truism that depression is anger turned inward; thus women are twice as likely to be depressed. My mother paid a high price for caring so much, yet being able to do so little about it. In this way, she led me toward am activist place where she herself could never go.”
― Gloria Steinem, My Life on the Road
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“This is no simple reform. It really is a revolution. S*x and race because they are easy and visible differences have been the primary ways of organizing human beings into superior and inferior groups and into the cheap labor on which this system still depends. We are talking about a society in which there will be no roles other than those chosen or those earned. We are really talking about humanism.”
― Gloria Steinem
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“It still would be years before I understood the seriousness of my change of view. Much later, I recognized it in "Revolution," the essay of Polish journalist Ryszard Kapuscinski, who describes the moment when a man on the edge of a crowd looks back defiantly at a policeman — and when that policeman senses a sudden refusal to accept his defining gaze — as the imperceptible moment in which rebellion is born.

"All books about all revolutions begin with a chapter that describes the decay of tottering authority or the misery and sufferings of the people," Kapuscinski writes. "They should begin with a psychological chapter — one that shows how a harassed, terrified man suddenly breaks his terror, stops being afraid. This unusual process — sometimes accomplished in an instant, like a shock — demands to be illustrated. Man gets rid of fear and feel free. Without that, there would be no revolution.”
― Gloria Steinem, Revolution from Within: A Book of Self-Esteem
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Poems

Her Kind
By Anne S*xton

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my n**e arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.

--Anne S*xton
[from The Complete Poems of Anne S*xton (Houghton Mifflin Harcourt, 1981)]
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A Woman Speaks
By Audre Lorde

Moon marked and touched by sun
my magic is unwritten
but when the sea turns back
it will leave my shape behind.
I seek no favor
untouched by blood
unrelenting as the curse of love
permanent as my errors
or my pride
I do not mix
love with pity
nor hate with scorn
and if you would know me
look into the entrails of Uranus
where the restless oceans pound.

I do not dwell
within my birth nor my divinities
who am ageless and half-grown
and still seeking
my sisters
witches in Dahomey
wear me inside their coiled cloths
as our mother did
mourning.

I have been woman
for a long time
beware my smile
I am treacherous with old magic
and the noon's new fury
with all your wide futures
promised
I am
woman
and not white.

--Audre Lorde
[from The Collected Poems of Audre Lorde (W. W. Norton and Company Inc., 1997)]
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Still I Rise
By Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don't you take it awful hard
’Cause I laugh like I've got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

--Maya Angelou
[ from And Still I Rise: A Book of Poems, Random House (1978)]
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Snapshots of a Daughter-In-Law
by Adrienne Rich

1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.

2

Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.

3

A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!

4

Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.

5

Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.

6

When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?

7

"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and w***e.

8

"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.

9

Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.

10

Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.

--Adrienne Rich
[from Collected Poems: 1950–2012, W. W. Norton & Company (2016)]
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All content of this post is for educational purposes.
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Let's follow up yesterday's post celebrating Wendell Berry with this quote from Berry's literary progenitor Walt Whitman...
09/02/2026

Let's follow up yesterday's post celebrating Wendell Berry with this quote from Berry's literary progenitor Walt Whitman (May 31, 1819 — March 26, 1892) from the preface of Whitman's Leaves of Grass:

“This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body."

― Walt Whitman, Leaves of Grass
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This morning, we sadly note the passing of American author/ poet Wendell Berry, (Aug. 5, 1934 – August 31, 2026), whose ...
09/01/2026

This morning, we sadly note the passing of American author/ poet Wendell Berry, (Aug. 5, 1934 – August 31, 2026), whose nature poetry, novels of America’s rural past, and essays on ecological responsibility grew from his experiences as a farmer.

Here’s an excerpt from yesterday’s N.Y. Times obituary:

“Wendell Berry, a Kentucky farmer who plowed his fields behind Belgian draft horses and wrote lyrical poems, novels and essays — mostly in pencil and without electric light — that explored his elegiac visions of the life and death of agrarian America, died on Monday at his home in Port Royal, Ky. He was 92.

Lanky and rawboned in middle age, with melancholy eyes, a jutting chin and a widow’s peak reminiscent of Lincoln’s, Mr. Berry wrote more than 50 volumes of poetry, fiction and argument that championed small family farms, the environment, local foods and interdependent communities, and railed against chemicals, most technologies, agribusiness and distant government.

Marshaling fiction to his cause, Mr. Berry wrote more than a dozen novels and volumes of short stories. He invented a town, Port William, Ky., as a setting for generations of lives interwoven in tales of murder, alcoholism, marital discord and remembrance against subtexts of fading agrarian life.

As a poet, Mr. Berry produced some 30 volumes of collected verses, starting with “The Broken Ground” (1964).”

Click on the following link to read the complete obituary.

https://www.nytimes.com/2026/08/31/us/wendell-berry-dead.html?searchResultPosition=1

Here are some Quotes, Literary Excerpts and Poems by Wendell Berry for your consideration:

“We have lived our lives by the assumption that what was good for us would be good for the world. We have been wrong. We must change our lives so that it will be possible to live by the contrary assumption, that what is good for the world will be good for us. And that requires that we make the effort to know the world and learn what is good for it.”
― Wendell Berry, The Long-Legged House
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“Why do farmers farm, given their economic adversities on top of the many frustrations and difficulties normal to farming? And always the answer is: "Love. They must do it for love." Farmers farm for the love of farming. They love to watch and nurture the growth of plants. They love to live in the presence of animals. They love to work outdoors. They love the weather, maybe even when it is making them miserable. They love to live where they work and to work where they live. If the scale of their farming is small enough, they like to work in the company of their children and with the help of their children. They love the measure of independence that farm life can still provide. I have an idea that a lot of farmers have gone to a lot of trouble merely to be self-employed to live at least a part of their lives without a boss.”
― Wendell Berry, Bringing it to the Table: On Farming and Food
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“Nobody can discover the world for somebody else. Only when we discover it for ourselves does it become common ground and a common bond and we cease to be alone.”
― Wendell Berry, A Place on Earth
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“Whether we and our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.”
― Wendell Berry
___________________________________________________

“I dislike the thought that some animal has been made miserable to feed me. If I am going to eat meat, I want it to be from an animal that has lived a pleasant, uncrowded life outdoors, on bountiful pasture, with good water nearby and trees for shade.”
― Wendell Berry, What Are People For?
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“Do unto those downstream as you would have those upstream do unto you.”
― Wendell Berry
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“In a society in which nearly everybody is dominated by somebody else's mind or by a disembodied mind, it becomes increasingly difficult to learn the truth about the activities of governments and corporations, about the quality or value of products, or about the health of one's own place and economy.

In such a society, also, our private economies will depend less and less upon the private ownership of real, usable property, and more and more upon property that is institutional and abstract, beyond individual control, such as money, insurance policies, certificates of deposit, stocks, and shares. And as our private economies become more abstract, the mutual, free helps and pleasures of family and community life will be supplanted by a kind of displaced or placeless citizenship and by commerce with impersonal and self-interested suppliers...

Thus, although we are not slaves in name, and cannot be carried to market and sold as somebody else's legal chattels, we are free only within narrow limits. For all our talk about liberation and personal autonomy, there are few choices that we are free to make. What would be the point, for example, if a majority of our people decided to be self-employed?

The great enemy of freedom is the alignment of political power with wealth. This alignment destroys the commonwealth - that is, the natural wealth of localities and the local economies of household, neighborhood, and community - and so destroys democracy, of which the commonwealth is the foundation and practical means.”
― Wendell Berry, The Art of the Commonplace: The Agrarian Essays
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“Don't own so much clutter that you will be relieved to see your house catch fire.”
― Wendell Berry, Farming: a hand book
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“Especially among Christians in positions of wealth and power, the idea of reading the Gospels and keeping Jesus' commandments as stated therein has been replaced by a curious process of logic. According to this process, people first declare themselves to be followers of Christ, and then they assume that whatever they say or do merits the adjective "Christian".”
― Wendell Berry, Blessed are the Peacemakers: Christ's Teachings of Love, Compassion, and Forgiveness
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“The complexity of our present trouble suggests as never before that we need to change our present concept of education. Education is not properly an industry, and its proper use is not to serve industries, either by job-training or by industry-subsidized research. It's proper use is to enable citizens to live lives that are economically, politically, socially, and culturally responsible. This cannot be done by gathering or "accessing" what we now call "information" - which is to say facts without context and therefore without priority. A proper education enables young people to put their lives in order, which means knowing what things are more important than other things; it means putting first things first.”
― Wendell Berry
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“The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.”
― Wendell Berry, The Unsettling of America: Culture and Agriculture
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“Love is what carries you, for it is always there, even in the dark, or most in the dark, but shining out at times like gold stitches in a piece of embroidery. ”
― Wendell Berry, Hannah Coulter
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“You think you will never forget any of this, you will remember it always just the way it was. But you can't remember it the way it was. To know it, you have to be living in the presence of it right as it is happening. It can return only by surprise. Speaking of these things tells you that there are no words for them that are equal to them or that can restore them to your mind. And so you have a life that you are living only now, now and now and now, gone before you can speak of it, and you must be thankful for living day by day, moment by moment, in this presence.
But you have a life too that you remember. It stays with you.

You have lived a life in the breath and pulse and living light of the present, and your memories of it, remember now, are of a different life in a different world and time. When you remember the past, you are not remembering it as it was. You are remembering it as it is. It is a vision or a dream, present with you in the present, alive with you in the only time you are alive.”
― Wendell Berry, Hannah Coulter
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“As I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temples into the fields and sheep pastures, onto the roadsides and the banks of the rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here. Well, you can read and see what you think.”
― Wendell Berry, Jayber Crow
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“I don't believe that grief passes away. It has its time and place forever. More time is added to it; it becomes a story within a story. But grief and griever alike endure.”
― Wendell Berry, Jayber Crow
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“You have been given questions to which you cannot be given answers. You will have to live them out - perhaps a little at a time.'

And how long is that going to take?'

I don't know. As long as you live, perhaps.'

That could be a long time.'

I will tell you a further mystery,' he said. 'It may take longer.”
― Wendell Berry, Jayber Crow
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The Peace of Wild Things

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

― Wendell Berry, Selected Poems
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Water

I was born in a drought year. That summer
my mother waited in the house, enclosed
in the sun and the dry ceaseless wind,
for the men to come back in the evenings,
bringing water from a distant spring.
veins of leaves ran dry, roots shrank.
And all my life I have dreaded the return
of that year, sure that it still is
somewhere, like a dead enemys soul.
Fear of dust in my mouth is always with me,
and I am the faithful husband of the rain,
I love the water of wells and springs
and the taste of roofs in the water of cisterns.
I am a dry man whose thirst is praise
of clouds, and whose mind is something of a cup.
My sweetness is to wake in the night
after days of dry heat, hearing the rain.

--Wendell Berry
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What We Need Is Here

Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here.

--Wendell Berry
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Manifesto: The Mad Farmer Liberation Front [excerpt]

“So, friends, every day do something that won't compute...Give your approval to all you cannot understand...Ask the questions that have no answers. Put your faith in two inches of humus that will build under the trees every thousand years...Laugh. Be joyful though you have considered all the facts....Practice resurrection.”
― Wendell Berry
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All content of this post is for educational purpose.
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Visit www.wwhitmanbooks.com to learn about our bookstore.

This morning we consider the work of American poet Major Jackson (born September 9, 1968), whose writing captures the be...
08/31/2026

This morning we consider the work of American poet Major Jackson (born September 9, 1968), whose writing captures the beauty of everyday life while reflecting on identity, relationships, urban experiences, and memory.

In an interview, Jackson expressed an interest in "the ethical obligation we have to the communities we claim," one of the many themes in his "Urban Renewal" series. While at Temple University, Jackson formed a relationship with Sonia Sanchez, his first creative-writing professor, who he claims is "responsible for his embrace of poetry".

Other important role models include Garrett Hongo, Derek Walcott, Afaa Michael Weaver, Gwendolyn Brooks, Robert Hayden, Philip Levine and C. K. Williams. He is a professor at Vanderbilt University.

His collections of poetry include: Razzle Dazzle: New & Selected Poems 2002-2022 (W.W. Norton, 2023), The Absurd Man (W.W. Norton, 2020), Roll Deep (W.W. Norton, 2015), Holding Company (W.W. Norton, 2010), Hoops (W.W. Norton, 2006), finalist for an NAACP Image Award for Outstanding Literature-Poetry, and Leaving Saturn (University of Georgia, 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Award Circle.

Here’s a selection of his poems for your consideration:

Superfluities

This downpour of bad reasoning, this age-old swarm,
this buzzing about town, this kick and stomp
through gardens, this snag on the way to the mall,
this heap and toss of fabric and strewn shoes, this tangled
beauty, this I came here not knowing, here
to be torched, this fumbling ecstasy, this ecstasy of fumbling,
this spray of lips and fingers, this scr**e of bone, this raid
of private grounds, this heaving and rocking, this scream
and push, this sightless hunger, this tattered perishing,
this rhythmic teeth knocking, this unbearable
music, this motionless grip, grimace, and groan.
-
-Major Jackson
[from Holding Company, W.W. Norton (2010)]
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Mighty Pawns

If I told you Earl, the toughest kid
on my block in North Philadelphia,
bow-legged and ominous, could beat
any man or woman in ten moves playing white,
or that he traveled to Yugoslavia to frustrate the bearded
masters at the Belgrade Chess Association,
you'd think I was given to hyperbole,
and if, at dinnertime, I took you
into the faint light of his Section 8 home
reeking of onions, liver, and gravy,
his six little brothers fighting on a broken love-seat
for room in front of a cracked flat-screen,
one whose diaper sags it's a wonder
it hasn't fallen to his ankles,
the walls behind doors exposing the sheetrock
the perfect O of a handle, and the slats
of stairs missing where Baby-boy gets stuck
trying to ascend to a dominion foreign to you and me
with its loud timbales and drums blasting down
from the closed room of his cousin whose mother
stands on a corner on the other side of town
all times of day and night, except when her relief
check arrives at the beginning of the month,
you'd get a better picture of Earl's ferocity
after-school on the board in Mr. Sherman's class,
but not necessarily when he stands near you
at a downtown bus-stop in a jacket a size too
small, hunching his shoulders around his ears,
as you imagine the checkered squares of his poverty
and anger, and pray he does not turn his precise gaze
too long in your direction for fear he blames
you and proceeds to take your Queen.

--Major Jackson
[from Roll Deep, W. W. Norton & Company, Inc. (2015)]
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Ode to Everything

Somehow, I have never thought
to thank the ice cream cone
for building a paradisce in my mouth,
and can you believe I have never
thought to thank the purple trout lily
for demonstrating its six-petaled dive
or the yellow circle in a traftic liglht
for illustrating patience. My bad.
In my life, I have failed to praise
the postman whose loyalty is epic,
the laundress who treasures my skinny jeans
and other garments, and the auto repairman
who clangs a wrench inside my car tightening
her own music. Were my name called and I
were summoned on a brightly lit stage to accept
a little statuette, after staring in utter
disbelief, I would thank my dentist
as well as my neighbor who sits vigil
beside the dying far away from the lights,
and my fourth-grade teacher who brought
down three-taped rulers on my hands
as punishment for daydreaming out a window
during an exam I already completed. Mea culpa.
Now that I know the value of the peaks
across from Flanders Hill, I will forever express
reverence for their green crowns.
I will never fail again to say small devotions for
the scar on a friend's face that lengthens
when I walk into a room.

--Major Jackson
[from Razzle Dazzle: New and Selected Poems 2002-2022, W. W. Norton & Company (2023)]
_____________________

After Riefenstahl

The screen's fabrications remain. A film
shot never fails, sailing through the century
like a black V at the hour of moaning.
I premiere these pontifical birds: villagers march
and raise their arms, Marschlieder. Thus I am
your sweet messenger glittering more than first stars,
a harvest of light concealing your nicks and little deaths.
My comrade, my camera, my power, my fury,
my triumph, my will: do you not also,
my love, flicker in a cathedral of terror?

--Major Jackson
[ from Holding Company, W. W. Norton & Company, Inc. (2010)]

Photo Credit: Beowulf Sheehan
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